An Encyclopaedia of Indian Archaeology v1.c9.s18.t1.14

v1.c9.s18.t1.14

The subsequent Kushan period and after, down to A D. 300, is remarkable for its massive well-built burntbrick structures at KUMRAHAR, VAIŚĀLĪ, CAMPĀ and particularly CHIRAND, where five structural phases have been traced and exposed. Most of the structures were probably part of monastic complexes. Contrasted with the previous Śuṅga and the subsequent Gupta structures, they exhibit a mature brick architecture. Terracotta art shows a declining trend through terracotta plaques continue. Except characteristic Kushan terracotta with bulging bellies, characteristic head-dress and rather grotesque or amusing faces, there is no extraordinary feature to be noted in the period. The ceramic art continues to decline. We have only the red ware; the shapes are mainly utilitarian without painting. The sprinkler, spouted vessel, high-necked *surāhī* and miniature pot are common. Beads of agate, amethyst, bone and ivory, carnelian, chalcedony, crystal and glass are found in greater quantities and attest to the continuation and further development of the concerned art and crafts and brisk trade.