Gopalacampu 1.16.70

1.16.70

[35] kṛṣṇas tūpayāntaram apaśyan netra-vikṣepa-vetra-vikṣepa-vitrastānām api tāsāṃ vaśyatām ayātānām āvaśyaka-tad-bhāvanāya vaṃśī-śaṃsana-viśeṣam abhyasyati sma | [36] yathaiva vakṣyate tatra tatra tad evālakṣya tābhiḥ veṇu-vādya urudhā nija-śikṣāḥ iti | [BhP 10.35.14]

[35] Kṛṣṇa, however, seeing no other means, practiced special melodies on his flute in order to inevitably evoke contemplation of him in those women who, though terrified by the cast of glances and the brandishing of sticks [by their elders], had not yet come under his sway. [36] Just as it will be said by them in various places, noticing this very thing: "having learned many kinds of flute-playing..."