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Gita Govinda 2.11

Gītagovinda 2.11

Language
Sanskrit

2.11.1

suciram anunayena prīṇayitvā mṛga-akṣīm
gatavati kṛta-veśe keśave kuñja-śayyām /
racita-rucira-bhūṣām dṛṣṭi-moṣe pradoṣe
sphurati niravasādām kāpi rādhām jagāda //

When Keśava had delighted the fawn-eyed girl with long conciliation / and, adorned, had gone to the couch in the bower, / at nightfall, which robs the sight while shimmering, / someone spoke to Rādhā, who had put on radiant ornaments and was freed of dejection:

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2.11.2

viracita-cāṭu-vacana-racanam caraṇe racita-praṇipātam /
saṃprati mañjula-vañjula-sīmani keli-śayanam anuyātam //
mugdhe madhumathanam anugatam anusara rādhike //

He who composed words of flattery and made prostrations at your feet, / has now gone to the bed of pleasure in a charming reed-thicket. / O charming girl, Rādhikā, follow Madhumathana, who is devoted to you!

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2.11.3

ghana-jaghana-stana-bhāra-bhare dara-manthara-caraṇa-vihāram /
mukharita-maṇi-mañjīram upaihi vidhehi marāla-vikāram //
mugdhe madhumathanam anugatam anusara rādhike //

With the heavy burden of your solid hips and breasts, your footsteps move slowly; / with jewel anklets chiming, approach him, showing the graceful movement of a swan! / O charming girl, Rādhikā, follow Madhumathana, who is devoted to you!

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2.11.4

śṛṇu ramaṇīyataram taruṇī-jana-mohana-madhupa-virāvam /
kusumaśarāsana-śāsana-bandini pika-nikare bhaja bhāvam //
mugdhe madhumathanam anugatam anusara rādhike //

Listen to the most delightful hum of the bees that enchants young women; / attend to your feeling, while the swarm of cuckoos sounds like bards under the rule of the flower-bowed god! / O charming girl, Rādhikā, follow Madhumathana, who is devoted to you!

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2.11.5

anila-tarala-kisalaya-nikareṇa kareṇa latā-nikurambam /
preraṇam iva karabha-ūru karoti gatim pratimuñca vilambam //
mugdhe madhumathanam anugatam anusara rādhike //

With its hand made of a mass of tender sprouts trembling in the wind, the cluster of creepers / is as though gesturing toward your going: cast off your delay, O girl whose thighs are like an elephant's trunk! / O charming girl, Rādhikā, follow Madhumathana, who is devoted to you!

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2.11.6

sphuritam anaṅga-taraṅga-vaśāt iva sūcita-hari-parirambham /
pṛccha manohara-hāra-vimala-jala-dhāram amum kuca-kumbham //
mugdhe madhumathanam anugatam anusara rādhike //

Ask this pitcher-like breast of yours, shivering as if by the surge of the Bodiless One, / which foretells the embrace of Hari, bearing the clear stream of water of a captivating necklace! / O charming girl, Rādhikā, follow Madhumathana, who is devoted to you!

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2.11.7

adhigatam akhila-sakhībhiḥ idam tava vapuḥ api rati-raṇa-sajjam /
caṇḍi rasita-raśanā-rava-ḍiṇḍimam abhisara sarasam alajjam //
mugdhe madhumathanam anugatam anusara rādhike //

All your confidantes have understood that your body is ready for the battle of amorous pleasure; / O passionate girl, with the drum of your jingling girdle sounding, go passionately on your amorous rendezvous without shame! / O charming girl, Rādhikā, follow Madhumathana, who is devoted to you!

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2.11.8

smara-śara-subhaga-nakhena kareṇa sakhīm avalambya salīlam /
cala valaya-kvaṇitaiḥ avabodhaya harim api nijagati-śīlam //
mugdhe madhumathanam anugatam anusara rādhike //

Leaning playfully on your confidante with a hand whose nails are lovely as Smara's arrows, / walk, and with the ringing of your bracelets awaken Hari to the manner of your own gait! / O charming girl, Rādhikā, follow Madhumathana, who is devoted to you!

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2.11.9

śrījayadeva-bhaṇitam adharīkṛta-hāram udāsita-vāmam /
hari-vinihita-manasām adhitiṣṭhatu kaṇṭha-taṭīm avirāmam //
mugdhe madhumathanam anugatam anusara rādhike //

May this utterance of Śrī Jayadeva, which has surpassed pearled necklaces and banished perversity, / dwell without ceasing on the throat of those who have fixed their minds on Hari! / O charming girl, Rādhikā, follow Madhumathana, who is devoted to you!

