Shringaraprakasha 5.p2
Śṛṅgāraprakāśa 5.p2
- Language
- Sanskrit
5.p2.1
iti | viśeṣaṇaṃ yathā--kartavyaṃ, pācakaḥ, subodhamiti | taddhitābhideyaṃ dvidhā---sāpekṣakriyamanepekṣitakriyaṃ ca | tayossāpekṣakriyaṃ yathā--iṣṭī yajñe, parigaṇitī yājñikye, āmnātī chandasi, adhītī vyākaraṇe, kṛtapūrvī kaṭamiti | anekṣakriyaṃ yatā--pākevana nirvṛttaṃ pākami, sekena nirvṛttaṃ sekimaṃ, kuṭṭena kuṭṭimaṃ, karaṇena kṛtrimaṃ, śyenapāko'syāṃ tilapāko'syāṃ tilapāko'syāṃ kriyāyāṃ śyainaṃpātā tailaṃ pāteti | prakṛtipratyayobhayadvārakaṃ padārthaviśeṣaṇamupaskārārthaḥ | sa tridā, prakṛtidvārakaḥ, pratyayadvārakaḥ, ubhayadvārakaśca | teṣu prakṛtidvārakaḥ ṣoḍhā, lopāgamasavarṇavikārādeśapratyāpattyapapadopaskārabhedāt | teṣu rañjerṇau mṛgaramaṇena lopa ityādi | lopopaskārārthaḥ yathā-- dhṛtahetirapyadhṛtajihmagatiścaritairmumīnadharayan gurubhaiḥ | rajāyāñcakāra virajaḥ sa mṛgān kimiveśate ramayituṃ na guṇāḥ || aśvavṛṣayormaithunecchāyāmityādirāgamopaskārārthaḥ yathā--- anekayugajīvinyāstrotā yasyastrayodaśī | sā kṣīrakaṇkaṃ vatsaṃ vṛṣasyantī na lajjitā || veśca svano bhojane mūrdhanya ityādivarṇavikāropaskārārthaḥ yathā-- glānicchekṣutprabodhāya pītvā raktaṃ riṣṭaṃ jhāṣitājīrṇaśeṣaḥ | svāduṅkāraṃ māṃsakhaṇḍopadaṃśaṃ kroṣṭā ḍimbhaṃ vyāṇvaṇadvyasvanañca || mātarmātacputre ślāghya ityādirādeśopaskārārthaḥ yathā-- gaurī mā tasya tasyaitāḥ kārtikeyasya kīrtayaḥ | kīrtitāsu na kīrtyante yāsu kasyāpi kīrtayaḥ || 5.15.
… thus. A modifier [is seen] as in: *kartavyaṃ* ('to be done'), *pācakaḥ* ('cook'), *subodham* ('easy to understand'). What is denoted by a secondary derivative affix (*taddhita*) is twofold: having an expected action, and having an unexpected action. Between these two, having an expected action is as in: *iṣṭī yajñe* ('desirous in sacrifice'), *parigaṇitī yājñikye* ('reckoning in rituals'), *āmnātī chandasi* ('well-versed in metrics'), *adhītī vyākaraṇe* ('studious in grammar'), *kṛtapūrvī kaṭam* ('having previously made a mat'). Having an unexpected action is as in: *pākena nirvṛttaṃ pākimaṃ* ('produced by cooking, *pākima*'), *sekena nirvṛttaṃ sekimaṃ* ('produced by sprinkling, *sekima*'), *kuṭṭena kuṭṭimaṃ* ('inlaid by hammering, *kuṭṭima*'), *karaṇena kṛtrimaṃ* ('artificial by fabrication, *kṛtrima*'), *śyenapāko 'syāṃ tilapāko 'syāṃ kriyāyāṃ śyainaṃpātā tailaṃpātā* ('a cooking-like-a-falcon in this action, a sesame-cooking in this action: *śyainaṃpātā*, *tailaṃpātā*').
The supplementation (*upaskārārtha*) is a modifier of the word-meaning operating by means of both the morphological base and the affix. It is threefold: operating through the morphological base, operating through the affix, and operating through both. Among these, that operating through the morphological base is of six kinds, due to the distinctions of supplementation by elision (*lopa*), augment (*āgama*), sound modification (*varṇavikāra*), substitute (*ādeśa*), reversion to base form (*pratyāpatti*), and co-occurring nominal (*upapada*). Among these, the supplementation by elision, as in [the rule] 'elision of *rañj* when followed by *ṇi* with reference to hunting deer,' etc., is as in:
'Though bearing weapons, he walked no crooked path; surpassing the sages with his deeds of high renown, / he, free from passion, delighted the deer—what indeed can qualities not charm?'
Supplementation by augment, as in [the rule] 'in the desire of copulation of a horse or a bull,' etc., is as in:
'For her, living through many yugas, the thirteenth [year] was flowing; / she, craving a bull (*vṛṣasyantī*), was not ashamed before her calf drinking a drop of milk.'
Supplementation by sound modification, as in [the rule] 'and of *svana* preceded by *vi* in the sense of eating, the [sibilant becomes] retroflex,' etc., is as in:
'To awaken hunger from the fatigue of consumption, having drunk blood … remaining from an unresolved indigestion, / relishing morsels of flesh as side-dishes, the jackal crackled (*vyasvaṇat*) and barked at the child.'
Supplementation by substitute, as in [the rule] '*mātar* with *mātac* praised in the sense of a son,' etc., is as in:
'Gaurī is his mother; these are the glories of that Kārtikeya, / upon the singing of which the glories of no one else are sung.' || 5.15.
5.p2.2
ākhyāvātkṛtastadācaṣṭe, kṛllukprakṛtipratyāpattiḥ, prakṛtivañca kārakamityādipratyayā pattyupaskārārthaḥ, yathā--- śailairbanthayati sma vānarahṛtairvālmīkirambhonidhim | vyāsaḥ pārthaśaraistathāpi nava tayoratyukti rudbhāvyate || iti | apādaine parīpsāyāṃ ṇamulityādau sthādirupapadopaskārārthaḥ, yathā---- kiñciccheṣaniśātuṣāramadhurasparśaṃ gṛhaprāṅgaṇe | śayyotthāyamiha vrajanti nahalināṃ bālāḥ kukūlānalam || iti || 5.16. pratyayadvārako'pi ṣoḍhā, lopāgamavarṇavikāravikaraṇādeśopagrahabhedāt | teṣu lopārthaḥ phalakusumayorluk | yathā-- varṇaprakarṣe sati rarṇikāraṃ dunoti nirgandhatayā sma cetaḥ || āgamārthaḥ yathā--hṛṣerlemasu | ānanairvicakase, vallabhaānabhitanībhairabhaāvi | varṇavikārārthaḥ divo vijigīṣāyāṃ niṣṭhānatvam | yathā-- ādyūnassan gṛhiṇyeva prāyo yaṣṭyāvalambitaḥ || vikaraṇārthaḥ śaaliṣaḥ prāṇyaṅganekasaḥ | yathā--"āślikṣadbhayacapalekṣaṇā navoḍhā bhartāraṃ vipadi na dūṣitātibhūtiḥ |" ādeśārtha āśiṣi tuhyostātaṅ | yathā--- bhavatādbhavato matiśśubhaā jayatājjīva bhāvavanīśvara | upagrahārthaḥ adheḥ prasahane kṛte ātmanepadam | yathā--- bhavādṛśāścedadhikurvate ratiṃ nirāśrayā hanta hatā manasvatā || iti || 5.17. ubhayadvārakaṃ tu dvādaśadhā, avadhisaṃbodhanakriyāviśeṣaṇakārakiśeṣaṇaśeṣapariśeṣasahārthatādarthyahetulakṣaṇopapadaprakīrṇabhedāt | tatra kriyādīnāṃ mitho maryādāvadhiḥ | sa pūrvakālavyātihāraparāyogakālādhaavādibhedādanekaprakāraḥ | teṣu pūrvakālo yathā--- kṛtormilekhaṃ śithilatvamāyātā śanaiśśanaiśśāntarayeṇa vāriṇa |
Supplementation by reversion to base form, as in [the rules] 'from a finite verb to a primary suffix, it states that', 'elision of the primary suffix and reversion to the base form', 'and the syntactic role like the morphological base', is as in:
'Vālmīki bound the ocean with rocks brought by monkeys; / Vyāsa did likewise with the arrows of Pārtha; even so, hyperbole in both appears fresh.'
