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續一切經音義 6

English (machine translation) 6

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6.1

Compiled by the Śramaṇa Xilin of Chongren Monastery in Yanjing

6.2

Continued pronunciations for:
Buddha-mātṛkā-mahāmāyūrīvidyārājñī-sūtra, three fascicles;
Mahāmeghacakra-varṣāyācana-sūtra, two fascicles;
Mahāyāna-pratītyasamutpāda-śālistamba-sūtra, one fascicle;
Jāṅgulī-kumārī-sūtra spoken by the Buddha, one fascicle;
Sarvatathāgatoṣṇīṣa-vimalaviśuddhaprabhā-mahādhāraṇī-sūtra [Sarvatathāgata-karaṇḍamudrā-dhāraṇī-sūtra], one fascicle;
Ritual for Bestowing the Bodhicitta Precepts, one fascicle;
Exposition of the Mahāsukha-amoghaprajñāpāramitā-naya, one fascicle;
Mahāmaṇivipulavimāna-supratiṣṭhita-guhyaparama-dhāraṇī-sūtra, three fascicles;
Bodhi-maṇḍa-alaṃkāra-dhāraṇī-sūtra, one fascicle;
Chapter on Mañjuśrī's Inquiry into the Alphabet, one fascicle;
Samantabhadra-dhāraṇī-sūtra spoken by Avalokiteśvara Bodhisattva, one fascicle;
Dhāraṇī-sūtra Spoken by the Buddha for Eliminating All Illnesses, one fascicle;
Dhāraṇī-sūtra for Eliminating All Eye Diseases, one fascicle;
Repentance and Homage to the Thirty-Five Buddhas, one fascicle;
Aṣṭamahābodhisattva-maṇḍala-sūtra, one fascicle;
Parṇaśavarī-avalokiteśvara-bodhisattva-sūtra, one fascicle;
Vaiśravaṇa Devarāja Sūtra, one fascicle;
Mantra Ritual of Hārītī, one fascicle;
Dhāraṇī-sūtra for Rescuing the Flaming-Mouth Hungry Ghosts, one fascicle;
Vajraśekhara Recitation Ritual of the Heart of the Lotus Family, one fascicle;
Vajraśekhara Yoga Recitation Ritual of the Thousand-Armed and Thousand-Eyed Avalokiteśvara Bodhisattva, one fascicle;
Vajraśekhara Supramundane Primordial Yoga Recitation Ritual of Samantabhadra Bodhisattva, one fascicle;
Recitation and Contemplation Ritual of Amitāyus Tathāgata, one fascicle;
Vajraśekhara-sūtra Ekākṣaroṣṇīṣacakra Recitation Ritual, one fascicle;
Vajraśekhara Yoga Recitation Ritual for the Practice of the Five Esoteric Secrets of Vajrasattva, one fascicle;
Guhyābhiṣeka Recitation Ritual of Vajrarāja Bodhisattva, one fascicle;
Ekākṣaroṣṇīṣacakra Recitation Ritual, one fascicle;
Recitation Ritual of Mahākāśagarbha Bodhisattva, one fascicle;
Uṣṇīṣavijayā-dhāraṇī Recitation Ritual, one fascicle;
Akṣobhya Tathāgata Recitation Ritual, one fascicle;
Supreme Incomparable Great Awe-Inspiring Blazing Light Dhāraṇī-sūtra, one fascicle.

6.3

The above thirty-one sūtras in thirty-six fascicles have their pronunciations continued in this fascicle.

6.4

Buddha-mātṛkā-mahāmāyūrīvidyārājñī-sūtra, Upper Fascicle

6.5

[示*厭]禱 (The upper character has the fanqie 於琰 [y- + -(y)am = yǎn]; the Qieyun says: 'To exorcise or avert evil.' It is formed with the classifier 示 [altar/spirit] and phonetic 厭. In the sūtra text it is written as 厭, pronounced 於豔 [yàn], meaning to abandon or detest, not the character for exorcism. The lower character has the fanqie 都㬶 [d- + -(k)aw = dǎo]; the Qieyun says: 'To pray for blessing.' The Lunyu says: 'Praying to the celestial and terrestrial deities above and below').

6.6

伺斷 (The upper character has the fanqie 相吏 [x- + -(l)i = sì]; the Qieyun says: 'To watch for; to spy.' The Yupian says: 'To inspect.' The Shiming says: '伺 means 思 [sī, to deliberate].' The lower character has the fanqie 從管 [c- + -(k)wan = duàn]; the Yunying says: 'To cut off.' The Shuowen says: 'To sever; formed with the classifier 斤 [axe] and 𢇍, an ancient script form of the character 絕 [to cut off].' In the sūtra text it is written as 斷 or as 断, both of which are corrupt).

6.7

螫彼 (The upper character has the fanqie 商隻 [sh- + -(y)ak = shì]; the Shuowen says: 'An insect discharging poison.' It is also written as 蠚. In the sūtra text it is written as 螫, pronounced 呼各 [hè], which is also acceptable).

6.8

拇指 (The upper character has the fanqie 莫補 [m- + -(b)u = mǔ]; the Gujin zhengzi says: 'The 拇 is the big toe of the foot; it is formed with the classifier 手 [hand] and phonetic 母').

6.9

蛇蠍 (The upper character has the fanqie 社遮 [sh- + -(ch)a = shé]. The lower character has the fanqie 軒謁 [x- + -(ʔ)at = xiē]. The Fangyan says: 'From the Pass westward, between Qin and Jin, it is called 𱿴𧔣 or called 蠍.' 蠍 is the term used throughout all four quarters. The Shiming says: '蠍 means 歇 [xiē, to rest], meaning that it rests its tail.' The character is formed with the classifier 虫 and phonetic 歇. In the sūtra text it is written as 蝎, which the Erya pronounces 曷 [hé], meaning a grub).

