An Encyclopaedia of Indian Archaeology v1.c22.s2.9

v1.c22.s2.9

During the 2nd and 1st centuries B.C. a large number of moulded plaques depicting human figures in relief were produced in the terracotta-making centres which flourished from Bengal to Punjab and Rajasthan. They represent both religious and secular themes. There are numerous goddesses decorated with elaborate coiffure, rich jewellery and fine or transparent costume. Male figures accompany the goddess on the same plaque as at AHICCHATRĀ and CHANDRAKETUGARH or are found separately, often with musical instruments, e.g. AHICCHATRĀ, CHANDRAKETUGARH, MATHURA, etc. There are winged male figures from VAIŚĀLĪ, BALIRAJGARH, TAMLUK and KAUŚĀMBĪ. Plaques with secular themes include garden parties, wrestling, ladies decorating themselves, amorous couples, etc.—themes which townsmen appreciated. The suspension holes indicate that the plaques, both religious and secular, were meant to be hung on walls.