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Śatapatha Brāhmaṇa ("of a hundred paths") 3.2.1

Śatapathabrāhmaṇa 3.2.1

Language
Sanskrit

3.2.1.1

dakṣiṇenāhavanīyam prācīnagrīve kṛṣṇājine upastṛṇāti | tayorenamadhi dīkṣayati yadi dve bhavatastadanayorlokayo rūpaṃ tadenamanayorlokayoradhi dīkṣayati

South of the Âhavanîya he spreads two black antelope skins on the ground, with the neck parts towards the east: thereon he consecrates him. If there are two (skins), they are an image of these two worlds (heaven and earth), and thus he consecrates him on these two worlds.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.2

sambaddhānte bhavataḥ | sambaddhāntāviva hīmau lokau tardmasamute paścādbhavatastadimāveva lokau mithunīkṛtya tayorenamadhi dīkṣayati

They are joined (fitted) together along their edge, for these two worlds are also, as it were, joined together at their edge. At the hind part they are fastened together through holes: thus, after uniting (mithunîkritya) these two worlds, he consecrates him thereon.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.3

yadyu eka bhavati | tadeṣāṃ lokānāṃ rūpaṃ tadenameṣu lokeṣvadhi dīkṣayati yāni śuklāni tāni divo rūpaṃ yāni kṛṣṇāni tānyasyai yadi vetarathā yānyeva kṛṣṇāni tāni divo rūpaṃyāni śuklāni tānyasyai yānyeva babhrūṇīva harīṇi tānyantarikṣasya rūpaṃ tadenameṣu lokeṣvadhi dīkṣayati

But if there be only one (skin), then it is an image of these (three) worlds; then he consecrates him on these (three) worlds. Those (hairs) which are white are an image of the sky; those which are black are (an image) of this (earth);--or, if he likes, conversely: those which are black are an image of the sky, and those which are white are (an image) of this (earth). Those which are of a brownish yellow colour, are an image of the atmosphere. Thus he consecrates him on these (three) worlds.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.4

antakamu tarhi paścātpratyasyet | tadimāneva lokānmithunīkṛtya teṣvenamadhi dīkṣayati

And let him, in that case, turn in the hind end (of the skin): thus, after uniting these worlds with each other, he consecrates him thereon.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.5

atha jaghanena kṛṣṇājine paścāt prāṅ jānvākna upaviśati sa yatra śuklānāṃ ca kṛṣṇānāṃ ca saṃdhirbhavati tadevamanimṛśya japatyṛkṣāmayoḥ śilpe stha iti yadvai pratirūpaṃ tacilpamṛcāṃ ca sāmnāṃ ca pratirūpe stha ityevaitadāha

He then squats down behind the two skins, with his face towards the east and with bent (right) knee; and while touching them thus at a place where the white and black (hair) join, he mutters (Vâg. S. IV, 9), 'Ye are the images of the Rik and Sâman;'--an image doubtless is what is conformable: 'Ye are conformable to, the riks and sâmans' he thereby means to say.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.6

te vāmārabha iti | garbho vā eṣa bhavati yo dīkṣate sa candāṃsi praviśati tasmānnvaknāṅguliriva bhavati nyaknāṅgulaya iva hi garbhāḥ

'I touch you.' Now, he who is consecrated becomes an embryo, and enters into the metres: hence he has his hands closed, since embryos have their hands closed.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.7

sa yadāha | te vāmārabha iti te vām praviśāmītyevaitadāha te mā pātamāsya yajñasyodṛca iti te mā gopāyatamāsya yajñasya saṃsthāyā ityevaitadāha

And when he says, 'I touch you,' he means to say, 'I enter into you.' 'Do ye guard me up to the goal of this sacrifice!' whereby he says, 'Do ye protect me until the completion of this sacrifice!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.8

atha dakṣiṇena jānunārohati | śarmāsi śarma me yaceti carma vā etatkṛṣṇasya tadasya tanmānuṣaṃ śarma devatrā tasmādāha śarmāsi śarma me yaceti namaste astu mā mā hiṃsīriti śreyāṃsaṃ vā eṣa upādhirohati yo yajñaṃ yajño hi kṛṣṇājinaṃ tasmā evaitadyajñāya nihnute tatho hainameṣa yajño na hinasti tasmādāha namaste astu mā mā hiṃsīriti