6.10

毘鉢尸 (Or written as 毗婆尸 or 微鉢尸 [Vipaśyin], reflecting differences in the light or heavy pronunciation of the Sanskrit. Here it is translated as 'Surpassing Contemplation Tathāgata,' or 'Pure Contemplation,' or 'Surpassing Vision,' and also called 'Various Contemplations'; a Buddha of the past Alaṃkārakalpa).

6.11

尸棄 (An abbreviated and corrupt Sanskrit transliteration; correctly it should be 式棄那 [Śikhin]. Here it is translated as 'Topknot Holder' or 'Possessing a Topknot,' that is, the Topknot Holder Tathāgata).

6.12

毘舍浮 (Or written as 毗溼婆部 [Viśvabhū], both being archaic Sanskrit transliterations. Here it is translated as 'All-Pervading Sovereign,' meaning sovereign over all things; or translated as 'Possessing All').

6.13

拘留孫 (Or written as 拘留秦; correctly it should be 迦羅鳩忖駄 [Krakucchanda]. Here it is translated as 'That Which Should Be Severed Is Already Severed'; he is the first of the thousand Buddhas of the Auspicious Kalpa).

6.14

羯諾迦牟尼 (Or written as 拘那含牟尼 or 迦那迦牟尼 [Kanakamuni]. Here it is translated as 'Golden Sage' or 'Golden Mountain Tathāgata').

6.15

迦攝波 (Also written with the character 葉 [Kāśyapa]. This is translated as 'Light Drinker,' the surname of a clan).

6.16

釋迦牟尼 (Śākya is the surname [meaning] 'Capable'; Muni means 'Sage in Silence'; fully explained below).

6.17

喬荅摩 (Formerly rendered 瞿曇 [Gautama]. According to Master Ci'en, citing the Shijia pu: The Śākya sovereigns succeeded one another across generations. A rebellious usurper arose; fearing his realm would be seized, the usurper king slaughtered the Śākya seed, wiping out the clan so that none remained to carry on the lineage. At that time an immortal sage inspected the surviving clan members and saw one who was pregnant, who would surely give birth to a boy. He presented a plea beforehand hoping the child would succeed the throne, and the mother consented to his request. Later a boy was indeed born. When he grew to his youth, the Śākya star appeared again. The usurper king was terrified, and searched for his dwelling, learning that he lived in the mountains. Waiting until the sage was absent, he secretly ordered him captured and pierced upon a long pole, announcing it to the country's people to put an end to dissident intentions. When the sage returned and did not see the child, he pursued in haste and found him in this state, whereupon he exercised supernatural powers to save him. Knowing the boy's life could not be preserved, he made a light rain fall to briefly revive him. He manifested a woman and urged him to copulate with her: 'If you do not comply, the Capable clan will be cut off!' The son obeyed his father's instruction and they engaged in union. When his fluids were shed, they fell and soiled the mud and earth. The sage collected them, wrapped them in cow dung, and placed them in a sugarcane grove. Heated and baked by the sun's warm light, after the full ten months they turned into a boy. The sage raised him again, and later he became king. From this time the Śākyas once again inherited the royal throne. Therefore, 'Gautama' here means 'Sugarcane Seed' or 'Sun-Baked Seed'; if spoken of disparagingly, it means 'Cow-Dung Seed' or 'Mud-and-Earth Seed.' In Gautama, the final -ma is a masculine termination; or when written as 喬曇彌 [Gautamī], the final -mī is a feminine termination).

6.18

Pond and pool (陂池: the first character has the fanqie *b- / w-*, the Erya states: "That which is an embankment is called a bei (陂)"; the Shangshu says: "An embankment that dams a wetland is called a bei (陂)"; the second character has the fanqie *zh- / l-*, the Qieyun states: "Still water is called a pool (chi 池)"; a broad [pool] is called a marsh (zhao 沼); it is derived from water with chi 馳 abbreviated as the phonetic).

6.19

Pit and cave (坎窟: the first character has the fanqie *k- / g-*, the Qieyun states: "A steep, hazardous place; also a small wine-vessel shaped like a pot"; the second character has the fanqie *k- / g-*, the Yupian states: "A hollow or cave; derived from xue 穴 (cave) with qu 屈 as phonetic").

6.20

Buddhamātā-mahāmāyūrīvidyārājñī-sūtra, Middle Fascicle

6.21

Jiechi (羯泚: the second character has the fanqie *q- / zh-*; it is Sanskrit; according to dictionaries, it means deep water, or clear water).

6.22

Sprouts and crops (苗稼: the first character has the fanqie *m- / b-*, the Qieyun states: "Field sprouts"; the Erya states: "Hunting in summer is called miao (苗); also referring to grain that has not yet headed"; it is an associative compound formed of grass above a field; the second character has the fanqie *g- / y-*, the Shijing says: "Caused the people to sow and harvest"; Zheng's commentary on the Analects states: "Planting the five grains is called jia (稼)"; it is derived from he 禾 (grain) with jia 家 as phonetic).

6.23

Spring and autumn sacrifices (祠祀: the first character has the fanqie *s- / c-*, the Erya states: "The spring sacrifice is called a ci (祠)"; Guo's commentary says: "Ci also speaks of drinking"; the Shiming states: "Ci means ci 詞 (words), referring to offering spoken prayers in supplication"; the second character has the fanqie *x- / l-*, the Qieyun states: "A sacrificial ritual"; the Erya says: "The Shang dynasty called it si (祀)"; Guo's commentary states: "It takes the meaning of the completion of one cycle of the four seasons"; both characters are derived from shi 示, pronounced like shi 視).

6.24

Saliva and nasal mucus (涎洟: the first character has the fanqie *x- / l-*, the Qieyun states: "Xian (涎) is oral fluid"; the second character has the fanqie *y- / zh-*, the Shuowen says: "Nasal fluid"; both characters are derived from water with yan 延 and yi 夷 as phonetics; it is also read with the fanqie *t- / j-*).

