The Sanskrit Drama in its Origin, Development, Theory & Practice c24.38

Language: English

c24.38

*R* and *l* in the Prākṛits, 86, 87, 88, 122, 212, 219; as affecting the quality of style, 332. *Raghuvaṃça*, by Kālidāsa, 75, 144, 162, 352. *Raṅgadvāra*, part of preliminaries, 340, 342. *Raṅgāvataraṇa*, appearing on the stage, 55. *Rajas*, element of passion, 318. *Rati*, love, as basis of sentiment, 323. *Ratnāvalī*, by Harṣa, 55, 62, 103, 170, 171, 173, 175, 180, 221, 298, 299, 304, 325, 328, 340, 350, 361, 362, 368. *Rathoddhatā*, metre, 167, 203. *Rasa*, sentiment, 296, 314-26. *Rasataraṅgiṇī*, by Bhānudatta, 319. *Rasārṇavasudhākara*, by Ciṅga Bhūpāla, 294. *Rasika*, men of taste, 318, n. 3. *Rājaputras*, speech of, 87, 141, 336. *Rājapraçnīya*, 44, n. 2. *Rājarājanaṭaka*, 251, n. 1. *Rājaçrī*, the kingly fortune, personified 99, 112.

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