He then kneels down with his right knee (on the skin), with the text, 'Thou art a refuge: afford me refuge!' for the skin (karma) of the black deer it is indeed among men, but among the gods it is a refuge (sarma): therefore he says, 'Thou art a refuge: afford me refuge.' 'Homage be to thee: injure me not!' Now he who raises himself upon the sacrifice doubtless raises himself to one that is his better; for the black deer skin is a (means of) sacrifice. Hereby, now, he propitiates that sacrifice, and thus that sacrifice does not injure him: for this reason he says, 'Homage be to thee: injure me not!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.9

sa vai jaghanārdha ivaivāgra āsīta | atha yadagra eva madhya upaviśedya enaṃ tatrānuṣṭhyā hareddrapsyati vā pra vā patiṣyatīti tathā haiva syāttasmājjaghanārdha ivaivāgra āsīta

He must indeed sit down first on the hind part (of the skin). Were he, on the other hand, to sit down at once in the middle (of the skin), and were any one there to curse him, saying, 'He shall either become demented or fall down headlong!' then that would indeed come to pass. Let him therefore first sit down on the hind part (of the skin).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.10

atha mekhalām pariharate | aṅgiraso ha vai dīkṣitānabalyamavindatte nānyadvratādaśanamavākalpayaṃsta etāmūrjamapaśyantsamāptiṃ tām madhyata ātmana ūrjamadadhata samāptiṃ tayā samāpnuvaṃstatho evaiṣa etām madhyata ātmana ūrjaṃdhatte samāptiṃ tayā samāpnoti

He then girds himself with the zone. For once upon a time when the Aṅgiras were consecrated, they were seized with weakness, for they had prepared no other food but fast-milk. They then perceived this (source of) strength (viz. the zone), and this (source of) strength they put in (or round) the middle of their body as a (means of attaining) completion: and thereby they attained completion. And so does he now put that (source of) strength in the middle of his body and thereby attain completion.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.11

sā vai śāṇī bhavati | mṛdvyasaditi nveva śāṇī yatra vai prajāpatirajāyata garbho bhūtvaitasmādyajñāttasya yannediṣṭhamulbamāsītte śaṇāstasmātte pūtayo vānti yadvasya jarāyvāsīttaddīkṣitavasanamantaraṃ vā ulbaṃ jarāyuṇo bhavati tasmādeṣāntarā vāsaso bhavati sa yathaivātaḥ prajāpatirajāyata garbho bhūtvaitasmādyajñādevamevaiṣo 'to jāyate garbho bhūtvaitasmādyajñāt

It is made of hemp. Hempen it is in order to be soft. Now when Pragâpati, having become an embryo, sprung forth from that sacrifice, that which was nearest to him, the amnion, became hempen threads: hence they smell putrid. And that which was the outer membrane (and placenta) became the garment of the consecrated. Now the amnion lies under the outer membrane, and hence that (zone) is worn under the garment. And in like manner as Pragâpati, having become an embryo, sprung forth from that sacrifice, so does he become an embryo and spring forth from that sacrifice.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.12

sā vai trivṛdbhavati | trivṛddhyannam paśavo hyannam pitā mātā yajjāyate tattṛtīyaṃ tasmāttrivṛdbhavati

It (the cord) is a triple one, because food is threefold, food being cattle. (Moreover) the father and mother (are two), and that which is born is a third: hence it is a triple (cord).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.13

muñjavalśenānvastā bhavati | vajro vai śaro virakṣastāyai stukāsargaṃ sṛṣṭā bhavati sā yatprasalavi sṛṣṭā syādyathedamanyā rajjavo mānuṣī syādyadvapasalavi sṛṣṭā syātpitṛdevatyā syāttasmātstukāsargaṃ sṛṣṭā bhavati

