A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c14.5

c14.5

It will be easily seen that the author here follows the process laid down by Pandit Vyankata Makhi for obtaining his seventy-two melas from the 12 swaras of the scale Tulajirao has also the same idea of the scale That the author knew about the Chaturdandi is seen from the following reference by him to that work:—