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2.11.10

sā mām drakṣyati vakṣyati smara-kathām prati-aṅgam āliṅganaiḥ
prītim yāsyati raṃsyate sakhi samāgatya iti cintā-ākulaḥ /
saḥ tvām paśyati vepate pulakayati ānandati svidyati
pratyudgacchati mūrcchati sthira-tamaḥ-puñje nikuñje priyaḥ //

"She will see me; she will speak words of love; limb by limb with embraces / she will find joy; she will delight, O friend, having arrived"—in this way, troubled by longing, / your lover sees you, trembles, bristles with thrill, rejoices, sweats, / goes forth to meet you, and faints in the arbor deep in dense darkness.

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2.11.11

akṣṇoḥ nikṣipat-añjanam śravaṇayoḥ tāpiccha-guccha-āvalīm
mūrdhni śyāma-saroja-dāma kucayoḥ kastūrikā-patrakam /
dhūrtānām abhisāra-satvara-hṛdām viṣvak-nikuñje sakhi
dhvāntam nīla-nicola-cāru sudṛśām prati-aṅgam āliṅgati //

Casting collyrium upon their eyes, clusters of tāpiccha blooms on their ears, / a garland of dark lotuses on their heads, and musk-leaf patterns on their breasts, / the darkness, like a lovely blue cloak, embraces limb by limb / the beautiful women whose hearts hasten to the amorous rendezvous with their artful lovers all around the arbor, O friend.

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2.11.12

kāśmīra-gaura-vapuṣām abhisārikāṇām
ābaddha-rekham abhitaḥ ruci-mañjarībhiḥ /
etat tamāla-dala-nīla-tamam tamisram
tat-prema-hema-nikaṣa-upalatām tanoti //

For the women going to meet their lovers, their bodies fair as saffron, / casting streaks on every side with the sprays of their luster, / this darkness, black as a tamāla leaf, / performs the work of a touchstone for the gold of their love.

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2.11.13

hāra-āvalī-tarala-kāñci-dāma-
keyūra-kaṅkaṇa-maṇi-dyuti-dīpitasya /
dvāre nikuñja-nilayasya harim nirīkṣya
vrīḍāvatīm atha sakhī nijagāda rādhām //

Then, seeing Hari at the door of his bower-dwelling, / illuminated by the jewel luster of rows of necklaces, trembling girdle-strings, / armlets, and bangles, / the confidante spoke to the bashful Rādhā:

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2.11.14

mañjutara-kuñja-tala-keli-sadane /
vilasa rati-rabhasa-hasita-vadane //
praviśa rādhe mādhava-samīpam iha //

In the bower of play under the most charming grove, / take your pleasure, your face smiling with the eagerness of amorous pleasure! / Enter here, Rādhā, into the presence of Mādhava!

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2.11.15

nava-bhavat-aśoka-dala-śayana-sāre /
vilasa kuca-kalaśa-tarala-hāre //
praviśa rādhe mādhava-samīpam iha //

On the excellent couch made of fresh aśoka leaves, / take your pleasure, your necklace trembling upon your pitcher-like breasts! / Enter here, Rādhā, into the presence of Mādhava!

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2.11.16

kusuma-caya-racita-śuci-vāsa-gehe /
vilasa kusuma-sukumāra-dehe //
praviśa rādhe mādhava-samīpam iha //

In the pure chamber of fragrance arranged with heaps of blossoms, / take your pleasure, your body delicate as a flower! / Enter here, Rādhā, into the presence of Mādhava!

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2.11.17

cala-malaya-vana-pavana-surabhi-śīte /
vilasa rasa-valita-lalita-gīte //
praviśa rādhe mādhava-samīpam iha //

Where it is fragrant and cool with breezes from the shifting Malaya forest, / take your pleasure, with lovely songs overflowing with passion! / Enter here, Rādhā, into the presence of Mādhava!

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2.11.18

madhu-mudita-madhupa-kula-kalita-rāve /
vilasa madana-rasa-sarasa-bhāve //
praviśa rādhe mādhava-samīpam iha //

Where swarms of bees, gladdened by honey, make their gentle hum, / take your pleasure, your feeling impassioned with the flavor of Madana! / Enter here, Rādhā, into the presence of Mādhava!