It is intertwined with a shoot of reed (muñga) grass, for the sake of chasing away the evil spirits, the reed being a thunderbolt. It is plaited after the manner of a braid of hair. For were it to be twisted sunwise (from left to right) as any other cords, it would be human; and were it twisted contrary to the course of the sun, it would be sacred to the Fathers: hence it is plaited after the manner of a braid of hair.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.14

tām pariharate | ūrgasyāṅgirasītyaṅgiraso hyetāmūrjamapaśyannūrṇamradā ūrjam mayi dhehīti nātra tirohitamivāsti

He girds himself with it, with the text (Vâg. S. IV, 10), 'Thou art the strength of the Aṅgiras,'--for the Aṅgiras perceived this (source of) strength; 'soft as wool, bestow thou strength on me!' there is nothing obscure in this.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.15

atha nīvimudgūhate | somasya nīvirasītyadīkṣitasya vā asyaiṣāgre nīvirbhavatyathātra dīkṣitasya somasya tasmādāha somasya nīvirasīti

He then tucks up the end of his (nether) garment, with the text, 'Thou art Soma's tuck.' For heretofore it was the tuck of him, the unconsecrated; but now that he is consecrated, it is that of Soma: therefore he says, 'Thou art Soma's tuck.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.16

atha prorṇute | garbho vā eṣa bhavati yo dīkṣate prāvṛtā vai garbho ulbeneva jarāyuṇeva tasmādvai prorṇute

He then wraps up (his head). For he who is consecrated becomes an embryo; and embryos are enveloped both by the amnion and the outer membrane: therefore he covers (his head).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.17

sa prorṇute | viṣṇoḥ śarmāsi śarma yajamānasyetyubhayaṃ vā eṣo 'tra bhavati yo dīkṣate viṣṇuśca yajamānaśca yadaha dīkṣate tadviṣṇurbhavati yadyajate tadyajamānastasmādāha viṣṇoḥ śarmāsi śarma yajamānasyeti

He covers himself, with the text, 'Thou art Vishnu's refuge, the refuge of the sacrificer.' He who is consecrated indeed becomes both Vishnu and a sacrificer; for when he is consecrated, he is Vishnu; and when he sacrifices, he is the sacrificer: therefore he says, 'Thou art Vishnu's refuge, the refuge of the sacrificer.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.18

atha kṛṣṇaviṣāṇāṃ sici badhnīte | devāśca vā asurāścobhaye prājāpatyāḥ prajāpateḥ piturdāyamupeyurmana eva devā upāyanvācamasurā yajñameva taddevā upāyanvācamasurā amūmeva devā upāyannimāmasurāḥ

Thereupon he ties a black deer's horn to the end (of his garment). Now the gods and the Asuras, both of them sprung from Pragâpati, entered upon their father Pragâpati's inheritance: the gods came in for the Mind and the Asuras for Speech. Thereby the gods came in for the sacrifice and Asuras for speech; the gods for yonder (heaven) and the Asuras for this (earth).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.19

te devā yajñamabruvan | yoṣā vā iyaṃ vāgupamantrayasva hvayiṣyate vai tveti svayaṃ vā haivaikṣata yoṣā vā iyaṃ vāgupamantrayai hvayiṣyate vai meti tāmupāmantrayata sā hāsmā ārakādivaivāgra āsūyattasmādu strī puṃsopamantritārakādivaivāgre 'sūyati sa hovācārakādiva vai ma āsūyīditi

The gods said to Yagña (m., the sacrifice), 'That Vâk (f., speech) is a woman: beckon her, and she will certainly call thee to her.' Or it may be, he himself thought, 'That Vâk is a woman: I will beckon her and she will certainly call me to her.' He accordingly beckoned her. She, however, at first disdained him from the distance: and hence a woman, when beckoned by a man, at first disdains him from the distance. He said, 'She has disdained me from the distance.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.20

te hocuḥ | upaiva bhagavo mantrayasva hvayiṣyate vai tveti tāmupāmantrayata sā hāsmai nipalāśamivovāda tasmādu strī puṃsopamantritā nipalāśamivaiva vadati sa hovāca nipalāśamiva vai me 'vādīditi