Supplementation by co-occurring nominal, as in [the rule] '*ṇamul* in the sense of haste regarding an ablative point', etc., with *sthā*, etc., is as in:
'In the house-courtyard, with a touch sweet with the dew of the night's final remnant, / rising from their beds (*śayyotthāyam*), the children of the lotus-gatherers walk to the chaff-fire.' || 5.16.
That operating through the affix is also of six kinds, due to the distinctions of elision, augment, sound modification, infix, substitute, and voice affix (*upagraha*). Among these, the purpose of elision is the elision (*luk*) in the case of fruit and flower. For example:
'When there is excellence of color, the Karṇikāra flower grieves the heart because of its scentlessness.'
Augment is as in: *hṛṣerlemasu* … [or] *ānanairvicakase vallabhānābhitānībhirabhāvi*.
Sound modification is the substitution of *na* for the past participial ending of *div* in the sense of desiring victory. For example:
'Having been addicted to gambling (*ādyūnaḥ*), he, mostly supported by a stick, is like an anchorite.'
Infix is [affixation without change of meaning as in] *śliṣ* in the sense of joining body parts. For example:
'Her eyes trembling with fear, the newlywed bride embraced (*āślikṣat*) her husband in calamity, whose magnificent glory was unmarred.'
Substitute is *tātaṅ* in place of *tu* and *hi* in benediction. For example:
'May your mind be auspicious (*bhavatāt*), may you be victorious (*jayatāt*), live long, O king of the earth!'
Voice affix is the middle voice (*ātmanepada*) of *adhi-kṛ* in the sense of overpowering. For example:
'If those like you harbor passion (*adhikurvate ratim*), alas! high-mindedness is destroyed without a refuge.' || 5.17.
That operating through both, however, is of twelve kinds, due to the distinctions of limit (*avadhi*), vocative address (*sambodhana*), adverbial modifier, nominal modifier, syntactic complement (*śeṣa*), remainder (*pariśeṣa*), accompaniment (*sahārtha*), purpose (*tādarthya*), cause (*hetu*), indicator (*lakṣaṇa*), co-occurring nominal (*upapada*), and miscellaneous (*prakīrṇa*). Among them, the limit is the reciprocal boundary of actions and the like. It is of many kinds through distinctions such as prior time, reciprocal action, subsequent application, connection in time, connection in space, and the like. Among them, prior time is as in:
'Having marked lines of waves, the water gradually reached slackness with its subdued speed; / observing this, he delighted in the sandy bank of the ocean-wife, white as a rippling garment.'
Reciprocal action is as in:
'Embracing each other with the pressing of breasts (*stanopapīḍam*), kissing, and chattering incessantly again and again, / borrowing from one another and begging, the night passed for the two lovers like an instant.'
Subsequent application is as in:
'Having traversed those various wonders near the slopes of the Snowy Mountain, / you should proceed through that Krauñca-cleft, the gateway for geese, the path of the fame of the lord of the Bhṛgus; / along it, head to the northern direction, an expanse dark and beautiful across, / like the foot of Viṣṇu raised to subdue Bali.'
Unattained application is as in:
'Before reaching that mountain (*aprāpya parvatam*), in these forest-grounds where Indranīla, Lodhra, and Bakula trees are spread before you, / the wind of the waves of the divine river will take away the mass of sins and the travel fatigue of you who have arrived.'
Connection in time is as in:
'Thus, by pursuing the path of sensual pleasure, Kāma being favored, / he whose banner is the bull resided for one month (*māsamekam*) in the mansion of the mountain-king together with Umā.'
Connection in space is as in:
'[... for a hundred yojanas ...] / Ever a traveler, the Sun measures the extent of the sky.'
Thus the functions of usage are budded with the seal of blazing conditioning factors; / triumphant again is the boundless expansion of the wisdom of the virtuous! || 5.18.
Vocative address (*sambodhana*) is turning an established entity towards an action. It is of six kinds, due to the distinctions of command, prohibition, assent, reproach, question, and narration. Among these, the sense of command is as in:
'Command me in what needs to be done by you among the people of men of recognized distinction; / remembering your past favor, I desire to promote it by your command.'
Prohibition is as in:
'Your face naturally smells of moist saffron, your eyes are naturally full of intoxication; / having found an abode here, what additional quality will intoxication effect, O playful woman?'
Assent is as in:
'All this is fitting in you, friend: you and the thunderbolt are my two weapons; / the former of the two is blunted against great foes, but you are everywhere-penetrating and effective.'
5.p2.3
nirīkṣya reme sa samudrayoṣitāṃ taraṅgikṣaimavipāṇḍusaikatam || vyatihāro yathā-- stanopapīḍaṃ parirabhya cumbatoḥ prajalpatorapyanavasthitaṃ muhuḥ | straśca yūnorapamitya yācatoridrayo reva jagāma śarvarī || parayogo yathā-- prāleyādrerupataṭamatikramya tāṃstānviśeṣān | haṃsadvāraṃ bhṛgupatiyaśovartmayatkrauñcarandham | tenodīcīṃ diśamanusarestiryagāyāmaśobhi- śyāmaṃ pādo balivimathanābhyutthitasyeva viṣṇoḥ || apayogo yathā-- aprāpya parvatamimāni purovilīnanīndhralodhravakulāni vanasthalāni | āseduṣastava hariṣyati yeṣvaghaughamadhvaklamaṃ ca surasindhutaraṅgavātaḥ || kālayogo yathā-- evamindriyasukhasya vartmanassevanādanugṛhītamanmathaḥ | śelarājabhavane sahomayā māsamekamavasadvṛṣadhvajaḥ || adhvayogo yathā-- ....... ...... ......naśataṃ | sadā pānthaḥ pūṣā gaganaparimāṇaṃ gaṇayati || iti prayobhāvāssphuradupadhimudrāmukulitāḥ | satāṃ prajñonmeṣaḥ punapayasīmā vijayate || 5.18. siddhasya kriyārthamabhimukhīkaraṇaṃ sambodhanam | tatṣoḍhā, niyoganiṣedhānumatyupālambhapraśnākhyānārthadāt | teṣu niyogārthaṃ yathā-- ājñāpaya jñātaviśeṣapuṃsāṃ lokeṣu yattekaraṇīmasti | anugrahaṃ saṃsmaramapravṛttamicchāmi saṃvaddhitumājñayā te || niṣedhārtha yathā-- ārdrasesarasugandhi te mukhaṃ mattamattanayanaṃ svabhāvataḥ | atra labdhavasatirguṇāntaraṃ kiṃ vilāsini madaḥ kariṣyati || anumatyarthaḥ yathā-- sarvaṃ sakhe tvayyupapannametadubhe mamāstre kuliśaṃ bhāvāṃśca | pūrvaṃ tayovīṃryamahatsu kuṣṭhaṃ tvaṃ sarvatogāmi ca sādhakañca ||
having observed the pale sandbars of the ocean's wives made wavy with rippling waves, he took delight. / Reciprocal action is as follows: / Clasping with pressure against the breasts, kissing, / and babbling incoherently again and again, / the night passed in a moment for the two youths / borrowing and begging from each other. / Association with *para* ['beyond'] is as follows: / Having bypassed those various special sights along the flank of the Snowy Mountain, / reach the cleft of Krauñca, the swan-door, the pathway to the glory of Bhṛgupati; / through that, proceed toward the northern quarter, / dark and shining with horizontal expanse, like the foot of Viṣṇu raised to crush Bali. / Association with *apa* ['short of'] is as follows: / Not reaching this mountain, these woodland tracts in front / whose lodhra and bakula trees are intertwined with nīpa blossoms; / when you have arrived at them, the wind bearing the waves of the celestial river / will dispel your heap of sins and the fatigue of the journey. / Association with time is as follows: / In this manner, having favored Kāma by resorting to the path of sensory pleasure, / the Bull-bannered Lord dwelt for one month / in the palace of the King of Mountains together with Umā. / Association with distance is as follows: / [...] / Ever a wanderer, the sun measures the extent of the sky. / Thus the applications are closed like buds by the stamp of manifest conditions; / yet the brilliance of intellect of the virtuous triumphs, having no shore. / 5.18. Vocative address is the directing toward oneself of an established entity for the purpose of an action. / It is sixfold, through having the sense of command, prohibition, assent, reproach, question, and narration. / Among these, that having the sense of command is as follows: / 'Command, O Lord who knows what distinguishes men, whatever you need done in these worlds; / mindful of your past favor, I desire to foster it by your command.' / That having the sense of prohibition is as follows: / 'Your face is naturally fragrant with moist wine, your eyes naturally impassioned; / having found a dwelling here, O playful woman, what further quality will intoxication produce?' / That having the sense of assent is as follows: / 'All this is fitting in you, friend: both the thunderbolt and you are my weapons; / between the two, the former's power is blunted against the mighty, while you go everywhere and accomplish everything.'