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2.11.19

madhuratara-pika-nikara-ninada-mukhare /
vilasa daśana-ruci-rucira-śikhare //
praviśa rādhe mādhava-samīpam iha //

Resounding with the sweetest notes of flocks of cuckoos, / take your pleasure, your radiant lip bright with the luster of your teeth! / Enter here, Rādhā, into the presence of Mādhava!

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2.11.20

vitata-bahu-valli-nava-pallava-ghane /
vilasa ciram alasa-pīna-jaghane //
praviśa rādhe mādhava-samīpam iha //

Dense with fresh sprouts from many spreading creepers, / take your pleasure long, O you of languid, voluptuous hips! / Enter here, Rādhā, into the presence of Mādhava!

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2.11.21

vihita-padmāvatī-sukha-samāje /
kuru murāre maṅgala-śatāni
bhaṇati jayadeva-kavi-rāje //
praviśa rādhe mādhava-samīpam iha //

In the assembly that brings delight to Padmāvatī, / King of Poets Jayadeva speaks: / O Murāri, grant hundreds of blessings! / Enter here, Rādhā, into the presence of Mādhava!

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2.11.22

tvām cittena ciram vahan ayam atiśrāntaḥ bhṛśam tāpitaḥ
kandarpeṇa tu pātum icchati sudhā-saṃbādha-bimba-adharam /
asya aṅgam tat alaṃkuru kṣaṇam iha bhrū-kṣepa-lakṣmī-lava-
krīte dāse iva upasevita-pada-ambhoje kutaḥ sambhramaḥ //

"Bearing you long in his heart, he is utterly exhausted and scorched intensely / by Kandarpa, and wishes only to drink your bimba-lip brimming with nectar; / adorn his body for a moment here: why this hesitation / toward one who serves your lotus feet, as toward a slave purchased by a fraction of the charm of your brow's arch?"

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2.11.23

sā sasādhvasa-sānandam govinde lola-locanā /
siñjāna-mañju-mañjīram praviveśa niveśanam //

With timidity and with joy, her eyes trembling toward Govinda, / she entered the dwelling while her charming anklets jingled.

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2.11.24

rādhā-vadana-vilokana-vikasita-vividha-vikāra-vibhaṅgam /
jalanidhim iva vidhu-maṇḍala-darśana-taralita-tuṅga-taraṅgam //
harim eka-rasam ciram abhilaṣita-vilāsam
sā dadarśa guru-harṣa-vaśaṃvada-vadanam anaṅga-nivāsam //

Displaying waves of varied emotions unfolded at the sight of Rādhā's face, / like the ocean with towering waves stirred up at the sight of the moon's orb, / she saw Hari, whose sole flavor was love, who had long desired dalliance, / whose face was subject to immense joy, and who was the abode of the Bodiless One.

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2.11.25

hāram amalatara-tāram urasi dadhatam parirabhya vidūram /
sphuṭatara-phena-kadamba-karambitam iva yamunā-jala-pūram //
harim eka-rasam ciram abhilaṣita-vilāsam
sā dadarśa guru-harṣa-vaśaṃvada-vadanam anaṅga-nivāsam //

Wearing on his chest a necklace of exceedingly bright pearls, widely encircling it, / like a flood of Yamunā water mingled with a conspicuous mass of foam, / she saw Hari, whose sole flavor was love, who had long desired dalliance, / whose face was subject to immense joy, and who was the abode of the Bodiless One.

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2.11.26

śyāmala-mṛdula-kalevara-maṇḍalam adhigata-gaura-dukūlam /
nīla-nalinam iva pīta-parāga-paṭala-bhara-valayita-mūlam //
harim eka-rasam ciram abhilaṣita-vilāsam
sā dadarśa guru-harṣa-vaśaṃvada-vadanam anaṅga-nivāsam //

Whose dark and tender body was clad in fine yellow silk, / like a blue lotus whose base is surrounded by a mass of yellow pollen— / she gazed upon Hari, devoted to a single aesthetic flavor, his amorous dalliance long desired, / his face mastered by intense joy, an abode of the Bodiless One.