They said, 'Do but beckon her, reverend sir, and she will certainly call thee to her.' He beckoned her; but she only replied to him, as it were, by shaking her head: and hence a woman, when beckoned by a man, only replies to him, as it were, by shaking her head. He said, 'She has only replied to me by shaking her head.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.21

te hocuḥ | upaiva bhagavo mantrayasva hvayiṣyate vai tveti tāmupāmantrayata sā hainaṃ juhuva tasmādu strī pumāṃsaṃ hvayata evottamaṃ sa hovācāhvata vai meti

They said, 'Do but beckon her, reverend sir, and she will certainly call thee to her.' He beckoned her, and she called him to her; and hence a woman at last calls the man to her. He said, 'She has indeed called me.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.22

te devā īkṣāṃ cakrire | yoṣā vā iyaṃ vāgyadenaṃ na yuvitehaiva mā tiṣṭhantamabhyehīti brūhi tām tu na āgatām pratiprabrūtāditi sā hainaṃ tadeva tiṣṭhantamabhyeyāya tasmādu strī pumāṃsaṃ saṃskṛte tiṣṭhantamabhyaiti tāṃ haibhya āgatām pratiprovāceyaṃ vā āgāditi

The gods reflected, 'That Vâk being a woman, we must take care lest she should allure him.--Say to her, "Come hither to me where I stand!" and report to us her having come.' She then went up to where he was standing. Hence a woman goes to a man who stays in a well-trimmed (house). He reported to them her having come, saying, 'She has indeed come.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.23

tāṃ devāḥ | asurebhyo 'ntarāyaṃstāṃ svīkṛtyāgnāveva parigṛhya sarvahutamajuhavurāhutirhi devānāṃ sa yāmevāmūmanuṣṭubhājuhavustadevaināṃ taddevāḥ svyakurvata te 'surā āttavacaso he 'lavo he 'lava iti vadantaḥ parābabhūvuḥ

The gods then cut her off from the Asuras; and having gained possession of her and enveloped her completely in fire, they offered her up as a holocaust, it being an offering of the gods. And in that they offered her with an anushtubh verse, thereby they made her their own; and the Asuras, being deprived of speech, were undone, crying, 'He ’lavah! he ’lavah!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.24

tatraitāmapi vācamūduḥ | upajijñāsyāṃ sa mlecastasmānna brāhmaṇo mlecedasuryā haiṣā vā natevaiṣa dviṣatāṃ sapatnānāmādatte vācaṃ te 'syāttavacasaḥ parābhavanti ya evametadveda

Such was the unintelligible speech which they then uttered,--and he (who speaks thus) is a Mlekkha (barbarian). Hence let no Brahman speak barbarous language, since such is the speech of the Asuras. Thus alone he deprives his spiteful enemies of speech; and whosoever knows this, his enemies, being deprived of speech, are undone.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.25

so 'yaṃ yajño vācamabhidadhyau | mithunyenayā syāmiti tāṃ saṃbabhūva

That Yagña (sacrifice) lusted after Vâk (speech), thinking, 'May I pair with her!' He united with her.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.26

indro ha vā īkṣāṃ cakre | mahadvā ito 'bhvaṃ janiṣyate yajñasya ca mithunādvācaśca yanmā tannābhibhavediti sa indra eva garbho bhūtvaitanmithunam praviveśa

Indra then thought within himself, 'Surely a great monster will spring from this union of Yagña and Vâk: [I must take care] lest it should get the better of me.' Indra himself then became an embryo and entered into that union.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.27

sa ha saṃvatsare jāyamāna īkṣāṃ cakre | mahāvīryā vā iyaṃ yoniryā māmadīdharata yadvai meto mahadevābhvaṃ nānuprajāyeta yanmā tannābhibhavediti

Now when he was born after a year's time, he thought within himself, 'Verily of great vigour is this womb which has contained me: [I must take care] that no great monster shall be born from it after me, lest it should get the better of me!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.28

tām pratiparāmṛśyaveṣṭyācinat | tāṃ yajñasya śīrṣanpratyadadhādyajño hi kṛṣṇaḥ sa yaḥ sa yajñastatkṛṣṇājinaṃ yo sā yoniḥ sā kṛṣṇaviṣāṇātha yadenāmindra āveṣṭyācinattasmādāveṣṭiteva sa yathaivāta indro 'jāyata garbho bhūtvaitasmānmithunādevamevaiṣo 'to jāyate garbho bhūtvaitasmānmithunāt

