The Sanskrit Drama in its Origin, Development, Theory & Practice c7.s3.11
The Sanskrit Drama in its Origin, Development, Theory & Practice c7.s3.11
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c7.s3.11
² Lüders (SBAW. 1916, p. 718, n. 3) is responsible for the view that Duryodhana is the hero. Lindenau (BS. p. 30) accepts this, but gives the true facts (pp. 32, 33), without apparently realizing that the views are contradictory. The Ūrubhaṅga’s conclusion is happy, not tragic, for the worshipper of Kṛṣṇa.