Indian Architecture (Buddhist and Hindu Periods) c24.24

c24.24

The architectural manipulation of the surfaces of this fine tower is in keeping with its mass. Specially noticeable is the scheme of decoration applied to the walls of the lowest and upright portion which is divided into two stories by a massive overhanging cornice recalling those of the rock-cut example. Except for this powerful horizontal member the underlying idea is vertical in intention, the two ranges of pilasters above and below being reminiscent of the supercolumniation in the Roman facades. Combined with these pilasters are remarkably ingenious motifs and devices showing great fertility of invention, as for instance a conventional foliation or "tree of knowledge" which enriches so effectively the deeper recesses, and other similar elements. Then, occupying the middle of each compartment is a figure-subject, each statue the central object of its own setting, providing a crowning achievement to the whole. Yet in spite of the supremely imaginative quality of its embellishment the critical eye may discern that, although each feature is an excellent effort in itself, taken as a whole the components do not always co-ordinate, in short, this portion of the facade consists of an assembly of admirable artistic elements, but not in every instance architecturally adequate.