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The Arctic Home in the Vedas c12.47

The Arctic Home in the Vedas c12.47

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English

c12.47

But even after accepting the theory of the cosmic circulation of celestial waters and the simultaneous release of waters and dawn, it may be asked how the Arctic theory comes in, or is in any way required, to explain the Vritra legend. We may admit that the waters imprisoned by Vritra, by shutting up the passages through the rocky walls that surround them, may be taken to mean the celestial waters in the world below the three earths; but still, the struggle between Indra and Vritra may, for aught we know, represent the daily fight between light and darkness, and it may be urged, that there is no necessity whatever, for bringing in the Arctic theory to explain the legend. A little reflection will, however, show that all the incidents in the legend cannot be explained on the theory of a daily struggle between light and darkness. In X, 62, 2, the Aṅgirases, who are the assistants of Indra in his conquest of cows, are said to have defeated Vala at the end of the year (parivatsare). This shows that the struggle was annual and did not take place every day. Then we have the passage (VIII, 32, 26), where Arbuda, the watery demon, is said to have been killed by Indra with ice (hima), and not with a thunderbolt as usual. In addition to the fact that the struggle was an yearly one, we must, therefore, hold that the conflict took place during winter, the season of ice and snow; and this is corroborated by the statement in the Avesta, that it was during winter that the waters, and with them the sun, ceased to move onwards. Vṛitra’s forts are again described as autumnal or śāradīḥ, showing that the fight must have commenced at the end of Sharad (autumn) and continued during winter. We have further seen that there are a hundred night-sacrifices, and the duration of Tiṣtrya’s fight with Apaosha is described as varying from one to a hundred nights in the Tīr Yasht. All these incidents can be explained only by the Arctic theory, or by the theory of the long autumnal night, and not on the hypothesis of a daily struggle between light and darkness.

Cites (1)