四分律行事鈔資持記 3.492

3.492

次科，先引律制。《四分》令以泥作熏鉢鑪，以灰平地作熏鉢場；安支，以鉢鑪覆上，以灰壅四邊手按令堅，以巨摩（牛糞）壅四邊燒。今多安鑪在下，僧圓籠覆上；籠中用鐵條橫架，安鉢在中，以竹烟熏之。而下，斥非。前列五種。棍鋧，古云燒成後入火鋧令牢也。但棍不磨者，準須熏已磨退，然後再熏；鐵鉢五遍，瓦鉢二遍；若但一熏掍令牢者，則色落受膩。油塗似今瓷器上油燒者。親下，證非，初引親聞證。此土行用，謂梵僧來此用也。五下，引文證。準下，例通澡瓶，亦熏為色。

In the next section, first the vinaya regulations are cited. The *Dharmaguptaka-vinaya* orders that clay be used to make a bowl-smoking furnace, and ashes be used to level the ground as a bowl-smoking site; setting the supports, the bowl-furnace covers the top, ashes are banked around the four sides and pressed firmly with the hand, and dried cow dung is banked around the four sides and burned. Nowadays, the furnace is usually placed below, and a round monk's cage covers the top; iron bars are placed horizontally across the cage, the bowl is set within, and it is smoked with bamboo smoke. From "Yet" onward, faults are rebuked. Previously five kinds were listed. "Mixing and annealing": the ancients said this meant putting it into the fire to anneal it firmly after firing. As for "mixing without polishing": according to the rule, after smoking it must be rubbed back, and then smoked again—five times for an iron bowl, two times for an earthenware bowl; if it is only smoked once and annealed firmly, the color will flake off and pick up grease. "Coated with oil" resembles what is nowadays fired with glaze on porcelain. From "Personally" onward confirms the errors. First, personal hearing is cited as evidence. "Practiced and used in this land" refers to Sanskrit monks coming here and using it. From "Five" onward cites texts as evidence. According to what follows, this also applies by analogy to the water flask, which is likewise smoked for color.