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Śatapatha Brāhmaṇa ("of a hundred paths") 4.4.5

Śatapathabrāhmaṇa 4.4.5

Language
Sanskrit

4.4.5.1

sa vā avabhṛthamabhyavaiti | tadyadavabhṛthamabhyavaiti yo vā asya raso 'bhūdāhutibhyo vā asya tamajījanadathaitacarīraṃ tasminna raso 'sti tanna parāsyaṃ tadapo 'bhyavaharanti raso vā āpastadasminnetaṃ rasaṃ dadhāti tadenametena rasena saṃgamayati tadenamato janayati sa enaṃ jāta eva sañjanayati tadyadapo 'bhyavaharanti tasmādavabhṛthaḥ

He now betakes himself to the expiatory bath (avabhritha). The reason why he betakes himself to the expiatory bath is this. What vital sap there has been in him (Soma and the sacrificer), that (sap) of his he (the priest) has produced (extracted) for the offerings. Now that body (of Soma, i.e. the Soma-husks),--there is no sap in it; (yet) it is not to be cast away: they take it down to the water and--water being sap--he puts that sap into it. Thus he unites him with that sap, and thus he produces him from it,--he (Soma), even when produced, produces him (the sacrificer): and because they take it down (ava-hri) to the water, therefore (the bath is called) avabhritha.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.2

atha samiṣṭayajūṃṣi juhoti | samiṣṭayajūṃṣi hyevānto yajñasya sa hutvaiva samiṣṭayajūṃṣi yadetamabhito bhavati tena cātvālamupasamāyanti sa kṛṣṇaviṣāṇām mekhalāṃ ca cātvāle prāsyati

In the first place he performs the Samishtayagus offerings, for the Samishtayagus are the extreme end of the sacrifice. As soon as he has performed the Samishtayagus, they go together to the kâtvâla (pit) with whatever he (the sacrificer) has about him: both the black-deer's horn and the girdle he throws into the pit,--

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.3

māhirbhūrmā pṛdākuriti | asau vā ṛjīṣasya svagākāro yadenadapo 'bhyavaharantyathaiṣa evaitasya svagākāro rajjuriva hi sarpāḥ kūpā iva hi sarpāṇāmāyatanānyasti vai manuṣyāṇāṃ ca sarpāṇāṃ ca vibhrātṛvyamiva nettadataḥ sambhavaditi tasmādāha māhirbhūrmā pṛdākuriti

With (Vâg. S. VIII, 23), 'Be thou nor adder nor viper!' Now when they take the Soma-husks down to the water, that forsooth is the wishing of 'good-speed!' to it, and this now is the 'good-speed!' to him (the sacrificer); for snakes are like rope, and snakes' haunts are like wells (pits), and there is as it were a feud between men and snakes: 'Lest that should spring therefrom,' he thinks, and therefore he says, 'Be thou nor adder nor viper!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.4

atha vācayati | uruṃ hi rājā varuṇaścakāra sūryāya panthāmanvetavā u iti yathāyamururabhayo 'nāṣṭraḥ sūryāya panthā evam me 'yamururabhayo 'nāṣṭraḥ panthā astvityevaitadāha

He then makes (the sacrificer) say (Rig-veda I, 24, 8), 'Broad forsooth is the path which king Varuna hath made for the sun to walk along,'--whereby he means to say, 'even as there is for the sun that broad path, free from danger and injury, so may there be for me here a broad path, free from danger and injury.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.5

apade pādā pratighātave 'kariti | yadi ha vā apyapādbhavatyalameva pratikramaṇāya bhavatyutāpavaktā hṛdayāvidhaściditi tadenaṃ sarvasmāddhṛdyādenasaḥ pāpmanaḥ pramuñcati

'For the footless hath he made feet to put down,' for, although he (the sun) is footless, yet he is able to walk;--'And the forbidder is he of all that woundeth the heart,'--thus he frees him from every guilt and evil of the heart.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.6

athāha sāma gāyeti | sāma brūhīti vā gāyeti tveva brūyādgāyanti hi sāma tadyatsāma gāyati nedidam bahirdhā yajñācarīraṃ nāṣṭrā rakṣāṃsi hinasanniti sāma hi nāṣṭrāṇāṃ rakṣasāmapahantā