5.p2.4
upālambhārthaṃ yathā-- avastunirbandhapare kathaṃ nu te karo'yamāmuktavivāhakautukaḥ | kareṇa śambhorvalayīkṛtāhinā sahiṣyate tatprathamāparādham || praśnārthe yathā-- kā tvaṃ śubhe kasya parigraho vā kiṃ vā madabhyāgamakāraṇaṃ te | ācaśva matvā vaśināṃ raghūṇāṃ manaḥ parastrīvimukhapravṛtti || ākhyānārtha yathā-- nūnamunnamati yajvanāṃ patiśśārvarasya tamaso niṣiddhaye | puṇḍarīkamukhu diṅmukhaṃ yataḥ kaitakaisvi rajobhirāhatam || 5.19. prakṛtipratyayasamudāyasya phrakṛtyarthabhāgamukhena bhedakaṃ kriyāviśeṣaṇaṃ, bhāvotpanne'pi hi pratyaye kadācitsamudāyaḥ pratyayamukhena viśeṣyate, tīvraḥ pākaḥ, tīvraṃ pāka iti | nāmarūpamavyayarūpaṃ kadrūpaṃ taddhitarūpaṃ samāsarūpamupasargādirūpamiti | teṣu nāmarūpaṃ yathā-- mandaṃ mandaṃ nudati pavanaścānukūlo yathā tvāṃ vāmaścāyaṃ nadati madhuraṃ cātakaste sagandhaḥ | garbhādhānakṣaṇaparicayānnūvamābaddhamālāsseviṣyante nayanasubhagaṃ khe bhavantaṃ valākāḥ || avyayarūpaṃ yathā-- praśāntadharmābhibhavaśśanairvivān vilāsinībhyaḥ parimṛṣṭapaṅkajaḥ | dadau bhūjālambamivāttaśīkarastaraṅgamālāntaragocaro'nilaḥ || kṛdrūpaṃ yathā-- śayyante hataśāyikāḥ pathi tarucchāyāniṣapaṇṇādhvagaiḥ śrīkaṇṭhāyataneṣu dhārmikajanairāstanta uṣṭrāsikāḥ | śūnye tatra nikañjaśakhini sakhi grīṣmasya madhyandine sajjānāṃ dayitābhisāraṇavidhau rambhaḥ kṣaṇo vartate || taddhitarūpaṃ yathā-- śataṃ vārānuktaḥ priyasakhi vacobhissuparuṣairasahastraṃ nirdhūtaḥ padanipatitaḥ pārṣṇihatibhiḥ |
With the sense of censure, as: / 'O woman intent on an absurd obsession! How can this hand of yours, / bound with the wedding bracelet, endure that first offence / at the hand of Śambhu with its coiled serpent?' / In the sense of a question, as: / 'Who are you, auspicious one? Whose wife are you, / or what is the purpose of your coming to me? / Tell me, knowing that the mind of self-controlled descendants of Raghu / turns away from another's wife.' / In the sense of narration, as: / 'Surely the lord of sacrifices rises to dispel the nocturnal darkness, / because the quarter of the sky with its lotus face is powdered with pollen from ketaka blossoms.' / 5.19. An adverbial modifier is an attribute of the whole composed of base and affix, through the medium of the portion that is the meaning of the base; for even when an affix is introduced in the sense of abstract action, the whole is sometimes qualified through the affix, as in 'tīvraḥ pākaḥ' (the cooking is intense), [or] 'tīvraṃ pākaḥ' (cooking intensely). It takes the form of a noun, an indeclinable, a primary derivative, a secondary derivative, a compound, or a prefix and so on. Among these, the nominal form is as: / 'As the favorable wind gently, gently urges you, / and this cātaka bird sings sweetly to the left, full of longing, / surely the cranes, accustomed to the season of conception, having formed a line in the sky, / will attend upon you who are delightful to the eye.' / The indeclinable form is as: / 'With the heat of midday subsided, blowing gently, / smoothing the lotuses, taking up drops of spray, / moving within the rows of waves, the breeze / gave support, as it were, to the arms of the playful women.' / The primary derivative form is as: / 'Travellers lying down in the shade of trees along the path are sleeping comfortably; / pious folk sit in the temples of Śiva like seated camels; / my friend, in that deserted bower of the arbour at midday in summer, / a moment is ready to begin for lovers equipped for an assignation with the beloved.' / The secondary derivative form is as: / 'Told a hundred times, dear friend, with very harsh words; / thrown down at [my] feet, shaken off by kicks of my heels a thousand times; /'
5.p2.5
kiyatkṛtvo baddhāḥpunarapi na vedmi bhrukuṭayastathā'pi kliśnānmāṃ kṣaṇamapi na dhaṣṭo viramati || samāsarūpaṃ yathā-- prasīda viśrāmyatu vīra vajraṃ śarairmadīyaiḥ katamastavāriḥ | bibetu moghīkṛtabāhuvīryaḥ strībhyo'pi kopasphuritādharābhyaḥ || 5.20. kartrādīnāṃ svebhyaḥ pare kārakaviśeṣaṇam | tadapi ṣoḍhā, kartṛviśeṣaṇaṃ karmaviśeṣaṇaṃ karaṇaviśeṣaṇaṃ saṃpradānaviśeṣaṇamapādānaviśeṣaṇamadhikaraṇaviśeṣaṇamiti | teṣu kartṛviśeṣaṇaṃ yathā-- sā maṅgalasnānaviśiddhagātrī gṛhītavatyudgamanīyavastram | nivṛttaparḍanyajalābhiṣekā praphullakāśā vasudheva reje || karmaviśeṣaṇaṃ yathā-- aśokanirbhartsitapadmarāgamākṛṣṭahemadyutikararṇikāram | muktākalāpītakṛtasindhavāraṃ vasantapuruṣpābharaṇaṃ vahantī || karaṇaviśeṣaṇaṃ yathā-- mukhena sā padmāsugandhinā niśi pravepamānādharapatraśobhinā | tuṣāravṛṣṭikṣacapadmasampadāṃ sarocasantānamivākarodapām || saṃpradānaviśeṣaṇaṃ yathā-- tasmai himādreḥ prayatāṃ tanūjāṃ yatātmane rocayituṃ yatasva | yoṣutsu tadvīryaniṣekabhūmissaiva kṣametyātmabhunopadiṣṭam || apādanaviśeṣaṇaṃ yathā-- visṛṣṭarāgādadhārānnivartitasstavāṅgarāgārūṇitāñca kandukāt | kuśāṃkurādānaparikṣatāṃguliḥ kṛto'kṣasūtrapraṇayī tayā karaḥ || adhikaraṇaviśeṣaṇaṃ yathā-- 5.21. anuprayogārthaśśeṣaḥ | sa ṣoḍhā, liḍanuprayogārthaḥ, lojanuprayogārthaḥ, kṛjanuprayogārthaḥ, yathāvidhyanuprayogārthaḥ, adhikānuprayogārthaḥ, dvirvacanānuprayogārthaḥ iti | siḍanuprayogārtho yathā-- na laṅghāyāmāsa mahājanānāṃ śirāṃsi nāvoddhatimājagāma |