6.25

Scabies and leprosy (疥癩: the first character has the fanqie *g- / x-*, the Qieyun states: "Sores and scabies"; Gu Yewang says: "Jie (疥) is itching (sao 瘙), namely wind itch"; it is also written as 疥; the second character has the fanqie *l- / d-*, dictionaries say: "A malignant disease"; the Shuowen writes it as 㾢; in the sūtra text it is written as 癩, a popular form).

6.26

Haemorrhoids and fistulae (痔漏: the first character has the fanqie *zh- / l-*, the Qieyun states: "A draining fistula disease"; Gu Yewang says: "A disease of the posterior opening").

6.27

Abscess and carbuncle (癕疽: the first character is also written as 癰, pronounced identically with the fanqie *y- / g-*, dictionaries say: "Abscess and boil"; the Yupian says: "A swelling"; it is derived from chuang [爿-〡+(序-予)] with yong 雍 as phonetic; the second character has the fanqie *q- / y-*, Gu Yewang says: "Ju (疽) is also an abscess"; the Shuowen states: "Derived from chuang 疒 with ju 且 as phonetic", pronounced with the fanqie *z- / y-*).

6.28

Sores and ringworm (瘡癬: the first character has the fanqie *ch- / l-*, meaning wounds and sores; the Liji states: "If one has sores on the head, one washes the hair"; the second character has the fanqie *x- / q-*, the Qieyun states: "Scabies"; Gu Yewang says: "Dry ulcers", pronounced yang 羊).

6.29

Yojana (踰繕那: the first character has the fanqie *y- / zh-*; shan 繕 is pronounced shan 善; this is Sanskrit; formerly rendered youxun 由旬, or youyan 由延, or yuzhena 踰闍那, which are all corrupt abbreviations. According to the Record of the Western Regions: "A yojana has been, since ancient times, the day's march of a sacred king's army. The old tradition held that one yojana is forty li. The common custom in India is thirty li. What is recorded in the sacred teachings is only sixteen li. When examining these differing accounts, each has its basis: some take the time of a sacred king's march, some take measurements in cubits, and some take ancient feet; ultimately it is one day's march for an army." Now one should properly follow the Record of the Western Regions, fixing it at thirty li. For Master Xuanzang personally investigated the distances and compiled this travel record in response to the inquiries of Emperor Taizong, so it can truly be relied upon. This is all explained according to the glosses of Master Huilin and Master Ci'en).

6.30

Buddhamātā-mahāmāyūrīvidyārājñī-sūtra, Lower Fascicle

6.31

Vipaśyin (微鉢尸: also written as 毘婆尸; both are the same Sanskrit word; explained already in the preceding fascicle).

6.32

Krakucchanda (羯句忖那: formerly rendered 拘留孫, and also 迦羅鳩孫駄; explained already above).

6.33

Yama (琰魔: the first character has the fanqie *y- / r-*; it is Sanskrit; formerly rendered Yanluo 閻羅 or Lanmo 爛魔; translated by its meaning as the King of Impartiality, or 'Twin Realms', referring to his overseeing the karmic retribution of life, death, sins, and blessings, presiding over the eight cold and eight hot hells and so forth, arresting sinners among the five destinies, beating, torturing, punishing, and judging good and evil without any cessation).

6.34

Saha World (索訶世界: formerly rendered Suopo 娑婆; it is Sanskrit; here translated as 'Endurance', namely the land of endurance presided over by Śākyamuni Tathāgata).

6.35

Śakti (鑠底: the first character has the fanqie *sh- / zh-*, also written as 爍; the second character has the fanqie *d- / y-*; it is Sanskrit, here meaning a lance (shuo 槊), which is a spear or halberd).

6.36

Fat and grease (脂膏: the first character has the fanqie *zh- / y-*, the Shiming says: "Zhi (脂) means di (砥, whetstone); applied to the face it is smooth and soft like a whetstone"; the Erya says: "Liquid is zhi"; Guo's commentary says: "Skin like ice and snow; ice and snow are rich fat"; the second character has the fanqie *g- / h-*, the Qieyun states: "Gao (膏) is fat; also moisture"; the Liji says: "The Son of Heaven sends down rich dew").

6.37

Feixia (吠陜: the first character takes the borrowed sound with the fanqie *w- / b-*; the second character has the fanqie *sh- / x-*; this is Sanskrit, and its meaning as Chinese characters is not to be sought).

6.38

Mahāmegha-cakra-varṣādhāra-sūtra, Upper Fascicle (the same text as that translated by Jñānagupta)

6.39

Poured-down rain (澍雨: the first character has the fanqie *zh- / sh-*, the Huainanzi says: "The spring rain irrigates the myriad things; there is no place it does not pour down (shu 澍), and nothing that does not grow"; the Shuowen says: "Derived from water with shu 尌 as phonetic; shu 尌 is pronounced the same"; for the character below, yu 雨 (rain), the Shuowen says: "The horizontal stroke 一 resembles heaven, 冂 resembles clouds covering above, and the vertical line 丨 represents falling; the four dots resemble rain misting and drifting in mid-air; 冂 is pronounced mi 覓, and 丨 has the fanqie *g- / b-*; it is an associative compound").

6.40

Nemindhara (𩕳泯達羅: the first character has the fanqie *n- / d-*, the next has the fanqie *m- / r-*; it is Sanskrit; formerly rendered Nimiantuoluo 尼民陁羅, which was corrupt; here translated as 'Holding the Edge', referring to the outermost seventh range among the seven golden mountains; this is explained following Master Huiyuan).

6.41

Flood-dragon and dragon (蛟龍: the first character is pronounced jiao 交; Guo's commentary on the Shanhaijing states: "A jiao resembles a snake with four legs, a small head, and a slender neck; it is born from an egg; the large ones are over ten spans in circumference, with eggs like one or two hu urns; it can swallow humans"; the Shuowen says: "The jiao is also of the dragon kind"; the second character has the fanqie *l- / zh-*, the Shuowen states: "The chief of the scaled creatures; it can darken or brighten, grow massive or tiny, shorten or elongate; at the vernal equinox it ascends to heaven, and at the autumnal equinox it submerges in deep pools; [the character represents] the shape of flying; it is derived from rou 肉 (flesh) with tong 童 abbreviated as phonetic"; it is also popularly written with mang 尨).