He then says, 'Sing the Sâman!' or 'Speak the Sâman!' but let him rather say 'Sing,' for they do sing the Sâman. The reason why he sings the Sâman is that the evil spirits may not injure that body of his outside the sacrifice, for the Sâman is a repeller of the evil spirits.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.7

āgneyyāṃ gāyati | agnirhi rakṣasāmapahantāticandasi gāyatyeṣā vai sarvāṇi candāṃsi yadaticandāstasmādaticandasi gāyati

He (the Prastotri) sings a (verse) to Agni, for Agni is a repeller of the evil spirits. He sings in the Atikhandas; for this, the Atikhandas, is all the metres: therefore he sings in the Atikhandas.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.8

sa gāyati | agniṣṭapati pratidahatyahāvo 'hāva iti tannāṣṭrā evaitadrakṣāṃsyato 'pahanti

He sings, 'Agni burneth, Agni encountereth with flames,--Ahâvah! Ahâvah!' Thus he drives the evil spirits away from here.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.9

ta udañco niṣkrāmanti | jaghanena cātvālamagreṇāgnīdhraṃ sa yasyāṃ tato diśyāpo bhavanti tadyanti

They walk out (from the sacrificial ground) northwards, along the back of the pit and the front side of the Âgnîdhra: then they proceed in whatever direction the water is.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.10

sa yaḥ syandamānānāṃ sthāvaro hradaḥ syāt | tamapo 'bhyaveyādetā vā apāṃ varuṇagṛhītā yāḥ syandamānānāṃ na syandante varuṇyo vā avabhṛtho nirvaruṇatāyai yadyu tā na vindedapi yā eva kāścāpo 'bhyaveyāt

Where there is a standing pool of flowing water, there let him (the sacrificer) descend into the water--for whatsoever parts of flowing water flow not, these are holden by Varuna; and the expiatory bath belongs to Varuna--to free himself from Varuna. But if he does not find such, he may descend into any water.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.11

tamapo 'vakramayanvācayati | namo varuṇāyābhiṣṭhito varuṇasya pāśa iti tadenaṃ sarvasmādvaruṇapāśātsarvasmādvaruṇyātpramuñcati

While he makes him descend into the water, he bids him say, 'Homage be to Varuna: downtrodden is Varuna's snare!' thus he delivers him from every snare of Varuna, from every (infliction) of Varuna.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.12

atha caturgṛhītamājyaṃ gṛhītvā | samidham prāsyābhijuhotyagneranīkamapa āviveśāpāṃ napātpatirakṣannasuryam dame-dame samidhaṃ yakṣyagne prati te jihvā ghṛtamuccaraṇyatsvāheti

Thereupon, taking ghee in four ladlings, and throwing down a kindling-stick (on the water), he offers thereon, with (Vâg. S. VIII, 24), 'The face of Agni, the waters, have I entered, escaping from the power of demons, O son of the waters! In every homestead offer thou the log, O Agni! let thy tongue dart forth towards the ghee,--Hail!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.13

agnerha vai devāḥ | yāvadvā yāvadvāpsu praveśayāṃ cakrurnedato nāṣṭrā rakṣāṃsyupottiṣṭhānityagnirhi rakṣasāmapahantā tametayā ca samidhaitayā cāhutyā saminddhe samiddhe devebhyo juhavānīti

Now, once on a time, the gods made so much of Agni, as would go in, enter the water, in order that the evil spirits should not rise therefrom; for Agni is the repeller of evil spirits. It is him he kindles by this kindling-stick and by this oblation, thinking 'On the kindled (fire) will I offer to the gods!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.14

athāparaṃ caturgṛhītamājyaṃ gṛhītvā | āśrāvyāha samidho yajeti so 'pabarhiṣaścaturaḥ prayājānyajati prajā vai barhirvaruṇyo vā avabhṛtho netprajā varuṇo gṛhṇāditi tasmādapabarhiṣaścaturaḥ prayājānyajati

Then, having taken ghee a second time in four ladlings, and having called for the (Âgnîdhra's) Sraushat, he says, 'Pronounce the offering prayer to the Kindling-sticks!' He offers four fore-offerings, omitting that to the Barhis --the Barhis being offspring, and the expiatory bath belonging to Varuna--lest Varuna should seize upon his offspring. This is why he offers four fore-offerings, omitting that to the Barhis.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.15

atha vāruṇa ekakapālaḥ puroḍāśo bhavati | yo vā asya raso 'bhūdāhutibhyo vā asya tamajījanadathaitacarīraṃ tasminna raso 'sti raso vai puroḍāśastadasminnetaṃ rasaṃ dadhāti tadenametena rasena saṃgamayati tadenamato janayati sa enaṃ jāta eva sañjanayati tasmādvāruṇa ekakapālaḥ puroḍāśo bhavati