Having seized and pressed it tightly, he tore it off and put it on the head of Yagña (sacrifice);for the black (antelope) is the sacrifice: the black deer skin is the same as that sacrifice, and the black deer's horn is the same as that womb. And because it was by pressing it tightly together that Indra tore out (the womb), therefore it (the horn) is bound tightly (to the end of the garment); and as Indra, having become an embryo, sprang from that union, so is he (the sacrificer), after becoming an embryo, born from that union (of the skin and the horn).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.29

tāṃ vā uttānāmiva badhnāti | uttāneva vai yonirgarbham bibhartyatha dakṣiṇām bhruvamuparyupari lalāṭamupaspṛśatīndrasya yonirasītīndrasya hyeṣā yonirato vā hyenām praviśanpraviśatyato vā jāyamāno jāyate tasmādāhendrasya yonirasīti

He ties it (to the end of the garment) with the open part upwards, for it is in this way that the womb bears the embryo. He then touches with it his forehead close over the right eyebrow, with the text, 'Thou art Indra's womb,'--for it is indeed Indra's womb, since in entering it he enters thereby, and in being born he is born therefrom: therefore he says, 'Thou art Indra's womb.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.30

athollikhati | susasyāḥ kṛṣīskṛdhīti yajñamevaitajjanayati yadā vai suṣamam bhavatyathālaṃ yajñāya bhavati yado duḥṣamam bhavati na tarhyātmane canālam bhavati tadyajñamevaitajjanayati

Thereupon he draws (with the horn) the ('easterly') line, with the text, 'Make the crops full-eared!' Thereby he produces the sacrifice; for when there is a good year, then there is abundant (material) for sacrifice; but when there is a bad year, then there is not even enough for himself: hence he thereby produces the sacrifice.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.31

atha na dīkṣitaḥ | kāṣṭhena vā nakhena vā kaṇḍūyeta garbho vā eṣa bhavati yo dīkṣate yo vai garbhasya kāṣṭhena vā nakhena vā kaṇḍūyedapāsyanmrityettato dīkṣitaḥ pāmano bhavitordīkṣitaṃ vā anu retāṃsi tato retāṃsi pāmanāni janitoḥ svā vai yonī reto na hinastyeṣā vā etasya svā yonirbhavati yatkṛṣṇaviṣāṇā tatho hainameṣā na hinasti tasmāddīkṣitaḥ kṛṣṇaviṣāṇayaiva kaṇḍūyeta nānyena kṛṣṇaviṣāṇāyāḥ

And let not the consecrated henceforth scratch himself either with a chip of wood or with his nail. For he who is consecrated becomes an embryo; and were any one to scratch an embryo either with a chip of wood or his nail, thereby expelling it, it would die. Thereafter the consecrated would be liable to be affected with the itch; and--offspring (retas) coming after the consecrated--that offspring would then also be liable to be born with the itch. Now his own womb does not injure its offspring, and that black deer's horn being indeed his own womb, that (horn) does not injure him; and therefore the consecrated should scratch himself with the black deer's horn and with nothing but the black deer's horn.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.32

athāsmai daṇḍam prayacati | vajro vai daṇḍo virakṣastāyai

He (the Adhvaryu) then hands to him a staff, for driving away the evil spirits,--the staff being a thunderbolt.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.33

audumbaro bhavati | annaṃ vā ūrgudumbara ūrjo 'nnādyasyāvaruddhyai tasmādaudumbaro bhavati

It is of Udumbara wood (Ficus Glomerata), for him to obtain food and strength,--the Udumbara means food and strength: therefore it is of Udumbara wood.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.34

mukhasammito bhavati | etāvadvai vīryaṃ sa yāvadeva vīryaṃ tāvāṃstadbhavati yanmukhasammitaḥ

It reaches up to his mouth,--for so far extends his strength: as great as his strength is, so great it (the staff) is when it reaches up to his mouth.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.35

tamucrayati | ucrayasva vanaspata ūrdhvo mā pāhyaṃhasa āsya yajñasyodṛca ityūrdhvo mā gopāyāsya yajñasya saṃsthāyā ityevaitadāha