6.42

Aṅgira (盎祁羅: the first character has the fanqie *y- / l-*, the second has the fanqie *j- / zh-*; it is Sanskrit, the name of a nāgarāja).

6.43

Mahāmegha-cakra-varṣādhāra-sūtra, Lower Fascicle

6.44

Clouds and hail (雲雹: the second character has the fanqie *p- / m-*, the Baihutong states: "Bao (雹, hail) means he (合, gathering); the yin qi condenses exclusively and aggregates into hail"; Zheng's commentary on the Liji states: "Yang makes rain, and yin qi constrains it, freezing it into hail"; it is derived from yu 雨 (rain) with bao 包 as phonetic).

6.45

Thickets and forests (叢林: the first character has the fanqie *z- / g-*, the Shuowen says: "Cong (叢) means to gather together; derived from [業-木+十] (pronounced with the fanqie *sh- / j-*) with qu 取 as phonetic").

6.46

Mahāyāna-śālistamba-sūtra, in One Fascicle

6.47

Rice stalk (稻𦼮: the first character has the fanqie *d- / h-*, the Shuowen says: "Dao (稻) is glutinous rice"; the Liji says: "In the ancestral temple rites, rice is called the fine grain"; the second character has the fanqie *g- / h-*, the Qieyun states: "Stems of various grasses").

6.48

Hole and fissure (竅隙: the first character has the fanqie *q- / y-*, Zheng's commentary on the Liji says: "Qiao (竅) is a hole"; the Shuowen says: "An opening; derived from xue 穴 with jiao 敫 as phonetic; jiao 敫 has the fanqie *y- / zh-*"; the second character has the fanqie *x- / n-*, the Guangya says: "Xi (隙) is a crack"; Gu Yewang says: "A fissure or bored hole"; the Shuowen says: "A hole in a wall; derived from fu 阜, with bai 白 above and xiao 小 below").

6.49

Moisten and soak (沃潤: the first character has the fanqie *w- / g-*, the Kaosheng says: "Wo (沃) means to irrigate"; the Shuowen states: "Derived from water with yao 夭 as phonetic"; the second character has the fanqie *r- / sh-*, the Qieyun states: "Run (潤) means moistening; also to benefit; derived from water with run 閏 as phonetic; the character run 閏 is derived from king (wang 王) inside a gate (men 門)"; Zheng's commentary on the Liji says: "Each month the Son of Heaven approaches the Bright Hall to hear the new moon; the intercalary month is not an ordinary month, so when hearing the new moon for it, he stays inside the gate of the Bright Hall").

6.50

Sūtra on the Maiden Jāṅgulī Spoken by the Buddha, in One Fascicle

6.51

Viper and pit-viper (蚖蝮: the first character has the fanqie *w- / w-*, a kind of snake; the Xuanzhong ji states: "The yuan snake is three to four chi long and has four feet, shaped like a gecko; along its spine are needle-spines sharp as knives; it is extremely poisonous and malicious, and anyone struck by it dies within half a day"; the second character has the fanqie *f- / f-*, Lu's Jingdian shiwen states: "The fu snake has a needle-spine on its snout; large ones weigh over a hundred jin; one name is fanbi (upturned-snout), another name is fuhui (pit-viper)"; both characters are phono-semantic compounds derived from chong 虫 with yuan 元 and fu 復).

6.52

Nechi (訥泚: the first character has the fanqie *n- / g-*, the second has the fanqie *q- / l-*; syllables of a mantra).

6.53

Poxie (頗𪘨: the first character has the fanqie *p- / w-*, the second has the fanqie *zh- / j-*; syllables in a mantra, whose glossed meanings are not to be sought).

6.54

Earring (耳璫: the second character has the fanqie *d- / j-*, the Kaosheng states: "An ear ornament"; the Shuowen says: "Piercing the ear and wearing a bead; derived from yu 玉 with dang 當 as phonetic").

6.55

To be stung (被螫: the second character can be read with either the fanqie *sh- / zh-* or *h- / g-*; the Shuowen says: "An insect injecting venom; also, snakes have stinging venom, so one must not touch their tails").

6.56

Sarvatathāgatādhiṣṭhāna-hṛdaya-guhyadhātu-karaṇḍa-mudrā-dhāraṇī-sūtra, in One Fascicle

6.57

Delicacies and meals (𰮍膳: the first character has the fanqie *x- / j-*, Jia's commentary on the Guoyu says: "Xiao (𰮍) is sacrificial meat on a stand"; Zheng's commentary on the Maoshi says: "Sacrificial meat and minced meat sauce; all foods other than grain are called xiao 𰮍"; the Shuowen says: "Xiao means to eat; derived from rou 肉 with yao 爻 as phonetic; yao 爻 is pronounced the same"; the second character has the fanqie *sh- / zh-*, the Yupian says: "Shan (膳) is delicious food; derived from rou 肉 with shan 善 as phonetic"; in the sūtra text both characters are written with shi 食 as 餚 and 饍, which are incorrect popular usages).

6.58

Dense weeds ([卄/臻]草: the first character has the fanqie *sh- / zh-*, dictionaries say: "Trees growing thickly"; the Kaosheng says: "Grasses and trees growing mixed together; derived from cao 草 with zhen 臻 as phonetic"; the sūtra text mistakenly writes it with mu 木 as zhen 榛, which is pronounced zhen and resembles a small chestnut, not fitting the meaning of tangled grass).

6.59

Mound of earth (土堆: the second character has the fanqie *d- / l-*, Wang Yi's commentary on the Chuci says: "Dui (堆) means high-standing"; its standard form is 𠂤, meaning a small hillock; now the popular form adds zhui 追 as 塠, which is incorrect; the ancient script writes it as 㕍, which is not used at present).