Then follows a cake on one potsherd for Varuna. For whatever sap there had been in him (Soma), that sap of his he has produced (extracted) for the offerings. Now that body: there is no sap in it. But the cake is sap: that sap he puts into it. Thus he unites him with that sap, and so produces him from it,--he (Soma), even when produced, produces him (the sacrificer): hence there is a cake on -one potsherd for Varuna.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.16

sa ājyasyopastīrya | puroḍāśasyāvadyannāha varuṇāyānubrūhītyatra haika ṛjīṣasya dviravadyanti tadu tathā na kuryācarīraṃ vā etadbhavati nālamāhutyai dviravadyati sakṛdabhighārayati pratyanaktyavadāne āśrāvyāha varuṇaṃ yajeti vaṣaṭkṛte juhoti

Having made an 'underlayer' of ghee (in the offering-spoon), he says, while making the cuttings from the cake, 'Recite (the invitatory prayer) to Varuna!' Here now some make two cuttings from the Soma-husks, but let him not do so; for that (heap of husks) is an empty body, unfit for offering. He makes two cuttings (from the cake) and bastes them once with ghee, and anoints (replenishes the places whence) the cuttings (have been made). Having called for the Sraushat, he says, 'Recite the offering prayer to Varuna!' and offers as the Vashat is uttered.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.17

athājyasyopastīrya | puroḍāśamavadadhadāhāgnīvaruṇābhyāmanubrūhīti tatsviṣṭakṛte sa yannāgnaya ityāha nedagni varuṇo gṛhṇāditi sa yadyamutrarjīṣasya dviravadyedathātra sakṛdyadyu na nādriyetāthopariṣṭāddvirājyasyābhighārayatyāśrāvyāhāgnīvaruṇau yajeti vaṣaṭkṛte juhoti

Then, having made an underlayer of ghee, he says, while putting the (remainder of the) cake (into the spoon), 'Recite the invitatory prayer to Agni and Varuna!' This is for (Agni) Svishtakrit; and as to why he does not say 'To Agni,' it is lest Varuna might seize upon Agni. If before he has cut twice from the Soma-husks, he now does so once, but if (he did) not, he need not heed it. He then bastes it twice with butter on the upper side; and having called for the Sraushat, he says, 'Recite the offering prayer to Agni and Varuna!' and offers as the Vashat is uttered.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.18

tā vā etāḥ | ṣaḍāhutayo bhavanti ṣaḍvā ṛtavaḥ saṃvatsarasya saṃvatsaro varuṇastasmātṣaḍāhutayo bhavanti

Now these are six oblations; for there are six seasons in the year, and Varuna is the year: hence there are six oblations.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.19

etadādityānāmayanam | ādityānīmāni yajūṃṣītyāhuḥ sa yāvadasya vaśaḥ syādevameva cikīrṣedyadyu enamitarathā yajamānaḥ kartavai brūyāditaratho tarhi kuryādetāneva caturaḥ prayājānapabarhiṣo yajeddvāvājyabhāgau varuṇamagnīvaruṇau dvāvanuyājāvapabarhiṣau taddaśa daśākṣarā vai virāḍvirāḍvai yajñastadvirājamevaitadyajñamabhisampādayati

This is the course of the Âdityas; and these Yagus, they say, belong to the Âdityas. Let (the Adhvaryu) endeavour to perform as much of it as is his (the sacrificer's) wish. And if the sacrificer tell him to do otherwise, then he should do otherwise. He may also perform those same four fore-offerings,--omitting that to the Barhis--two butter-portions, (the oblations of cake) to Varuna and Agni-Varuna, and two after-offerings,--omitting the one to the Barhis;--this makes ten. Now the virâg consists of ten syllables, and the sacrifice is virâg: thus he makes the sacrifice to be like the virâg.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.20

etadaṅgirasāmayanam | ato 'nyataratkṛtvā yasminkumbha ṛjīṣam bhavati tam praplāvayati samudre te hṛdayamapsvantarityāpo vai samudro raso vā āpastadasminnetaṃ rasaṃ dadhāti tadenametena rasena saṃgamayati tadenamato janayati sa enaṃ jāta eva sañjanayati saṃ tvā viśantvoṣadhīrutāpa iti tadasminnubhayaṃ rasaṃ dadhāti yaścauṣadhiṣu yaścāpsu yajñasya tvā yajñapate sūktoktau namovāke vidhema yatsvāheti tadyadeva yajn=asya sādhu tadevāsminnetaddadhāti