'how many times my brows were knitted, yet again I do not know; / still the insolent man, tormenting me, does not desist for even a moment!' / The compound form is as: / 'Be gracious, O hero! Let the thunderbolt rest. Which enemy of yours / with our arrows, his arm's prowess brought to naught, / would be afraid even of women whose lips tremble with anger?' / 5.20. Following their own [forms], [an adjective is] a modifier of syntactic roles beginning with the agent. That also is sixfold: modifier of the agent, modifier of the direct object, modifier of the instrument, modifier of the recipient, modifier of the starting point, and modifier of the locus. Among these, the modifier of the agent is as: / 'With her limbs purified by the auspicious bath, / having taken the freshly-woven silk garment, / she shone like the earth whose ablution by rain-clouds has ceased, / with blooming kāśa grass.' / The modifier of the direct object is as: / 'Wearing the floral ornaments of spring, / where rubies were defied by the aśoka, / where the splendour of gold was attracted by the karṇikāra, / and where the sinduvāra was made into a string of pearls...' / The modifier of the instrument is as: / 'With her face fragrant as a lotus, / resplendent with trembling petal-like lower lip at night, / she produced, as it were, an unbroken line of lotuses in water, / whose wealth of lotuses was ruined by a shower of frost.' / The modifier of the recipient is as: / 'Strive to make the daughter of the snowy mountain agreeable to him / whose self is restrained; / among women she alone is fit to be the soil for depositing his seed— / so it was instructed by the Self-born.' / The modifier of the starting point is as: / 'Turned back from her lower lip from which colour had departed, / and from the ball reddened with the rouge of her body, / her hand, fingers pierced from plucking sprouts of kuśa grass, / was devoted to the rosary.' / The modifier of the locus is as: [...] / 5.21. The rest pertains to the meaning of auxiliation. That is sixfold: the meaning of the auxiliary liṭ, the meaning of the auxiliary loṭ, the meaning of the auxiliary kṛ, the meaning of the auxiliary as prescribed by rule, the meaning of an augmentative auxiliary, and the meaning of a reduplicative auxiliary. The meaning of the auxiliary liṭ is as: / 'He did not step over the heads of the great; / he did not rise to arrogance; /'
5.p2.6
aceṣṭatāṣṭāpadabhūmireṇuḥ khurāhato yatsadṛśaṃ garimṇaḥ || lojanuprayogārtho yathā-- purīmavaskanda lunīhi nandanaṃ muṣāṇa ratnāni harāmarāṅganāḥ | nigṛhya cakre namucidviṣā balī ya itthamasvāsthyamahardivaṃ duvaḥ || kṛdanuprayogārtho yathā-- salīlamāsaktalātāntabhūṣaṇaṃ samāsajantyā kusumāvataṃsakam | stanopapīḍaṃ nunude nitāmbinā dhanena kaścijjaghanena kācana || yathāvidhyanuprayogārtho yathā-- sa te priyaścetsubhagoparodhairvicintitairasya phalaṃ na kiñcit | priyāparādho hi vicintyamānassamūlakāṣaṃ kaṣatīva cetaḥ || taddhitānuprayogārtho yathā-- parikṣate vakṣati dantidantaiḥ priyāṅkaśītā nabhasaḥ patantī | neha pramohaṃ priyasāhasānāṃ mandāramālā viralīkaroti || dvarvacanānuprayogārtho yathā-- vadata vadata satyaṃ rūpamīdṛkkadācidyati punabalāyā dṛṣṭarūparvaṃ mukhādi | jagati jitasamastārātivarge ..... miva na dṛṣṭaṃ matprasādādbhavadbhiḥ || 5.12. cādinipātadyotyaḥ samuñcayādiḥ padārthadharmaḥ pariśeṣaḥ | so'nantaprakāro'pi śaḍvidhaḥ ihodāhiyate | samuñcayaḥ, vikalpaḥ, upamā, niyogaḥ vinigrahaḥ, patiṣedhaḥ | teṣu samuñco yathā-- ito gamiṣyāmyathaveti vādinī cacāla sā ca stabhinnavavalkalā | svapūramāsthāya ca tāṃ kṛtasmitassamālalambe vṛṣarājaketanaḥ || vikalpo yathā--- vibhūṣaṇodbhāsi pinaddhabogivā gajājinālambi dukūladhāri vā | kapāli vā syādathavenduśekharaṃ na viśvamūrteravadhāryate vapuḥ || upamā yathā--- hastena hastaṃ parigṛgaṃya vadhvāssarojasū nussutarāṃ babhāse | anantarāśokalatāpravālaṃ prāpyeva cūtaḥ pratipallanena ||
The dust of the golden ground, struck by his hooves, moved in a manner appropriate to its heaviness. // The sense of an auxiliary verb with the imperative is, for example: / "Attack the city, cut down the Nandana grove, steal the gems, abduct the celestial maidens!" / Thus having restrained [the gods], that mighty one made night and day miserable for the enemy of Namuci. // The sense of an auxiliary primary suffix is, for example: / Playfully affixing a blossom-crest that was attached to the end of a creeper, / rubbing against her breasts, a certain woman was pushed away by her lover with his heavy, broad hips. // The sense of an auxiliary verb according to rule is, for example: / If he is your beloved, then there is no benefit in these calculated offenses by a handsome man; / for a lover's offense, when dwelled upon, as it were scours the mind completely down to the roots. // The sense of an auxiliary secondary suffix is, for example: / Plunging down from the sky, cool from her lover's lap, onto a chest scratched by elephant tusks, / the garland of mandāra flowers here does not dispel the swoon of those fond of reckless deeds. // The sense of an auxiliary reduplication is, for example: / Speak, speak the truth! If once again such beauty has been seen anywhere—such a face of a frail woman— / [...] has not been seen in a world where the entire host of foes is conquered, through my favor by you. // 5.12. An attribute of word-meaning indicated by a particle like 'ca' and the like, as a residual category. Although it has endless varieties, six kinds are exemplified here: conjunction, disjunction, comparison, injunction, restriction, and prohibition. Among these, conjunction is, for example: / "I shall go from here!" or saying thus, she moved away, her fresh bark garment torn; / and assuming his own form, smiling, the god whose banner is the lord of bulls took hold of her. // Disjunction is, for example: / Whether radiant with ornaments or girded with serpents, clad in an elephant skin or dressed in silken cloth, / bearing a skull or crowned with the crescent moon, the form of the Universal-formed cannot be ascertained. // Comparison is, for example: / Taking the bride's hand in his hand, the son of the lotus-born shone exceedingly, / like a mango branch receiving the shoot of an adjacent aśoka creeper with its matching sprig.
