Shringaraprakasha 5.p2.10

5.p2.10

vikāralakṣaṇaṃ yathā-- sa bālabhāvādvapuṣā catirbhujo mukhena pūrṇendunibhastrilocanaḥ | yuvā karākrantamahībhṛduñcakairasaṃśayaṃ saṃprati tejasā raviḥ || utpātalakṣaṇaṃ yathā-- gonāsāya niyojitagadarajāssarpāya baddhaiṣadhiḥ kaṇṭhasthāya viṣāya vāryamahataḥ pāṇau maṇīnbibhratī | bharturbhūtagaṇāya gotrajaratīnirdiṣṭamantrākṣarā rakṣatvadrisutā vivāhasamaye hrītā ca bhītā ca yā || bhāvalakṣaṇaṃ yathā-- tathāgatāyāṃ parihāsapūrvaṃ sakhyā sakhī vetrabhṛtā babhāṣe | ārye vrajāmo'nyata ityathaināṃ vadhūrasūyākuṭilaṃ dadarśa || kriyālakṣaṇaṃ yathā-- badhnannaṅgeṣu romāñcaṃ kurvanmanasi nirvṛtim | netre cāmīlayanneṣa priyāsparśāḥ pravartate || 5.28. upapadaṃ ṣoḍhā, kriyārūpaṃ, nāmarūpaṃ, nāmārtharūpaṃ, pratyayārūpaṃ, nipātarūpaṃ, karmapravacanīyarūpamiti | teṣu kriyārūpaṃ yathā-- bhavatsambhāvanotthāya paritoṣāya mūrcchate | api vyāptadigantāni nāṅgāni prabhavanti me | nāmarūpaṃ yathā-- sukhaistebhaayo vibhāvaryastebhyo hitamahassadā | yaṣāmakaḍatrimapremā priyā pārśvaṃ na muñcati || nāmārtharūpaṃ yathā-- hutahutāśanadīptivanaśriyaḥ pratinidhiḥ kanakābhāraṇasya yat | yuvatayaḥ kusumaṃ dadhurāhitaṃ tadalake dalakesarapeśalam |. pratyayarūpaṃ yathā-- nṛpasutamabhitassamanmathāyāḥ pariḍajanagātratirohitāṅgayaṣṭeḥ | sphucamabhilaṣitaṃ babhūva vadhvā vadati hi saṃvṛtireva kāmitāni || nipātarūpaṃ yathā-- yo hi dīrdhāsitākṣasya vilāsavilitabhruvaḥ | kāntāmukhasyāvaśagastasmai nṛpaśave namaḥ || karmapavacanīyarūpaṃ yathā-- ālocanāntācchravaṇe vivṛtya pūtaṃ gurostadvacanaṃ bhāvānyā |

Characterised by bodily modification, for example: / "By reason of boyish nature, he is four-armed in body; by his face, resembling the full moon, he is three-eyed; / as a youth, having conquered kings with his hands, he is high; now in brilliance he is undoubtedly the sun." / Characterised by an unnatural portent, for example: / "Applying antidote dust for the snouted viper, binding a medicinal herb for the serpent, / holding in her hand a great cooling gem for the poison residing in his throat, / uttering the syllables of the mantra instructed by the old women of the family for her husband's host of goblins— / may the mountain's daughter protect [you], she who was both bashful and frightened at the time of marriage." / Characterised by a prior emotional state, for example: / "When she was in that state, playfully the female companion bearing the cane said: / 'Noble lady, let us go elsewhere.' Thereupon the bride looked at her, crooked with annoyance." / Characterised by an action, for example: / "Causing the hair on the limbs to bristle, creating delight in the heart, / and causing the eyes to close, this touch of the beloved begins." / 5.28. The accompanying word is sixfold: having the form of an action, having the form of a noun, having the form of a nominal meaning, having the form of an affix, having the form of a particle, and having the form of an adposition. / Among these, having the form of an action, for example: / "For the satisfaction that arises from your regard, which swells exceedingly, / even my limbs, though pervading the ends of the directions, do not suffice." / Having the form of a noun, for example: / "Nights are pleasant for them, and day is always beneficent for them, / whose unfeigned love the beloved woman does not depart from their side." / Having the form of a nominal meaning, for example: / "The youthful women wore a blossom placed in their curls, delicate with its split filaments, / which had the brilliance of an oblated fire, the beauty of the forest, a substitute for a golden ornament." / Having the form of an affix, for example: / "When she, filled with passion, stood before the king's son, her slender body concealed by the bodies of her attendants, / the desire of the bride became obvious; for concealment itself speaks desires." / Having the form of a particle, for example: / "To that beast of a king, who is under the control of a beloved's face / with long dark eyes and eyebrows curved in playfulness, homage!" / Having the form of an adposition, for example: / "After listening to that pure utterance of the guru, opening wide her ears at the end of contemplation, Bhavānī [received it],