6.60

Tearful (泫然: the first character has the fanqie *x- / j-*, the Yunquan says: "Xuan (泫) is the appearance of weeping; also the glistening of dew"; the Shuowen says: "Derived from water with xuan 玄 as phonetic"; the second character, ran 然, is a grammatical particle; the character is derived from rou 肉 (meat) and quan 犬 (dog) pursued by [a hand], with huo 灬 below to roast it; 灬 has the fanqie *b- / y-*).

6.61

Parrot (鸚鵡: the first character has the fanqie *e- / g-*, the second is pronounced wu 武; the Shanhaijing states: "On Mount Huang there is a bird shaped like an owl, with green feathers, a red beak, and a human-like tongue, able to speak; it is called yingwu (parrot)"; Guo's commentary says: "The parrot today has a tongue like a child, and its toes have two claws in front and two behind; it comes from Funan and other regions; some have five-colored plumage, and some are pure white"; the Shuowen states: "Both characters are derived from niao 鳥 with ying 嬰 and wu 武 as phonetics"; the second is sometimes written as 䳇, with the same sound).

6.62

Crested myna (鴝鵒: the first character has the fanqie *j- / j-*, the second is pronounced yu 欲; the Zhouli says: "The quyu (crested myna) does not cross the Ji River"; the Huainanzi says: "The quyu is also named hangao (cold-marsh)"; the Yiyuan says: "Pinching the double tongue of a quyu on the double fifth day allows it to learn human speech"; both characters are derived from niao 鳥 with ju 句 and gu 谷 as phonetics; the sūtra text writes it as ququ 鸜鸜, the name of a magpie, which is not used correctly here).

6.63

Bees and scorpions (蜂蠆: the first character has the fanqie *f- / r-*, also pronounced with the fanqie *b- / h-*, Guo's commentary on the Erya says: "Those that build comb in the ground are ground-bees, and eating their larvae are horse-hornets"; the second character has the fanqie *ch- / j-*, the Qieyun states: "A poisonous insect"; the Xiaojing yuanshenqi says: "Bees and scorpions carry stingers because their venom is in the rear"; the Shuowen states: "Derived from kun 䖵 with feng 夆 as phonetic; kun 䖵 is pronounced kun 昆, and feng 夆 has the sound above"; the Erya writes it with feng 逢 as 蠭, which is equivalent).

6.64

Scrofula and fistulae (癧瘻: the first character has the fanqie *j- / j-*, the Qieyun states: "The disease of cervical lymphadenitis (luoli 瘰𤻤)"; the second character has the fanqie *l- / d-*, the Yupian says: "Ulcerous fistula"; Gu Yewang says: "Infested with worms inside"; luo 瘰 has the fanqie *l- / g-*, and yong 㿈 has the fanqie *y- / g-*).

6.65

Parasol (傘蓋: the first character is read with the fanqie *s- / h-*, which is the ancient character for shan 繖; it is derived from ji 亼, pronounced with the fanqie *c- / r-*, representing the joining of three parts; the sound san 傘 is that of the hua 華 in Huaxia; it is an associative compound; the second character has the fanqie *g- / d-*, the Qieyun states: "To cover, to conceal"; the Tongsu wen says: "Stretched silk"; the Liji says: "A worn-out parasol is not discarded, so that it may be used to bury a dog"; the character is derived from gong 廾 and he 盍; gong is pronounced cao, and he is pronounced he).

6.66

Ritual for Bestowing the Bodhicitta Precepts, in One Fascicle (No characters requiring phonetic glossing)

6.67

Exposition of the Mahāsukha-amoghaprajñāpāramitā-naya, in One Fascicle

6.68

Drawing and twirling (抽擲: the first character has the fanqie *ch- / j-*, the Yunpu states: "To pull out"; the Qieyun states: "To draw out; to remove"; it is also written as 紬 with the same sound; the Shuowen says: "Derived from shou 手 with you 由 as phonetic"; the second character has the fanqie *zh- / zh-*, in ancient script written as 擿; the Yupian says: "To cast"; the Qieyun says: "To brandish"; checking the two characters 'drawing and twirling' (chouzhi 抽擲), they refer to the Great Bliss Vajrasattva placing his left fist beside the hip and wielding the vajra pestle with his right hand, twirling and brandishing it to perform the esoteric mudrā method).

6.69

Delighted and serene (熙怡: the first character has the fanqie *x- / q-*, the Qieyun says: "Xi (熙) means harmonious; also broad"; the Shijing says: "Learning with continuous bright harmony (qixi 緝熈) unto bright light"; the Erya says: "Qixi means radiant light"; the second character has the fanqie *y- / zh-*, the Yupian says: "Harmonious and joyful"; the Erya says: "Yi (怡) means joyful and happy"; for the upper character xi, the Shuowen derives it from huo 灬 with yi 巳 and chen 臣 as phonetics; the sūtra text writes it as 凞 or 熙, which are both incorrect; the lower character yi is derived from xin 心 with tai 台 as phonetic; tai has the sound above).

6.70

Arrogant and indulgent (驕佚: the first character has the fanqie *j- / y-*, the Yupian says: "A horse six chi high"; the Chapter on Feudal Lords [in the Xiaojing] says: "Being above, they are not arrogant"; the Imperial Commentary states: "The feudal lords are rulers of their respective states; their status is noble above men, yet if they can avoid arrogance, they will escape danger"; the second character has the fanqie *y- / zh-*, the Qieyun says: "Yi (佚) means pleasure"; written as yi 逸, it means excess or indulgence; both have the same pronunciation).

6.71

Treading underfoot (脚踏: the first is standardly written as 腳, pronounced with the fanqie *j- / sh-*, the Shiming states: "The foot (jiao 脚) is what recedes (que 却), because when sitting it draws backward"; the second character is also written as 蹋, pronounced identically with the fanqie *t- / h-*, the Qieyun states: "To step and trample"; the Kaosheng says: "To tread with the foot"; the Shuowen says: "Derived from zu 足 with [日/羽] as phonetic; [日/羽] is pronounced ta 塔").