5.p2.7
niyogo yathā--- rūpaṃ tadojasvi tadevavīryaṃ tadeva naiyargikamunnatatvam | na kāraṇātsvādvibhide kumāraḥ pravartito dīpa iva pradīpāt || vinigraho yathā--- tvamahanīva nibarhaya māninīḥ virahiṇaḥ ku ...... ti | iti niveśayati sma kalāpanā manugiraṃ nu giraṃ jaladāgamaḥ || niṣedho yathā--- na prasādamucitaṃ gamitā dyauḥ noddhṛtaṃ timiramadrivarebhyaḥ | diṅmukheṣu na ca dhāma vikīrṇaṃ bhūṣitā ca rajanī himabhāsā || 2.23. yadyutpattau sahakārilābhaḥ tadā sahārthastridhā, abhidhīyamānaḥ, pratīyamāno vyavadhīyamānaśca | teṣvabhidhīyamāno dvidhā, sahena paryāyeṇa ca | tayorādyo yathā-- anena yūnā saha pārthiveva rambhoru kañcinmanaso ruciste | śiprātaraṅgānilakampitāsu vihartumudyānaparamparāsu || dvitīye yathā-- anena sārdhaṃ vihārāmburaśestīreṣu tālīvanamarmareṣu | dvīpāntārānītalavaṅgapuśpairapakṛtasvedalavā marudbhiḥ || pratīyamāno'pi dvidhā, vibhaktito nipātāca | tayorādyo yathā-- sa paurakāryāṇi vicintya kāle reme videhādhiraterduhitrā | upasthitaṃ cāru vapustadīyaṃ kṛtvopabhegotsukayeva lakṣmyā || dvitīye yathā-- tamanvagacchatpramo vidhātā śrītvasalakṣmā puruṣaśca sākṣāt | jayeti vācā mahimānamasya saṃvardhayantau haviṣeva vahnim || 5.14. vyadhīyamāno'pi dvidhā, vīpsayā bhāgena ca, ’sahakṛtā eva hi kriyāguṇadravyaiḥ prayoktrā yugapadvyāptumiṣyante, sahakṛtā eva ca vibhjayante | arthaśabdastu nivṛttivacano'pi vidyeta, yathā maśakārtho dhūma iti | ’ tatra vīpsayā yathā-- sugandhiniśvāsavivṛddhatṛṣṇaṃ bimbādharāsannacaraṃ ddhirepham |
Injunction is, for example: / That very radiant beauty, that very valor, that very natural loftiness— / the prince did not differ from his cause, like a flame brought forth from a lamp. // Restriction is, for example: / "Smite the haughty women in the daytime; [in the night?] those separated from their lovers..." / In this way the arrival of the clouds, as it were, infused its voice into the voice of the peacocks on every mountain. // Prohibition is, for example: / The sky was not brought to its proper clarity; the darkness was not dispelled from the great mountains; / and light was not scattered upon the directions; yet the night was adorned by the cool-rayed moon. // 5.23. If there is the obtaining of an accessory cause at the time of arising, then the sense of accompaniment is threefold: denoted, implied, and intervened. Among these, denoted is of two kinds: by the word 'saha' and by its synonym. The first of the two is, for example: / O slender-thighed woman, does your mind take delight in sporting together with this royal youth / in the succession of gardens shaken by the breeze from the waves of the Śiprā? // The second is, for example: / Together with him, on the shores of the ocean where palm groves rustle, / with the drops of sweat removed by the winds bearing clove blossoms brought from distant islands... // Implied is also of two kinds: from a grammatical case ending, and from a particle. The first of the two is, for example: / Having attended to the affairs of the citizens in due time, he made love with the daughter of the king of Videha, / having made her lovely body present, as if with Lakṣmī herself eager for enjoyment. // The second is, for example: / The Creator supreme and the Person visibly manifest with the mark of Śrī followed him, / increasing his greatness with the word "Victory!", like two [priests] increasing fire with an oblation. // 5.14. Intervened is also of two kinds: by pervasion and by apportionment. 'For things accompanied by actions, qualities, and substances are intended by a speaker to be pervaded simultaneously, and only accompanied things are apportioned. The word 'artha', however, may also denote cessation, as in: "smoke serves the purpose of [averting] gnats".' Among these, by pervasion is, for example: / The bee, whose thirst was increased by her fragrant breath, wandering near her bimba-red lip, / she warded off at every moment with a lotus grasped in a hand, her glance wavering in agitation.
5.p2.8
pratikṣaṇaṃ sambhramaloladṛṣṭilīnāravindena nivārayantī || bhāgena yathā-- alaṃkṛtāpyanvayarūpabhūṣaṇairna śobhacate māṃ prati tāvadaṅgānāṃ | bibharti yāvatpramadāsamāgame na śūrabhāryādṛtagarvitaṃ śiraḥ || 5.25. kāryasya kāryiṇo vā, kāraṇaṃ prati prayojakatvaṃ tādarthyam | tatṣoḍhā,kriyātādarthyaṃ, dravyatādarthya, kriyādravyatādarthye, dravyakriyātādarthyaṃ, phrakaḍativikāratādarthyaṃ, kriyākārakatādarthyamiti | tatra kriyātādarthyaṃ yathā-- punargrahītuṃ niyamasthāyā tayā dvayīṣu nikṣepa ivārpitaṃ dvayam | latāsu tanvīṣu vilāsaceṣṭitaṃ viloladṛṣṭaṃ hariṇāṅganāsu ca | dravyatādarthya .yathā--- prasannadikpāṃsuviviktavātaṃ śahkhvanānantapuṣpavṛṣṭi | śarīriṇāṃ sthāvarajaṅgamānāṃ sukhāya tajjanmadinaṃ babhūva || kriyādravyatādarthyaṃ yathā-- tasyāḥ prakāmaṃ priyadarśano'pi na sa kṣitīśo rucaye babhūva | śaratpraviṣṭāmbudharoparodhaśśaśīva paryāptakalo nalinyāḥ || dravyakriyātādarthyaṃ yathā-- alabhyaśokābhibhaveyamākaḍatirvimānanā subhru kutaḥ piturga-he | parābhimarśo na tavāsti kaḥ karaṃ prasāretpannagaratnasūcaye || prakṛtivikāratādarthyaṃ yathā-- vanyaṃ phalaṃ cārtavamāharantyo būjaṃ ca bāleyamaṃkṛṣṭarohi | vinodayiṣyanti navābhiṣaṅgāmudāravāco munukanyakāstvām || kriyākārakatādarthyaṃ yathā-- gehādyātā saritamudakaṃ hārikānājigīṣe maṅkṣyāmīti śrayasi yamunātīravirudgṛhāṇi | gosandāyī viśasī vipinānyeva govardhanādreḥ kiṃ tvaṃ rādhe dṛśi nipātitā devakīnandanasya || 5.26. hetuviśeṣeṣu prayojakaḥ kārakaśca kāraka eva, akārakastu prapañcyate |
By apportionment is, for example: / Although adorned with the ornaments of high birth and beauty, a woman does not appear charming to me / so long as in an assembly of women she does not hold her head, proud and respected as the wife of a hero. // 5.25. The instigation of an effect or of an effected entity toward its cause is 'being for its sake'. That is of six kinds: being for the sake of an action, being for the sake of a substance, being for the sake of an action and a substance, being for the sake of a substance and an action, being for the sake of a material cause and its modification, and being for the sake of an action and its syntactic role. Among these, being for the sake of an action is, for example: / Intending to take them back, she who stood firm in her vow deposited two things into two classes as if as a trust: / the playful grace of her movements into the slender creepers, and her tremulous glance into the female deer. // Being for the sake of a substance is, for example: / With its directions clear, its winds free of dust, and accompanied by the sound of conches and an endless shower of flowers, / that day of birth was for the happiness of all embodied beings, both stationary and moving. // Being for the sake of an action and a substance is, for example: / Although extremely pleasant to behold, that ruler of the earth did not find favor with her, / like the moon, though endowed with full digits, when hemmed in by autumnal clouds, does not delight the lotus. // Being for the sake of a substance and an action is, for example: / This form of yours is unsuited to suffering sorrow; how could disrespect occur in your father's home, O fair-browed one? / There is no violation of you by another; who would stretch out a hand to touch the point of a serpent's jewel? // Being for the sake of a material cause and its modification is, for example: / Bringing wild fruit and seasonal produce, and wild-grown grain suitable for oblations, / the daughters of the sages, noble in speech, will comfort you who have suffered a fresh calamity. // Being for the sake of an action and its syntactic role is, for example: / Leaving home for the river, you do not intend to carry water; saying "I will bathe", you resort to the bowers on the Yamunā's bank; / tying up the cows, you enter the forests of Mount Govardhana—O Rādhā, have you been struck by the sight of the son of Devakī? // 5.26. Among the special varieties of cause, an instigating [agent] and a syntactic role are indeed syntactic roles, whereas what is not a syntactic role is explained below:
