Shringaraprakasha 5.p2.2

5.p2.2

ākhyāvātkṛtastadācaṣṭe, kṛllukprakṛtipratyāpattiḥ, prakṛtivañca kārakamityādipratyayā pattyupaskārārthaḥ, yathā--- śailairbanthayati sma vānarahṛtairvālmīkirambhonidhim | vyāsaḥ pārthaśaraistathāpi nava tayoratyukti rudbhāvyate || iti | apādaine parīpsāyāṃ ṇamulityādau sthādirupapadopaskārārthaḥ, yathā---- kiñciccheṣaniśātuṣāramadhurasparśaṃ gṛhaprāṅgaṇe | śayyotthāyamiha vrajanti nahalināṃ bālāḥ kukūlānalam || iti || 5.16. pratyayadvārako'pi ṣoḍhā, lopāgamavarṇavikāravikaraṇādeśopagrahabhedāt | teṣu lopārthaḥ phalakusumayorluk | yathā-- varṇaprakarṣe sati rarṇikāraṃ dunoti nirgandhatayā sma cetaḥ || āgamārthaḥ yathā--hṛṣerlemasu | ānanairvicakase, vallabhaānabhitanībhairabhaāvi | varṇavikārārthaḥ divo vijigīṣāyāṃ niṣṭhānatvam | yathā-- ādyūnassan gṛhiṇyeva prāyo yaṣṭyāvalambitaḥ || vikaraṇārthaḥ śaaliṣaḥ prāṇyaṅganekasaḥ | yathā--"āślikṣadbhayacapalekṣaṇā navoḍhā bhartāraṃ vipadi na dūṣitātibhūtiḥ |" ādeśārtha āśiṣi tuhyostātaṅ | yathā--- bhavatādbhavato matiśśubhaā jayatājjīva bhāvavanīśvara | upagrahārthaḥ adheḥ prasahane kṛte ātmanepadam | yathā--- bhavādṛśāścedadhikurvate ratiṃ nirāśrayā hanta hatā manasvatā || iti || 5.17. ubhayadvārakaṃ tu dvādaśadhā, avadhisaṃbodhanakriyāviśeṣaṇakārakiśeṣaṇaśeṣapariśeṣasahārthatādarthyahetulakṣaṇopapadaprakīrṇabhedāt | tatra kriyādīnāṃ mitho maryādāvadhiḥ | sa pūrvakālavyātihāraparāyogakālādhaavādibhedādanekaprakāraḥ | teṣu pūrvakālo yathā--- kṛtormilekhaṃ śithilatvamāyātā śanaiśśanaiśśāntarayeṇa vāriṇa |

Supplementation by reversion to base form, as in [the rules] 'from a finite verb to a primary suffix, it states that', 'elision of the primary suffix and reversion to the base form', 'and the syntactic role like the morphological base', is as in:
'Vālmīki bound the ocean with rocks brought by monkeys; / Vyāsa did likewise with the arrows of Pārtha; even so, hyperbole in both appears fresh.'
Supplementation by co-occurring nominal, as in [the rule] '*ṇamul* in the sense of haste regarding an ablative point', etc., with *sthā*, etc., is as in:
'In the house-courtyard, with a touch sweet with the dew of the night's final remnant, / rising from their beds (*śayyotthāyam*), the children of the lotus-gatherers walk to the chaff-fire.' || 5.16.

That operating through the affix is also of six kinds, due to the distinctions of elision, augment, sound modification, infix, substitute, and voice affix (*upagraha*). Among these, the purpose of elision is the elision (*luk*) in the case of fruit and flower. For example:
'When there is excellence of color, the Karṇikāra flower grieves the heart because of its scentlessness.'
Augment is as in: *hṛṣerlemasu* … [or] *ānanairvicakase vallabhānābhitānībhirabhāvi*.
Sound modification is the substitution of *na* for the past participial ending of *div* in the sense of desiring victory. For example:
'Having been addicted to gambling (*ādyūnaḥ*), he, mostly supported by a stick, is like an anchorite.'
Infix is [affixation without change of meaning as in] *śliṣ* in the sense of joining body parts. For example:
'Her eyes trembling with fear, the newlywed bride embraced (*āślikṣat*) her husband in calamity, whose magnificent glory was unmarred.'
Substitute is *tātaṅ* in place of *tu* and *hi* in benediction. For example:
'May your mind be auspicious (*bhavatāt*), may you be victorious (*jayatāt*), live long, O king of the earth!'
Voice affix is the middle voice (*ātmanepada*) of *adhi-kṛ* in the sense of overpowering. For example:
'If those like you harbor passion (*adhikurvate ratim*), alas! high-mindedness is destroyed without a refuge.' || 5.17.

That operating through both, however, is of twelve kinds, due to the distinctions of limit (*avadhi*), vocative address (*sambodhana*), adverbial modifier, nominal modifier, syntactic complement (*śeṣa*), remainder (*pariśeṣa*), accompaniment (*sahārtha*), purpose (*tādarthya*), cause (*hetu*), indicator (*lakṣaṇa*), co-occurring nominal (*upapada*), and miscellaneous (*prakīrṇa*). Among them, the limit is the reciprocal boundary of actions and the like. It is of many kinds through distinctions such as prior time, reciprocal action, subsequent application, connection in time, connection in space, and the like. Among them, prior time is as in:
'Having marked lines of waves, the water gradually reached slackness with its subdued speed; / observing this, he delighted in the sandy bank of the ocean-wife, white as a rippling garment.'
Reciprocal action is as in:
'Embracing each other with the pressing of breasts (*stanopapīḍam*), kissing, and chattering incessantly again and again, / borrowing from one another and begging, the night passed for the two lovers like an instant.'
Subsequent application is as in:
'Having traversed those various wonders near the slopes of the Snowy Mountain, / you should proceed through that Krauñca-cleft, the gateway for geese, the path of the fame of the lord of the Bhṛgus; / along it, head to the northern direction, an expanse dark and beautiful across, / like the foot of Viṣṇu raised to subdue Bali.'
Unattained application is as in:
'Before reaching that mountain (*aprāpya parvatam*), in these forest-grounds where Indranīla, Lodhra, and Bakula trees are spread before you, / the wind of the waves of the divine river will take away the mass of sins and the travel fatigue of you who have arrived.'
Connection in time is as in:
'Thus, by pursuing the path of sensual pleasure, Kāma being favored, / he whose banner is the bull resided for one month (*māsamekam*) in the mansion of the mountain-king together with Umā.'
Connection in space is as in:
'[... for a hundred yojanas ...] / Ever a traveler, the Sun measures the extent of the sky.'
Thus the functions of usage are budded with the seal of blazing conditioning factors; / triumphant again is the boundless expansion of the wisdom of the virtuous! || 5.18.

Vocative address (*sambodhana*) is turning an established entity towards an action. It is of six kinds, due to the distinctions of command, prohibition, assent, reproach, question, and narration. Among these, the sense of command is as in:
'Command me in what needs to be done by you among the people of men of recognized distinction; / remembering your past favor, I desire to promote it by your command.'
Prohibition is as in:
'Your face naturally smells of moist saffron, your eyes are naturally full of intoxication; / having found an abode here, what additional quality will intoxication effect, O playful woman?'
Assent is as in:
'All this is fitting in you, friend: you and the thunderbolt are my two weapons; / the former of the two is blunted against great foes, but you are everywhere-penetrating and effective.'