6.72

Brandishing and chopping (揮斫: the upper character has the fanqie *xu* + *gui* [huī]; the *Qieyun* says, "[Huī means] hasty and sudden." The *Kaosheng* says, "To scatter with vigor." The *Yunying* says, "To shake; to move." The lower character has the fanqie *zhi* + *ruo* [zhuó]; the *Yunying* says, "To chop an object with a knife").

6.73

Sinking and submerging (沈淪: the upper character has the fanqie *zhi* + *lin* [chén]; the *Qieyun* says, "To sink." The *Kaosheng* says, "Turbid." The *Shuowen* says it is categorized under "water" with *yán* phonetic; *yán* is pronounced *yín*. In the text of the sūtra it is written as 沈 with the pronunciation *hù* + *làng* [hàng], which is not the original character. The lower character has the fanqie *lì* + *zhūn* [lún]; the *Erya* says, "Great ripples are called *lún*." The *Qieyun* says, "*Lún* also means to sink." The *Kaosheng* says, "To drown." The *Shuowen* says it is categorized under "water" with *lún* phonetic; *lún* has the same pronunciation as noted above).

6.74

Mahāmaṇivipulavimāna-viśvasupratiṣṭhita-guhyaparamaguhya-kalparāja-dhāraṇī-sūtra, Fascicle One

6.75

Torrential flow (瀑流: the upper character has the fanqie *pú* + *bào* [pù]; the *Qieyun* says, "*Pù* means torrential rain." The *Cang Jie jiegu* says, "Water surging up violently." The *Shuowen* says it is categorized under "water" with *bào* phonetic. As for the lower character *liú* [flow], the *Shuowen* says it is categorized under "water" with *tū* phonetic; *tū* has the fanqie *tā* + *hū* [tū]; *tū* is the character *zǐ* written upside down; *zǐ* is the ancient script form of the character *zǐ* [child]).

6.76

Terrified and erect (竦竪: the upper character has the fanqie *xī* + *gǒng* [sǒng]; the *Erya* says, "*Sǒng* means fearful." The *Qieyun* says, "Respectful." Gu Yewang says, "To rise; to leap." The *Guoyu* says, "*Sǒng* means to promote goodness and suppress evil." The lower character is also written as 豎, both with the fanqie *chén* + *yǔ* [shù]; *yǔ* has the fanqie *yǐ* + *zhǔ* [yǔ]; the *Yupian* says, "To stand erect; also, an un-capped boy servant").

6.77

Slandering and defaming (誹謗: the upper character has the fanqie *fēi* + *wèi* [fěi]; the lower character has the fanqie *bǔ* + *làng* [bàng]. The *Da Dai Liji* says, "Erecting posts for airing grievances and setting up drums for remonstration." Ying Shao's commentary on the *Hanshu* says, "Wooden tablets beside bridges used to write down the errors and mistakes of government administration." Du Yu's commentary on the *Zuo zhuan* says, "*Bàng* means to curse; to curse people with words." The *Shuowen* explains both characters mutually; they are categorized under "words" and are both phono-semantic characters).

6.78

Chief executioner (魁膾: the upper character has the fanqie *kǔ* + *guī* [kuí]; Kong Anguo's commentary on the *Shangshu* says, "*Kuí* means leader." The *Guangya* says, "Master." Zheng Xuan's commentary on the *Liji* says, "Head." The *Shiji* says, "Burly and large." It is categorized under "dipper" with *guǐ* phonetic. The lower character has the fanqie *guī* + *wài* [kuài]; the *Guangya* says, "*Kuài* means to carve up." Note: A *kuíkuài* is a chief who slaughters with malicious cruelty; it is categorized under "flesh" with *huì* phonetic).

6.79

Deaf and blind (聾瞎: the upper character has the fanqie *lǔ* + *dōng* [lóng]; the *Shuowen* says, "The ears not being unobstructed." It is categorized under "ear" with *lóng* phonetic. In the text of the sūtra it is written as 聾, which is not a properly formed character. The lower character has the fanqie *hū* + *bā* [xiā]; character glossaries say, "The eye unable to see objects." They also say, "One eye without a pupil." It is categorized under "eye" with an abbreviated *hài* phonetic).

6.80

Hunchbacked and mute (傴瘂: the upper character has the fanqie *yú* + *wǔ* [yǔ]; the *Qieyun* says, "Not extending straight." The *Yupian* says, "Bent." Sun Qingzi says, "The Duke of Zhou was hunchbacked." The lower character is also written in the two forms 𤺘 and 啞, both of which are not the original character; it has the fanqie *wū* + *yǎ* [yǎ]; the *Kaosheng* says, "The mouth unable to speak." The *Shuowen* says it is categorized under "sickness" with *yà* phonetic; *nì* has the fanqie *nǚ* + *è* [nì]).

6.81

Mosquitoes and gadflies (蚊蝱: the upper character has the fanqie *wù* + *fēn* [wén]; the *Zitong* says, "The mosquito is a flying insect that bites people." The *Shuowen* writes it as 蟁, [explaining] that it comes out at dusk, hence it is categorized under "insects" (*kūn*) with an abbreviated *hūn* phonetic; in the sūtra text it is written with *wén*, which is a popular form. The lower character has the fanqie *mèng* + *péng* [méng]; the *Shenglei* says, "The *méng* is larger than a fly." The *Shuowen* also says, "A flying insect that bites people." It is categorized under "insects" with *wáng* phonetic; in the sūtra text it is written as 䗈, which is incorrect).

6.82

Moths (飛蛾: the upper character has the fanqie *fǔ* + *fēi* [fēi]; the *Qieyun* says, "To soar." The *Shuowen* says, "Fluttering like a bird"; it is a pictographic character. In some sūtra manuscripts it is written as 蜚, pronounced *fèi*, which is a foul insect. The lower character has the fanqie *wǔ* + *hé* [é]; the *Da Dai Liji* says, "Insects that eat mulberry leaves have silk; they transform their shape and fly, becoming moths." The *Shuowen* says it is categorized under "insect" with *wǒ* phonetic).