5.p2.9
tatra kāryaprasavayogyāḥ kārakastu ṣoḍhā, liṅādivācyaḥ, sadvācyaḥ, nipātādivācyaḥ, tṛtīyāvācyaḥ, pañcamīvācyaḥ, prathamādivācya iti | teṣu liṅādivācyo yathā--- puṣpaṃ pravālopahitaṃ yadi syānmuktāphalaṃ vā sphuṭavidrumastham | tato'nukuryāt viśadasya tasyāstābhroṣṭhaparyastarūcaḥ smitasya || sadvāvācyo yathā--- sā saṃbhavadṅiḥ kusumairlateva jyotirbhiridyadbhiriva triyāmā | saridvihaṅgairavi līyamānairamucyamānābharaṇā cakāśe || nipātādivācyo yathā--- naisarrikī ...... .... ......... ....... ....... ...... | itīva jaṅghāyugalaṃ tadīyaṃ takre tulākoṭyadhirohaṇāni || tṛtīyāvācyo yathā--- tayā duhitrā sutarāṃ savitrī sphuratprabhāmaṇḍālayā cakāśe | vidūrabhūmirnavameghaśabdādudbhinnayā ratanaśalākayeva || pañcamīvācyo yathā--- ato'tra kiñcidbhavatīṃ bahukṣamāṃ dvijātibhāvādupapannacāpalaḥ | ayaṃ janaḥ praṣṭumanāstapodhane na cedrahasyaṃ prativaktumargasi || prathamādivācyo yathā--- udvejayatyaṅgulipārṣṇibhāgānmārge śilibhūtahime'pi yatra | na durvahaśroṇiyodharārtāḥ chindanti mandāṃ gatimaśvamukhyaḥ || 5.27. hetureva jñapako lakṣaṇaṃ ; tatṣoḍhā, dravyalakṣaṇaṃ, itthaṃbhūtalakṣaṇaṃ, vikāralakṣaṇaṃ, utpātalakṣaṇaṃ, bhāvalakṣaṇaṃ, kriyālakṣaṇamiti | teṣu dravyalakṣaṇaṃ yathā-- tāṃ pratyabhivyaktamanorathānāṃ mahīpatīnāṃ praṇayāgradūtyaḥ | pravālaśobhā iva pādapānāṃ śṛṅgāraceṣṭā vividhā babhūvuḥ || itthebhūtalakṣaṇaṃ yathā-- kalakkaṇitagarbheṇa cañcunā caṅkramodyataḥ | pārāvataḥ parikramya riraṃsuśaacimbati priyām ||
There, the syntactic role capable of producing an effect is sixfold: expressed by the optative and others, expressed by the present participle [sat], expressed by particles and others, expressed by the instrumental case, expressed by the ablative case, and expressed by the nominative and others. Among these, that expressed by the optative and others is as follows: “If a flower were set upon coral, or a pearl resting in bright coral, then it might imitate the smile of that bright-complexioned woman, whose luster is spread over her copper-red lips.” That expressed by the present participle is as follows: “Like a creeper with blossoming flowers, like the night with rising celestial lights, like a river with landing birds, she shone, not taking off her ornaments.” That expressed by particles and others is as follows: “The natural […] / as if [thinking] thus, her pair of shanks was subjected to the ascension of anklets.” That expressed by the instrumental case is as follows: “By that daughter endowed with an orb of flashing splendor, the mother shone exceedingly, like the Vidūra country by a streak of jewel bursting forth at the sound of fresh clouds.” That expressed by the ablative case is as follows: “Therefore, O ascetic woman, whose patience is vast, this person, having acquired boldness from the condition of being a twice-born, wishes to ask you something here; unless it is a secret, you ought to answer.” That expressed by the nominative and others is as follows: “Where, though the snow has turned solid on the path, paining the regions of their toes and heels, the Kinnarī women, troubled by their heavy hips and breasts, do not quicken their slow gait.” 5.27. The cause itself when acting as an indicator is an indicant; it is sixfold: indicant of a substance, indicant of a specified state, indicant of a modification, indicant of a portent, indicant of an emotional state, and indicant of an action. Among these, the indicant of a substance is as follows: “Of the kings whose desires were manifested toward her, various amorous actions became the foremost messengers of love, like the splendor of young shoots for trees.” The indicant of a specified state is as follows: “With his beak containing a sweet cooing sound, having paced about, eager to make love, the pigeon kisses his beloved.”
5.p2.10
vikāralakṣaṇaṃ yathā-- sa bālabhāvādvapuṣā catirbhujo mukhena pūrṇendunibhastrilocanaḥ | yuvā karākrantamahībhṛduñcakairasaṃśayaṃ saṃprati tejasā raviḥ || utpātalakṣaṇaṃ yathā-- gonāsāya niyojitagadarajāssarpāya baddhaiṣadhiḥ kaṇṭhasthāya viṣāya vāryamahataḥ pāṇau maṇīnbibhratī | bharturbhūtagaṇāya gotrajaratīnirdiṣṭamantrākṣarā rakṣatvadrisutā vivāhasamaye hrītā ca bhītā ca yā || bhāvalakṣaṇaṃ yathā-- tathāgatāyāṃ parihāsapūrvaṃ sakhyā sakhī vetrabhṛtā babhāṣe | ārye vrajāmo'nyata ityathaināṃ vadhūrasūyākuṭilaṃ dadarśa || kriyālakṣaṇaṃ yathā-- badhnannaṅgeṣu romāñcaṃ kurvanmanasi nirvṛtim | netre cāmīlayanneṣa priyāsparśāḥ pravartate || 5.28. upapadaṃ ṣoḍhā, kriyārūpaṃ, nāmarūpaṃ, nāmārtharūpaṃ, pratyayārūpaṃ, nipātarūpaṃ, karmapravacanīyarūpamiti | teṣu kriyārūpaṃ yathā-- bhavatsambhāvanotthāya paritoṣāya mūrcchate | api vyāptadigantāni nāṅgāni prabhavanti me | nāmarūpaṃ yathā-- sukhaistebhaayo vibhāvaryastebhyo hitamahassadā | yaṣāmakaḍatrimapremā priyā pārśvaṃ na muñcati || nāmārtharūpaṃ yathā-- hutahutāśanadīptivanaśriyaḥ pratinidhiḥ kanakābhāraṇasya yat | yuvatayaḥ kusumaṃ dadhurāhitaṃ tadalake dalakesarapeśalam |. pratyayarūpaṃ yathā-- nṛpasutamabhitassamanmathāyāḥ pariḍajanagātratirohitāṅgayaṣṭeḥ | sphucamabhilaṣitaṃ babhūva vadhvā vadati hi saṃvṛtireva kāmitāni || nipātarūpaṃ yathā-- yo hi dīrdhāsitākṣasya vilāsavilitabhruvaḥ | kāntāmukhasyāvaśagastasmai nṛpaśave namaḥ || karmapavacanīyarūpaṃ yathā-- ālocanāntācchravaṇe vivṛtya pūtaṃ gurostadvacanaṃ bhāvānyā |
