The Sanskrit Drama in its Origin, Development, Theory & Practice c24.39

c24.39

*Rājyaçrī*, the royal fortune, 255. *Rāmānanda*, 343, n. 1. *Rāmābhyudaya*, by Vyāsa Çrīrāmadeva, 270. *Rāmāyaṇa*, by Vālmīki, 28, 29, 30, 42, 48, 50, 63, 76, 101, 105, 114, 150, n. 1. *Rāṣṭriya*, as title in dramas, 69, 71. *Rāsa*, a dance, 274. *Rāsamandala*, 40. *Rukmiṇīpariṇaya*, by Rāmavarman, 247. *Rukmiṇīharaṇa*, by Vatsarāja, 266, 267. *Rasadana*, a *Bhāṇa*, 264. *Rucirā*, metre, 166, 185, 212. *Rudantī*, irregular form in Bhāsa, 121. *Rūpa*, in Açoka's edict, 54; object of vision, source of *Rūpaka*, 296. *Rūpaka*, generic name of the drama as a spectacle, 296, 345. *Rūpadakkha*, meaning of, 54. *Rūpājīva*, epithet of actors, 363. *Rūpopajīvana*, sense of, 54. *Rūpopajīvin*, one who lives on the beauty (of his wife), 55. *Raudra*, fury as a sentiment, 323, 354. *Raudratā*, harshness, as a character, 255. *Ry* becomes *yy* in Açvaghoṣa and Bhāsa, 122; but *jj* in Açvaghoṣa's *Māgadhī*, 86; in Bhaṭṭa Nārāyaṇa, 219.