The Sanskrit Drama in its Origin, Development, Theory & Practice c24.43

c24.43

Visnu Purāṇa, 100. Visūkadassana, spectacle, 43. Vistara, expansion of the mind, 320. Vismaya, astonishment, as basis of sentiment, 323. Vijanti, irregular form in Bhāsa, 120. Vitarāgastuti, by Hemacandra, 255. Vīthi, ‘garland’, 295, 296, 328, 329, 348, 349, 353. Vīra, heroism as a sentiment, 323. Vīrabhadravijṛmbhaṇa, 328, n. 3. Vīravijaya, by Kṛṣṇamiçra, 267. Vṛttis, dramatic styles, 326-9. Vṛddhi, sense of, 36, n. 1. Vṛṣabhānujā, by Mathurādāsa, 257. Veṇīsaṃhāra, by Bhaṭṭa Nārāyaṇa, 83, 212-9, 300, 304, 326, 328, 340, 344, n. 1, 353, 361. Vetālapañcaviṃçati, 129, 174. Vedāntasāra, by Sadānanda, 318, n. 2. Veṣṭita, stage costumes, 365. Vaitālīya, metre, 123, 167. Vaiçika, connoisseur of hetaerae, 307, n. 1. Vaiçadevī, metre, 123, 142. Vyaktiviveka, by Mahiman Bhaṭṭa, 294. Vyañjanā, the doctrine of suggestion, 318. Vyabhicārin, transitory (feelings), 315. Vyājima, kind of stage properties, 365. Vyāmiçraka, possible reference to plays, 29. Vyāyoga, a type of drama, 95, 96, 247, 264-6, 296, 344, 347, 353. Vyutpatti, aesthetic equipment, 318. Vyūḍhoras, irregular compound in Bhāsa, 121.