Gita Govinda 1.1.4
Gītagovinda 1.1.4
- Language
- Sanskrit
1.1.4
vacaḥ pallavayaty umāpatidharaḥ sandarbha-śuddhiṃ girāṃ jānītejayadeva eva śaraṇaḥ ślāghyo durūha-druteḥ |
NOTE: {durūhādbhuteḥ iti ni-pāthāntaraḥ | }
śṛṅgārottara-sat-prameya-racanair ācārya-govardhana-spardhī ko'pi na viśrutaḥ srutidharo dhoyī kavi-kṣmāpatiḥ ||
Umāpatidhara makes his speech sprout; Jayadeva alone knows the pure composition of words;
Śaraṇa is praiseworthy for swiftness in difficult passages; none is renowned to rival
Master Govardhana in compositions on true subjects heightened by erotic sentiment;
and the king of poets, Dhoyī, is a living storehouse of what he has heard.
1.1.4.p1
|| prathama-prabandhaḥ ||
First Lyric Composition
1.1.4.p2
mālava-gauḍa-rāgeṇa rūpaka-talena giyate | aṣṭāpadī |
Sung in Mālava-Gauḍa melodic mode and Rūpaka rhythmic meter. An eight-stanza song.
Translations (1)
- English (machine translation) — English, machine translation
Commentaries (4)
- Śrutirañjanī — Lakṣmīdhara 1567, Sanskrit
- Rasikapriyā — Kumbhakarṇa, Sanskrit
- Commentary of Mānāṅka — Mānāṅka, Sanskrit
- Rasamañjarī — Śaṅkara, Sanskrit
Linked texts (2)
- Subhāṣitaratnabhāṇḍāgāra — Kāśīnātha Pāṇḍuraṅga Paraba 1886, Sanskrit
- Kāvyasaṃgraha (Jīvānanda) — Sanskrit