Characterised by bodily modification, for example: / "By reason of boyish nature, he is four-armed in body; by his face, resembling the full moon, he is three-eyed; / as a youth, having conquered kings with his hands, he is high; now in brilliance he is undoubtedly the sun." / Characterised by an unnatural portent, for example: / "Applying antidote dust for the snouted viper, binding a medicinal herb for the serpent, / holding in her hand a great cooling gem for the poison residing in his throat, / uttering the syllables of the mantra instructed by the old women of the family for her husband's host of goblins— / may the mountain's daughter protect [you], she who was both bashful and frightened at the time of marriage." / Characterised by a prior emotional state, for example: / "When she was in that state, playfully the female companion bearing the cane said: / 'Noble lady, let us go elsewhere.' Thereupon the bride looked at her, crooked with annoyance." / Characterised by an action, for example: / "Causing the hair on the limbs to bristle, creating delight in the heart, / and causing the eyes to close, this touch of the beloved begins." / 5.28. The accompanying word is sixfold: having the form of an action, having the form of a noun, having the form of a nominal meaning, having the form of an affix, having the form of a particle, and having the form of an adposition. / Among these, having the form of an action, for example: / "For the satisfaction that arises from your regard, which swells exceedingly, / even my limbs, though pervading the ends of the directions, do not suffice." / Having the form of a noun, for example: / "Nights are pleasant for them, and day is always beneficent for them, / whose unfeigned love the beloved woman does not depart from their side." / Having the form of a nominal meaning, for example: / "The youthful women wore a blossom placed in their curls, delicate with its split filaments, / which had the brilliance of an oblated fire, the beauty of the forest, a substitute for a golden ornament." / Having the form of an affix, for example: / "When she, filled with passion, stood before the king's son, her slender body concealed by the bodies of her attendants, / the desire of the bride became obvious; for concealment itself speaks desires." / Having the form of a particle, for example: / "To that beast of a king, who is under the control of a beloved's face / with long dark eyes and eyebrows curved in playfulness, homage!" / Having the form of an adposition, for example: / "After listening to that pure utterance of the guru, opening wide her ears at the end of contemplation, Bhavānī [received it],
5.p2.11
nidāghakālolbaṇatāpayeva māhendramambhaḥ prathamaṃ pṛthivyā || śabdāntarasāhacaryavirodhaliṅgasvarābhinayādayaḥ prakīrṇam | tatra sāhacaryaṃ yathā-- bhavati samadanā rataye tilakavatī cārucampakacchāyā | ghanacandanavalakicākrāntā tava vidviṣāmaṭavi || sāhacaryaṃ yathā-- lakṣmaṇānugato rāmastyāgīrāma ivāparaḥ | kausalyeva bibharti dyaurabhiṣekojjavalāṃ śriyam || virodho yathā-- haribāṇāvimau roṣādubhāvāpi dhṛtāyudhau | prahartumudyatau vīrau raṇe rāmārjunāviva || liṅgaṃ yathā-- āpyāyayati mitro'yamasya mitraṃ payonidhiḥ | so'pyamitraśśaśī jātastadamaitryādya me sakhi || svaro yathā-- yadi me vallabhā dūtī tadāramapi vallabhā | yadi tasyāṃ priyā vācastanmamāpi priya priyāḥ || abhinoya yathā-- ete vāyamamī dārāḥ kanyeyaṃ raॉkulajīvitam | brūta yenātra vaḥ kāryamānāsthā vā hyavastuṣu || 5.29. prātipadikārthastridhā, svārtho, dravyaṃ, liṅgaṃ ca | teṣu śabdātmaiva svārthaḥ | sa dvidhā, svarūpamanukāryaśca | tayoḥ svarūpaṃ dvidhā, sattvavacanārhamasattvavacanārhaṃ ca | tatrādyaṃ yathā-- cīḍāmaṇīśśirorante karalo hāramadhyage | paryaṅkaśśayane prokta āveśaścāpi veśmani || dvitīyaṃ yathā-- manye śaṅke dhruvaṃ prāyo nūnamityevāmādibhiḥ | utprakṣā vyajyate śabdairivaśabdo'pi tādṛśāḥ || iti || anukāryo dvidhā, arthavānanarthaśca | tayorarthavānyathā-- unnamayya sakacagrahamāsyaṃ cumbati priyatame haṭhavṛttyā | huṃhu muñca mamameti ca mandaṃ jalpitaṃ jayati mānavatīnām || nirarthako yathā-- agraśālamadhiruhya nagasya sphārakaṇṭhakuromadamattaḥ |
just as the earth receives the first water of Indra at the time of summer, because of intense heat." / Association with another word, opposition, context-marker, accent, histrionic gesture, and so forth constitute the miscellaneous category. / Among these, association, for example: / "Possessed of passion, the forest of your enemies, / possessing tilaka trees, endowed with the shade of beautiful campakas, and overrun with thick sandalwood and bamboo, is fit for love-making." / Association, for example: / "Rāma, followed by Lakṣmaṇa, is like another munificent Rāma; / the sky, like Kausalyā, bears the radiant splendor of the consecration." / Opposition, for example: / "These two, Hari and Bāṇa, both holding weapons out of rage, / heroes ready to strike in battle like Rāma and Arjuna." / Context-marker, for example: / "This sun (mitra) refreshes, this ocean is his friend (mitra); / that moon, too, has become an enemy; therefore, my friend, out of his unfriendliness today..." / Accent, for example: / "If the female messenger is dear to me, then she is immediately dear; / if her words are pleasing, then pleasing, pleasing words are mine as well." / Histrionic gesture, for example: / "These [are] we, these [are the] wives, this girl [is] the life of the family; / speak: which of these do you need, or is there truly indifference toward worthless things?" / 5.29. Nominal stem meaning is threefold: inherent word-meaning, substance, and grammatical gender. / Among these, inherent word-meaning is the very nature of the linguistic sound. / It is twofold: its own form and the object of imitation. / Between these two, its own form is twofold: capable of expressing an entity, and not capable of expressing an entity. / There, the first, for example: / "Cūḍāmaṇi is said to mean the jewel on the head; karala means what is in the middle of a necklace; / paryaṅka is said in the sense of a bed, and āveśa is also in the sense of a house." / The second, for example: / "Conjecture is expressed by such words as 'I think,' 'I suspect,' 'certainly,' 'mostly,' 'surely,' / and the word iva is also of that kind." / The object of imitation is twofold: meaningful and meaningless. / Between those two, meaningful, for example: / "When the beloved kisses her face by force, having lifted it up by catching her hair, / the gentle muttering of indignant women—'hum hum, let go, mine mine'—is victorious." / Meaningless, for example: / "Having mounted the front branch of the tree, intoxicated with pride, with its throat-cavity wide open,
5.p2.12
hrasvadīrghasavisargaghukārān ghoṣayatyuṣasi pāṇḍukapotaḥ || 5.30. upāttanimittenānupāttanimittena vā yat śrūyate gamyate pratyabhidhīyate taddravyam | taddhidhā, āśrayarūpamanāśrayarūpaṃ ca | tatra jātyādibhiḥ pravṛttinimittairyadāśrayate tadāśrayarūpam ; yathā---gauḥ, aśvaḥ, śuklaḥ, ekaḥ, prasthaṃ , palaṃ, ṛjuḥ, pūrvaḥ, pācakaḥ,daṇḍī, rājapuruṣaḥ, caitraḥ, iti | tadviparūtamanāśrayarūpaṃ nipātavyayopasargagatikarmapravacamīyādīnāmarthaḥ yathā--ahaṃ ca tvaṃ, ca vṛtrahan, kastvāmūrīkariṣyati, kastaṃ prati nayāsyati, svayaṃ prayetumicchati | liṅgaṃ dvidhā, śabdaliṅgamarthaliṅgañca | tayoriyamayamidatyarthavyapadeśanimittaṃ śabdasaṃskāraheturayamityarthavyapadeśakāraṇaṃ pumān napuṃsakasya jhalaca iti ........ upaskāraheturidamityarthavyapadeśakāraṇāt napuṃsakamiti | tadenacchuddhamiśrādibhedāt ṣoḍhā viprathate | śuddhaṃ, miśraṃ saṅakīrṇaṃ, upasarjanaṃ, āviṣṭaṃ, avyaktaṃ ca | teṣvekasaṃkāskārahetuśśuddham ; khaṭvā, vṛkṣaḥ, kuṇaḍaṃ, strī, pumān, napuṃsakamiti | saṃskāradvayopagrāhi miśram, marīciḥ, ūrmiḥ, artiḥ, chardiḥ, kaṣāyaḥ, kavāṭamiti | saṃskāratrayayogi saṅkīrṇam, taṭī taṭaḥ taṭaṃ, śṛṅkhalā śṛṅkhalaḥ śṛṅkhalamiti | viśeṣyaśabdaniyataviśeṣaṇarūpamupasarjanam, śuklā śuklaḥ śuklaṃ, paṭvī paṭuḥ paṭviti | viśeṣaṇatve'pi niyataśabdasaṃskārārhamāviṣṭam, prakṛtiḥ, viṣayaḥ, pradhānaṃ, bhāryā, dārāḥ, kalatramiti | liṅganimittaśabdasaṃskārāvarhamavyaktam, pañca, ṣaṭ, kati, uñcaiḥ |