6.83

Mole crickets and ants (螻蟻: the upper character has the fanqie *lè* + *hòu* [lóu]. The lower character is also written as 螘, both pronounced with the fanqie *yí* + *qǐ* [yǐ]; the *Xiaoya* says, "The large ones are horse ants, which are large ants; the small ones are ant-larvae." The *Shuowen* and the *Erya* both write it as 螘 with *qǐ*. The sūtra uses 蟻 with *yì*, which is a popular form. Nowadays they are commonly referred to together as *lóuyǐ*. Another explanation says: the large are called *lóu*, and the small are called *yǐzǐ*).

6.84

Dysuria and dysentery (痳痢: the upper character has the fanqie *lì* + *xún* [lín]; the *Qieyun* says, "Urinary disease." The *Yaozheng bingyuan* says, "There are five kinds of dysuria: cold, fatigue, qi, dietary, and bloody." The *Yupian* says, "*Lín* means difficulty in urination"; it is categorized under "sickness" with *lín* phonetic. In the sūtra text it is written under "water" as 淋, which means to drench with water and is not applicable here. The lower character has the fanqie *lì* + *zhì* [lì]; the *Qieyun* says, "The disease of diarrhea." Gu Yewang says, "Diarrhea and dysentery." The *Shuowen* says it is categorized under "sickness" with *chà* phonetic; *nì* has the fanqie *nǚ* + *è* [nì]).

6.85

Hemorrhoidal disease (痔病: the upper character has the fanqie *zhí* + *lǐ* [zhì]; the *Yupian* says, "A disease of the posterior." The *Jixun* says, "A disease of the lower parts." The *Shuowen* says, "A posterior disease"; it is categorized under "sickness" with an abbreviated *zhì* phonetic; *nì* has the fanqie *nǚ* + *è* [nì]).

6.86

Fistulous ulcers (瘻瘡: the upper character has the fanqie *lú* + *hóu* [lòu]; the *Qieyun* says, "Ulcers and fistulae." The *Jixun* says, "Ulcers that do not heal for a long time." The lower character has the fanqie *chǔ* + *liáng* [chuāng]; the *Liji* says, "If there are sores on the head, one washes the hair." The *Shuowen* states that both characters are categorized under "sickness", with *lóu* and *cāng* as their phonetics; *nì* has the pronunciation *nǚ* + *è* [nì]).

6.87

Thighs and shins (髀脛: the upper character has the fanqie *pú* + *mǐ* [bì]; in ancient script it is also written as 䠋. The *Shuowen* says, "The outer thigh." It is also pronounced with the fanqie *fāng* + *ěr* [bǐ]. The *Shuowen* says it is categorized under "bone" with *bēi* phonetic. In the sūtra text it is written under "flesh" as 䏶, which is a popular form. The lower character has the fanqie *xíng* + *dìng* [jìng]; the *Yupian* says, "The large bone in front of the lower leg." The *Shuowen* says, "The shank of the leg." *Héng* has the pronunciation *xìng*; *féi* has the pronunciation *féi*).

6.88

Scrofula (瘰癧: the upper character has the fanqie *láng* + *guǒ* [luǒ]; character glossaries say, "A disease of knotted sinews." Both characters are categorized under "sickness", with abbreviated *luó* and *lì* as their phonetics).

6.89

Scabies and tinea (疥癬: the upper character has the fanqie *jiē* + *ài* [jiè]; the *Zhouli* says, "In summer there are diseases of itchy scabies." The *Jixun* says, "Wind-sores." The *Wen zi jilüe* writes it under "insect" as 蚧. The *Shuowen* says, "To scratch"; it is categorized under "sickness" with *jiè* phonetic. The lower character has the fanqie *xiān* + *jiǎn* [xuǎn]; the *Jixun* says, "*Xuǎn* means to shift, meaning it creeps and moves about." The *Shuowen* says, "Dry sores"; it is categorized under "sickness" with *xiān* phonetic. *Sāo* has the fanqie *sǎo* + *dāo* [sāo]; *ài* has the fanqie *yīng* + *jiè* [yè]; *yáng* is pronounced *yáng*).

6.90

Blisters and leprosy (疱癩: the upper character has the fanqie *bó* + *jiào* [pào]; the *Shuowen* writes it under "skin" as 皰, meaning "suppurating sores appearing on the face"; it is also written as 皰, and popularly as 䩅. The lower character has the fanqie *lái* + *dà* [lài]; the *Guangya* says, "*Lài* means wounded." The *Cang Jie pian* says, "Painful." The *Shuowen* takes 癘 as the proper form, meaning "malignant disease"; it is categorized under "sickness" with an abbreviated *lì* phonetic; *lì* has the fanqie *lái* + *dà* [lài]; *nì* has the fanqie *nǚ* + *è* [nì]).

6.91

Udumbara (優曇鉢羅: the second character has the fanqie *tú* + *hán* [tán]. This is Sanskrit. Formerly it was called *yōután*; correctly it is *wūdánbōluó*. Here it is translated as "auspicious cloud," a wondrous celestial flower. This flower does not exist in the human realm. Only when a Tathāgata descends to be born or a golden wheel-turning king appears does this flower manifest through the power of great merit).

6.92

Caitya (制底: the lower character has the fanqie *dīng* + *yǐ* [dǐ]; also called *zhìduō*, and anciently called *zhītí*, all being phonetic corruptions of the Sanskrit term; they are actually identical. Old glossaries translated it as "temple" [miào], referring to monastic temples, stūpas, shrines, and the like).

6.93

Clay and kneading (埿捏: the upper character has the fanqie *nú* + *dī* [ní]; the *Shuowen* says, "*Ní* means mud," meaning water and earth mixed together; *ní* provides the sound. In the sūtra text it is written as 泥, which is the name of a river; the commentary on the *Mao Shi* says that Ni was originally a small town in the state of Wei, which is not what is meant in the sūtra. The lower character has the fanqie *nú* + *jié* [niē]; the *Qieyun* says, "To grasp with the hand"; also to press down; it is categorized under "hand" with an abbreviated *niè* phonetic).