He makes it stand upright, with the text, 'Stand up, O tree, erect; guard me from injury on to the goal of this sacrifice!' whereby he means to say, 'Standing erect, protect me till the completion of this sacrifice!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.36

atra haike | aṅguliśca nyacanti vācaṃ ca yacantyato hi kiṃ ca na japiṣyanbhavatīti vadantastadu tathā na kuryādyathā parāñcaṃ dhāvantamanulipseta taṃ nānulabhetaivaṃ ha sa yajñaṃ nānulabhate tasmādamutraivāṅgulīrnyacedamutra vācaṃ yacet

It is only now that some bend the fingers inward and restrain their speech, because, they argue, only from now will he not have to mutter anything. But let him not do so; for in like manner as if one were to try to overtake some one who runs away, but could not overtake him, so does he not overtake the sacrifice. Let him therefore turn in his fingers and restrain his speech on that (former) occasion.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.37

atha yaddīkṣitaḥ | ṛcaṃ vā yajurvā sāma vābhivyāharatyabhisthiramabhisthiramevaitadyajñamārabhate tasmādamutraivāṅgulīrnyacedamutra vācaṃ yacet

And when the consecrated (after restraining his speech) utters either a rik, or a sâman, or a yagus, he thereby takes a firmer and firmer hold of the sacrifice: let him therefore turn in his fingers and restrain his speech on that (former) occasion.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.38

atha yadvācaṃ yacati | vāgvai yajño yajñamevaitadātmandhatte 'tha yadvācaṃyamo vyāharati tasmādu haiṣa visṛṣṭo yajñaḥ parāṅāvartate tatro vaiṣṇavīmṛcaṃ vā yajurvā japedyajño vai viṣṇustadyajñam punarārabhate tasyo haiṣā prāyaścittiḥ

And when he restrains his speech--speech being sacrifice--he thereby appropriates the sacrifice to himself. But when, from speech restrained, he utters any sound (foreign to the sacrifice), then that sacrifice, being set free, flies away. In that case, then, let him mutter either a rik or a yagus addressed to Vishnu, for Vishnu is the sacrifice: thereby he again gets hold of the sacrifice; and this is the atonement for that (transgression).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.39

athaika udvadati | dīkṣito 'yam brāhmaṇo dīkṣito 'yam brāhmaṇa iti niveditamevainametatsantaṃ devebhyo nivedayatyayam mahāvīryo yo yajñam prāpadityayaṃ yuṣmākaiko 'bhūttaṃ gopāyatetyevaitadāha triṣkṛtva āha trivṛddhi yajñaḥ

Thereupon some one calls out, 'Consecrated is this Brâhman, consecrated is this Brâhman:' him, being thus announced, he thereby announces to the gods: 'Of great vigour is this one who has obtained the sacrifice; he has become one of yours: protect him!' this is what he means to say. Thrice he says it, for threefold is the sacrifice.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.2.1.40

atha yadbrāhmaṇa ityāha | anaddheva vā asyātā purā jānam bhavatīdaṃ hyāhū rakṣāṃsi yoṣitamanusacante taduta rakṣāṃsyeva reta ādadhatītyathātrāddhā jāyate yo brahmaṇo yo yajñājjāyate tasmādapi rājanyaṃ vā vaiśyaṃ vā brāhmaṇa ityeva brūyādbrahmaṇo hi jāyate yo yajñājjāyate tasmādāhurna savanakṛtaṃ hanyādenasvī haiva savanakṛteti

And as to his saying, 'Brâhman,' uncertain, as it were, is his origin heretofore; for the Rakshas, they say, pursue women here oil earth, and so the Rakshas implant their seed therein. But he, forsooth, is truly born, who is born of the Brahman (neut.), of the sacrifice: wherefore let him address even a Râganya, or a Vaisya, as Brâhman, since he who is born of the sacrifice is born of the Brahman (and hence a Brâhmana). Wherefore they say, 'Let no one slay a sacrificer of Soma; for by (slaying) a Soma-sacrificer he becomes guilty of a heinous sin!

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

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