This is the course of the Aṅgiras. Having performed the offerings either way, (the Adhvaryu) makes the pot, in which the husks are, float with (Vâg. S. VIII, 25), 'In the ocean, in the waters, is thy heart (O Soma)'--for the ocean is the waters, and water is sap: that sap he now puts into him (Soma), and thus he unites him with that sap, and produces him therefrom; and he (Soma), even when produced, produces him (the sacrificer);--'May the plants and the waters unite with thee!'--thereby he puts two kinds of sap into him, that which is in plants, and that which is in water,--'that we may serve thee, O lord of the sacrifice, in the singing of praises and the utterance of worship, with Svâhâ!' Whatever is good in the sacrifice, that he thereby puts into him.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.21

athānusṛjyopatiṣṭhate | devīrāpa eṣa vo garbha ityapāṃ hyeṣa garbhastaṃ suprītaṃ subhṛtam bibhṛteti tadenamadbhyaḥ paridadāti guptyai deva somaiṣa te loka ityāpo hyetasya lokastasmiñcaṃ ca vakṣva pari ca vakṣveti tasminnaḥ śaṃ caidhi sarvābhyaśca na ārtibhyo gopāyetyevaitadāha

Thereupon, letting it go, he stands by it with (Vâg. S. VIII, 26), 'Ye divine waters, this is your child,'--for he (Soma) indeed is the child of the waters,--'bear ye him, well-beloved, well-nourished!' he thereby makes him over to the waters for protection--'This, O divine Soma, is thine abode: thrive thou well therein, and thrive thou thoroughly!' whereby he means to say, 'Be thou therein for our happiness, and shield us from all inflictions!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.22

athopamārayati | avabhṛtha nicumpuṇa nicerurasi nicumpuṇaḥ ava devairdevakṛtameno yāsiṣamava martyairmartyakṛtamityava hyetaddevairdevakṛtameno 'yāsītsomena rājñāva martyairmartyakṛtamityava hyetanmartyairmartyakṛtameno 'yāsītpaśunā puroḍāśena pururāvṇo deva riṣaspāhīti sarvābhyo mārtibhyo gopāyetyevaitadāha

He then immerses it with (Vâg. S. VIII, 27), 'O laving bath, laving thou glidest along: with the help of the gods may I wipe out the sin committed against the gods; and with the help of the mortals that committed against mortals!'--for the sin committed against the gods he has indeed wiped out with the help of the gods, namely, with the help of king Soma; and the sin committed against mortals he has wiped out with the help of mortals, namely, by means of the animal victim and the sacrificial cake--'Preserve me, O god, from injury from the fiercely-howling (demon)!' whereby he means to say, 'Preserve me from all inflictions!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.4.5.23

athābhyavetya snātaḥ | anyo 'nyasya pṛṣṭhe pradhāvatastāvanye vāsasī paridhāyodetaḥ sa yathāhistvaco nirmucyetaivaṃ sarvasmātpāpmano nirmucyate tasminna tāvaccanaino bhavati yāvatkumāre 'dati sa yenaiva niṣkrāmanti tena punarāyanti punaretyāhavanīye samidhamabhyādadhāti devānāṃ samidasīti yajamānamevaitayā saminddhe devānāṃ hi samiddhimanu yajamānaḥ samidhyate

Thereupon both (the sacrificer and his wife) having descended, bathe, and wash each other's back. Having wrapped themselves in fresh garments they step out: even as a snake casts its skin, so does he cast away all his sin,--there is not in him even as much sin as there is in a toothless child. By the same way by which they came out (from the sacrificial ground), they return thither; and, having returned, he puts a kindling-stick on the Âhavanîya (at the front hall-door) with, 'Thou art the kindler of the gods!' He thereby kindles the sacrificer himself, for along with the kindling of the gods the sacrificer is kindled.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

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