The Sanskrit Drama in its Origin, Development, Theory & Practice c24.42

Language: English

c24.42

*Varṣadhara*, eunuch, 313. *Vasantatilaka*, metre, 123, 142, 166, 181, 185, 203, 212, 219, 236, 240, 246, 253, 258, 272. *Vasantatilaka*, by Varadācārya, 263. *Vastu*, plot, 296-305. *Vastūthāpana*, creation of an object, 327. *Vācika* (sentiment), produced by words, 315, n. 1. *Vācikābhinaya*, expression by words, 367. *Vāsakasajjā* (heroine), in full dress, 309. *Vāsantikasvapna*, by R. Kṛṣṇamachari, 251. *Vāsavadattā*, by Subandhu, 76. *Vikāsa*, expansion of the mind, 320. *Vikramorvaçī*, by Kālidāsa, 62, 66, 124, 126, 146, 147, 149-52, 156, 157, 159, 160, 167, 193, 233, 268, 275, 278, 328, 329, 339, n. 1, 342, 343, 350. *Vikrāntacūḍraka*, a drama, 129, n. 4. *Vikṣepa*, movement to and fro of the mind as connected with sentiment, 320. *Vijayacrī*, by Madana Bālasarasvatī, 256. *Viṭa*, parasite, 65, 132, 135, 136, 177, 193, 263, 311, 326, 334, 346, 356. *Vidagdhamādhava*, by Rūpa Gosvāmin, 247. *Viḍūṣaka*, jester, 28, 39, 40, 50, 51, 52, 53, 56, 62, 65, 66, 67, 73, 81, 82, 84, 107, 108, 133, 141, 156, 158, 159, 160, 176, 177, 234, 235, 237, 254, 263, 264, 270, 299, 310, 311, 313, 314, 326, 328, 334, 340, 351, 361. *Vidyā*, as a character, 251, 252. *Vidyāpariṇayana*, by Vedakavi, 253. *Vidyunmālā*, metre, 142. *Viddhaçālabhañjikā*, by Rājaçekhara, 232, 234, 235, 300. *Viprayoga*, sundering, as form of the erotic sentiment, 323. *Vipralabdhā*, deceived (heroine), 309. *Vipralambha*, sundering, as form of erotic sentiment, 323. *Vibhāva*, determinants of sentiment, 315. *Vibhāṣās*, conventional dialects used in drama, 337. *Vimadda*, in Açvaghoṣa for *vimarda*, 89. *Vimarça*, fourth juncture of the plot, 299. *Vimoktukāma*, irregular form in Bhāsa, 121. *Viya*, in Açvaghoṣa, 88. *Virahoṭkaṇṭhitā*, type of heroine, 309. *Vilāsa*, vivacity as quality of the hero, 307. *Vilāsikā*, a form of drama, 351. *Viveka*, discrimination, 251, 252. *Vivekacandra*, as allegorical character, 254. *Viṣkambha* or *Viṣkambhaka*, introductory scene, 110, 301, 302.