Shringaraprakasha 5.p2.5

5.p2.5

kiyatkṛtvo baddhāḥpunarapi na vedmi bhrukuṭayastathā'pi kliśnānmāṃ kṣaṇamapi na dhaṣṭo viramati || samāsarūpaṃ yathā-- prasīda viśrāmyatu vīra vajraṃ śarairmadīyaiḥ katamastavāriḥ | bibetu moghīkṛtabāhuvīryaḥ strībhyo'pi kopasphuritādharābhyaḥ || 5.20. kartrādīnāṃ svebhyaḥ pare kārakaviśeṣaṇam | tadapi ṣoḍhā, kartṛviśeṣaṇaṃ karmaviśeṣaṇaṃ karaṇaviśeṣaṇaṃ saṃpradānaviśeṣaṇamapādānaviśeṣaṇamadhikaraṇaviśeṣaṇamiti | teṣu kartṛviśeṣaṇaṃ yathā-- sā maṅgalasnānaviśiddhagātrī gṛhītavatyudgamanīyavastram | nivṛttaparḍanyajalābhiṣekā praphullakāśā vasudheva reje || karmaviśeṣaṇaṃ yathā-- aśokanirbhartsitapadmarāgamākṛṣṭahemadyutikararṇikāram | muktākalāpītakṛtasindhavāraṃ vasantapuruṣpābharaṇaṃ vahantī || karaṇaviśeṣaṇaṃ yathā-- mukhena sā padmāsugandhinā niśi pravepamānādharapatraśobhinā | tuṣāravṛṣṭikṣacapadmasampadāṃ sarocasantānamivākarodapām || saṃpradānaviśeṣaṇaṃ yathā-- tasmai himādreḥ prayatāṃ tanūjāṃ yatātmane rocayituṃ yatasva | yoṣutsu tadvīryaniṣekabhūmissaiva kṣametyātmabhunopadiṣṭam || apādanaviśeṣaṇaṃ yathā-- visṛṣṭarāgādadhārānnivartitasstavāṅgarāgārūṇitāñca kandukāt | kuśāṃkurādānaparikṣatāṃguliḥ kṛto'kṣasūtrapraṇayī tayā karaḥ || adhikaraṇaviśeṣaṇaṃ yathā-- 5.21. anuprayogārthaśśeṣaḥ | sa ṣoḍhā, liḍanuprayogārthaḥ, lojanuprayogārthaḥ, kṛjanuprayogārthaḥ, yathāvidhyanuprayogārthaḥ, adhikānuprayogārthaḥ, dvirvacanānuprayogārthaḥ iti | siḍanuprayogārtho yathā-- na laṅghāyāmāsa mahājanānāṃ śirāṃsi nāvoddhatimājagāma |

'how many times my brows were knitted, yet again I do not know; / still the insolent man, tormenting me, does not desist for even a moment!' / The compound form is as: / 'Be gracious, O hero! Let the thunderbolt rest. Which enemy of yours / with our arrows, his arm's prowess brought to naught, / would be afraid even of women whose lips tremble with anger?' / 5.20. Following their own [forms], [an adjective is] a modifier of syntactic roles beginning with the agent. That also is sixfold: modifier of the agent, modifier of the direct object, modifier of the instrument, modifier of the recipient, modifier of the starting point, and modifier of the locus. Among these, the modifier of the agent is as: / 'With her limbs purified by the auspicious bath, / having taken the freshly-woven silk garment, / she shone like the earth whose ablution by rain-clouds has ceased, / with blooming kāśa grass.' / The modifier of the direct object is as: / 'Wearing the floral ornaments of spring, / where rubies were defied by the aśoka, / where the splendour of gold was attracted by the karṇikāra, / and where the sinduvāra was made into a string of pearls...' / The modifier of the instrument is as: / 'With her face fragrant as a lotus, / resplendent with trembling petal-like lower lip at night, / she produced, as it were, an unbroken line of lotuses in water, / whose wealth of lotuses was ruined by a shower of frost.' / The modifier of the recipient is as: / 'Strive to make the daughter of the snowy mountain agreeable to him / whose self is restrained; / among women she alone is fit to be the soil for depositing his seed— / so it was instructed by the Self-born.' / The modifier of the starting point is as: / 'Turned back from her lower lip from which colour had departed, / and from the ball reddened with the rouge of her body, / her hand, fingers pierced from plucking sprouts of kuśa grass, / was devoted to the rosary.' / The modifier of the locus is as: [...] / 5.21. The rest pertains to the meaning of auxiliation. That is sixfold: the meaning of the auxiliary liṭ, the meaning of the auxiliary loṭ, the meaning of the auxiliary kṛ, the meaning of the auxiliary as prescribed by rule, the meaning of an augmentative auxiliary, and the meaning of a reduplicative auxiliary. The meaning of the auxiliary liṭ is as: / 'He did not step over the heads of the great; / he did not rise to arrogance; /'