the pale pigeon announces at dawn its short and long cooing sounds along with the visarga." / 5.30. That which is heard, understood, or denoted by an expressed or unexpressed cause is substance. / It is twofold: having the form of a substrate and not having the form of a substrate. / There, that which rests upon causes of application such as universal class and so forth has the form of a substrate; as in: 'cow', 'horse', 'white', 'one', 'a measure', 'a weight', 'straight', 'prior', 'cook', 'staff-bearer', 'king's servant', 'Caitra'. / The opposite of that, not having the form of a substrate, is the meaning of particles, indeclinables, prefixes, verbal adjuncts, adpositions, and so forth; as in: "Both I and you, O slayer of Vṛtra"; "Who will accept you?"; "Who will lead him to [it]?"; "He wishes to go by himself." / Grammatical gender is twofold: linguistic-sound gender and semantic gender. / Between these, that which is the cause of naming the thing as 'this' [feminine] is the cause of grammatical formation of the linguistic sound; that which is the cause of naming the thing as 'this' [masculine] is masculine; from the rule regarding the augment of a neuter... the cause of grammatical formation of the thing as 'this' [neuter] is neuter. / And this spreads out into six varieties according to the distinction of pure, mixed, and so forth: pure, mixed, blended, subordinate, inherent, and unmanifest. / Among these, pure is the cause of a single grammatical formation: khaṭvā ('bed', f.), vṛkṣaḥ ('tree', m.), kuṇḍam ('pot', n.), woman, man, neuter. / Mixed is what admits two grammatical formations: marīciḥ ('ray', m./f.), ūrmiḥ ('wave', m./f.), artiḥ ('pain', m./f.), chardiḥ ('vomiting', m./f.), kaṣāyaḥ ('astringent', m./n.), kavāṭam ('door', m./n.). / Blended is what is endowed with three grammatical formations: taṭī, taṭaḥ, taṭam ('bank', f./m./n.); śṛṅkhalā, śṛṅkhalaḥ, śṛṅkhalam ('chain', f./m./n.). / Subordinate is that which takes the form of a modifier governed by the noun modified: śuklā, śuklaḥ, śuklam ('white', f./m./n.); paṭvī, paṭuḥ, paṭu ('clever', f./m./n.). / Inherent is what is entitled to a fixed grammatical formation of the word even while being a modifier: prakṛtiḥ ('nature', f.), viṣayaḥ ('object', m.), pradhānam ('chief', n.), bhāryā ('wife', f.), dārāḥ ('wives', m. pl.), kalatram ('wife', n.). / Unmanifest is what is not entitled to a grammatical formation of the word conditioned by grammatical gender: pañca ('five'), ṣaṭ ('six'), kati ('how many'), uccaiḥ ('loudly').
5.p2.13
viśeṣyate, avacchidyate dravyaṃ yena tacchabdasyārthe pravṛttinimittamarthadharmo'rthaliṅgaviśeṣaṇaṃ guṇo bhāva iti cākhyātam | tatrtridhā, guṇaḥ, paramāṇaṃ, saṃbandha iti | tatra dravye svādyukte pratyayajanako guṇo jātiḥ, guṇassaṅkhyā, saṃsthānamavasthānamityādi | yathā--gauḥ, brāhmaṇaḥ, paṭuḥ, gauraḥ, ekaḥ, anekaḥ, hanūmān, vāsudevaḥ, yuvā, vṛddhaḥ, ṛjuḥ, pūrva iti | ananurañjakamātrābhidheyamavacchedakaṃ parimāṇaṃ tadadhvagauravasaṅkhyāsaṅghātakṣetrādibhedādanekadhā | yathā--yojanaṃ parvataḥ, phalaṃ suparṇaḥ purāṇaḥ, kapardakāḥ, akṣauhiṇī balā, khārī vrīhayaḥ nivartanaṃ bhūmiriti | kṛttaddhitasamāsapratipadikaviśeṣāṇārtheṣu pravṛttinimittaṃ saṃbandhaḥ | sa traidhā, kriyāsaṃbandho dravyasaṃbandhaḥ kriyādravyasaṃbandhaśca | tatra kriyāsaṃbandho yathā, pācaka iti | dravyasaṃbandho yathā--daṇḍī rājapuruṣa iti | kriyādravyasaṃbandho yathā--ākṣikaḥ, niṣekauśāmbiriti | yadā punaḥ jātiguṇaparimāṇādayaśśabdāḥ prādhānyenābhidhīyante bhāvapratyayairvā pratipādyante tadaiteṣāṃ dravyatvameva, na liṅgatvam | bhāvapratyayo hi jātiguṇājjātiguṇe ; samāsakṛttaddhitāttu saṃbandhe, ḍitthādeḥ, sve rūpe, dhavakhadirājjātisaṅghāta iti | anye tu svārtho viśeṣaṇaṃ, dravyaṃ viśeṣyaṃ, liṅgaṃ strīnapiṃsakamityācakṣate | tañca nipātagatyupasargakarmapravacanīyādiprātiradikārthā ityabhidhīyate | na hi nipātadikaṃ pravṛttinimittamupādāyedaṃtaditi vyapadeśayogyeṣu sattvabhūteṣvartheṣu vartante | api tu pravṛttanimittnupagraheṇaivāsattvabhūtaṃ samuñcayādikamarthamabhiniviśante |
That by which a substance is qualified, is delimited—that is declared to be the ground for the application of a linguistic sound to its meaning, the attribute of the meaning, the mark of the meaning, the qualifier, the quality, the state of being. That is threefold: quality, measure, and relation. There, when a substance is expressed by case affixes and the like, the quality producing the cognition is genus, quality, number, spatial arrangement, temporal posture, and so forth. For example: cow, brāhmaṇa, clever, fair, one, many, Hanūmat, Vāsudeva, young, old, straight, prior, and so on. Measure is a delimiting factor whose designation is solely non-coloring; it is manifold owing to distinctions such as distance, weight, number, aggregate, and field. For example: a yojana [for] a mountain, a pala [for] gold, a purāṇa, cowrie shells, an akṣauhiṇī [of] troops, a khārī [of] rice, a nivartana [of] land. Relation is the ground for application in the meanings of kṛt, taddhita, compounds, and particular nominal stems. It is threefold: relation to action, relation to substance, and relation to action and substance. There, relation to action is, for example: ‘cook’. Relation to substance is, for example: ‘one holding a staff’, ‘king’s officer’. Relation to action and substance is, for example: ‘gambler with dice’, ‘one who has departed from Kauśāmbī’. When, however, words denoting genus, quality, measure, and so forth are expressed primarily, or are conveyed by abstract affixes, then these possess solely substantiality, not the status of a mark. For an abstract affix attaches to a genus or quality to signify a genus or quality; but to a compound, a kṛt, or a taddhita to signify a relation; to Ḍittha and others in its own form; to dhava and khadira in the aggregate of genera. Others, however, declare: own-meaning is the qualifier, substance is the qualified, and grammatical gender is feminine, neuter, [and masculine]. And that is stated to be the nominal-stem meanings of particles, verbal prefixes, preverbs, and adpositional particles. For particles and the like do not, by taking up a ground for application, operate upon meanings that have become substantial entities fit for designations such as ‘this’ or ‘that’. Rather, without taking up a ground for application, they enter directly upon an insubstantial meaning such as conjunction.
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Translations (1)
- English (machine translation) — English, machine translation
Linked texts (12)
- Nyāyamañjarī — Jayanta Bhaṭṭa, Sanskrit
- Rasārṇavasudhākara — Siṃhabhūpāla, Sanskrit
- Sarasvatīkaṇṭhābharaṇa (alaṅkāra) — Bhoja, Sanskrit
- Kirātārjunīya — Bhāravi, Sanskrit
- Śiśupālavadha — Māgha, Sanskrit
- Vakroktijīvita — Kuntaka, Sanskrit
- Kāvyādarśa — Daṇḍin, Sanskrit
- Vulgate (Mallinātha's text) — Sanskrit
- Critical edition (S. K. De) — Sanskrit
- Śārṅgadharapaddhati — Śārṅgadhara, Sanskrit
- Kāvyasaṅgraha — Sanskrit
- Alaṅkāramahodadhi — Narendraprabha, Sanskrit