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2.11.27

tarala-dṛk-añcala-calana-manohara-vadana-janita-rati-rāgam /
sphuṭa-kamala-udara-khelita-khañjana-yugam iva śaradi taḍāgam //
harim eka-rasam ciram abhilaṣita-vilāsam
sā dadarśa guru-harṣa-vaśaṃvada-vadanam anaṅga-nivāsam //

Who awakened passion for amorous pleasure with his captivating face, where tremulous corners of the eyes moved, / like a pool in autumn where a pair of wagtails play within the center of a blooming lotus— / she gazed upon Hari, devoted to a single aesthetic flavor, his amorous dalliance long desired, / his face mastered by intense joy, an abode of the Bodiless One.

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2.11.28

vadana-kamala-pariśīlana-milita-mihira-sama-kuṇḍala-śobham /
smita-ruci-rucira-samullasita-adhara-pallava-kṛta-rati-lobham //
harim eka-rasam ciram abhilaṣita-vilāsam
sā dadarśa guru-harṣa-vaśaṃvada-vadanam anaṅga-nivāsam //

Whose earrings shone like suns joined closely to gaze upon the lotus of his face, / who roused longing for amorous pleasure with his sprout-like lower lip radiant with bright smiles— / she gazed upon Hari, devoted to a single aesthetic flavor, his amorous dalliance long desired, / his face mastered by intense joy, an abode of the Bodiless One.

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2.11.29

śaśi-kiraṇa-churita-udara-jaladhara-sundara-sakusuma-kośam /
timira-udita-vidhu-maṇḍala-nirmala-malayaja-tilaka-niveśam //
harim eka-rasam ciram abhilaṣita-vilāsam
sā dadarśa guru-harṣa-vaśaṃvada-vadanam anaṅga-nivāsam //

Whose lovely wreath of flowers was like a cloud touched inside by moonbeams, / who wore a pure sandalwood forehead mark like the orb of the moon rising out of darkness— / she gazed upon Hari, devoted to a single aesthetic flavor, his amorous dalliance long desired, / his face mastered by intense joy, an abode of the Bodiless One.

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2.11.30

vipula-pulaka-bhara-danturitam rati-keli-kalābhiḥ adhīram /
maṇi-gaṇa-kiraṇa-samūha-samujjvala-bhūṣaṇa-subhaga-śarīram //
harim eka-rasam ciram abhilaṣita-vilāsam
sā dadarśa guru-harṣa-vaśaṃvada-vadanam anaṅga-nivāsam //

Who bristled with an abundance of goosebumps, impatient with the arts of erotic play, / his charming body adorned with jewels blazing with masses of rays— / she gazed upon Hari, devoted to a single aesthetic flavor, his amorous dalliance long desired, / his face mastered by intense joy, an abode of the Bodiless One.

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2.11.31

śrījayadeva-bhaṇita-vibhava-dviguṇīkṛta-bhūṣaṇa-bhāram /
praṇamata hṛdi suciram vinidhāya harim sukṛta-udaya-sāram //
harim eka-rasam ciram abhilaṣita-vilāsam
sā dadarśa guru-harṣa-vaśaṃvada-vadanam anaṅga-nivāsam //

Whose weight of ornaments is redoubled by the glory of Jayadeva's utterance— / bow to Hari, placing him long in your heart, the essence of the dawn of merit! / She gazed upon Hari, devoted to a single aesthetic flavor, his amorous dalliance long desired, / his face mastered by intense joy, an abode of the Bodiless One.

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2.11.32

atikramya apāṅgam śravaṇa-patha-paryanta-gamana-
prayāsena iva akṣṇoḥ taralatara-tāram patitayoḥ /
idānīm rādhāyāḥ priyatama-samāloka-samaye
papāta sveda-ambu-prasara iva harṣa-aśru-nikaraḥ //

Passing beyond the outer corners of her eyes, as if fatigued from traveling as far as the path to her ears, / the pupils rolled restlessly, and then at that moment of beholding her dearest beloved, / a flood of tears of joy fell from Rādhā's eyes, / like a flow of beads of sweat.

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2.11.33

bhajantyāḥ talpa-antam kṛta-kapaṭa-kaṇḍūti-pihita-
smitam yāte gehāt bahiḥ avahita-ālī-parijane /
priya-āsyam paśyantyāḥ smara-śara-samākūta-subhagam
salajjā lajjā api vyagamat iva dūram mṛga-dṛśaḥ //

As she sought the edge of the bed, her smile veiled beneath a feigned scratching, / and the watchful companions withdrew outside the house, / gazing upon her beloved's face, charming with the intention of Smara's arrows, / shame itself, feeling ashamed, seemed to flee far from the fawn-eyed woman.

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