6.94

Inserting an arrow (插箭: the upper character has the fanqie *chǔ* + *qià* [chā]; the *Qieyun* says, "To pierce into." It is also written as 插, both of which are incorrect; the *Shuowen* categorizes it under "hand" with *chā* (臿) as 插; *chā* has the same sound as above, meaning to insert a pole. The lower character has the fanqie *jiān* + *xiàn* [jiàn], which is a popular character; properly it is written as [筣-禾+离], originally the name of a bamboo resembling reeds and growing in clusters, suitable for making arrow shafts; hence arrows came to be called *jiàn*; it is categorized under "bamboo" with *qián* phonetic; *gǎn* has the fanqie *gān* + *dàn* [gǎn]).

6.95

Mahāmaṇivipulavimāna-viśvasupratiṣṭhita-guhyaparamaguhya-kalparāja-dhāraṇī-sūtra, Fascicle Middle

6.96

Sorcery and prayer (厭禱: the upper character has two fanqie readings: *yú* + *yǎn* [yǎn] and *yù* + *yàn* [yàn]; the *Qieyun* says, "To adhere; to make." Character glossaries say, "Fascinating spirit." The lower character has the fanqie *dāo* + *lǎo* [dǎo]; Zheng Xuan's commentary on the *Zhouli* says, "Seeking blessings is called *dǎo*, referring to praying to Heaven, Earth, and the altars of soil and grain." Bao Xian's commentary on the *Analects* says, "It refers to petitioning the spirits." The *Shuowen* says, "Reporting affairs to seek blessings"; it is categorized under "spirit" with an abbreviated *shòu* phonetic; *dào* is pronounced *táo*).

6.97

Twisting together (撚成: the upper character has the fanqie *nián* + *diǎn* [niǎn]; the *Fangyan* says, "To join together." Gu Yewang says, "It means connecting to each other." The *Shuowen* says it is categorized under "hand" with *rán* phonetic. The lower character has the fanqie *shì* + *zhēng* [chéng]; the *Qieyun* says, "To complete; to accomplish." The *Shuowen* says it is categorized under *wù* with *dīng* phonetic).

6.98

Spokes and rim (輻𨊾: the upper character has the fanqie *fāng* + *liù* [fú]; character glossaries say, "The spokes of a cart." The *Daodejing* says, "Thirty spokes converge on one hub, but on that non-being relies the utility of the wheel." The lower character has the fanqie *wén* + *liǎng* [wǎng]; the *Qieyun* says, "The felloe of a wheel." The *Shuowen* says both characters are categorized under "cart", with abbreviated *fú* and *wǎng* as their phonetics).

6.99

Sprouts and crops (苗稼: the upper character has the fanqie *wǔ* + *biāo* [miáo]; the *Qieyun* says, "Field sprouts." The *Kaosheng* says, "Those not yet in ear." The *Shuowen* says it is categorized under "grass" situated above a "field". The lower character has the fanqie *gǔ* + *yà* [jià]; the *Shijing* says, "Causing the people to sow and harvest." The *Shangshu* says, "Planting is called *jià*, and reaping is called *sè*." The *Shuowen* says it is categorized under "grain" with an abbreviated *jià* phonetic).

6.100

Mahāmaṇivipulavimāna-viśvasupratiṣṭhita-guhyaparamaguhya-kalparāja-dhāraṇī-sūtra, Fascicle Lower

6.101

Addicted and fond of (躭嗜: the upper character is also written as 妉, both with the fanqie *dīng* + *hán* [dān]; the *Erya* says, "*Dān* means indulgence in pleasure." The *Qieyun* says, "Excessive pleasure." The lower character has the fanqie *cháng* + *lì* [shì]; the *Shangshu* says, "Fond of alcohol and desires"; *shì* also means *dān*. It is also written as 𩝙; the *Shuowen* writes it under "ear" as 耽).

6.102

Rings and bracelets (鐶釧: the upper character is also written as 環, both with the fanqie *huàn* + *guān* [huán]; Zheng Xuan's commentary on the *Liji* says, "To encircle; to unite." The *Shuowen* says, "When the solid rim and the hollow hole of a jade disk are equal, it is called a *huán*." Guo Pu's commentary on the *Erya* says, "*Ròu* is the border, and *hào* is the hole; meaning the border and the hole are equal." The lower character has the fanqie *chuān* + *liàn* [chuàn]; the *Donggong jiushi* says, "A *chuàn* is an arm ornament." The *Gujin zhengzi* categorizes it under "metal" with *chuān* phonetic).

6.103

Clamour and tumult (諠𠆴: the upper character is popularly written as 喧, and the *Shuowen* writes it as 讙; all three forms share the fanqie *kuàng* + *yuán* [xuān]; the *Yunying* says, "The sound of clamorous talking." Character glossaries say, "*Xuān* also means *nào*." The lower character has the fanqie *nú* + *jiào* [nào]; the *Qieyun* says, "Not tranquil." The *Kaosheng* says, "Noisy and crowded." It shows a person inside a market; it is also written as 鬧, and popularly abbreviated as 𡗚).

6.104

Falling to the ground (踣地: the upper character has the fanqie *pú* + *běi* [bó]; it is also written as 仆, with the same meaning; the *Erya* says, "*Zhì* means to fall prostrate." Guo Pu's commentary says, "Stumbling and collapsing." The *Qieyun* says, "*Bó* means to perish; it refers to falling forward." *Zhì* has the fanqie *zhú* + *lì* [zhì], having the same sound and meaning as 躓).

6.105

Splitting open (坼開: the upper character has the fanqie *chǐ* + *gé* [chè]; the *Kaosheng* says, "*Chè* also means to open." Character glossaries say, "To split." The *Gujin zhengzi* writes it as 捇, categorized under "hand" with *chì* phonetic; it is also written as 𣂔. In the sūtra text it is written as 搩, which is incorrect. If written under "stone" as 磔, it has the fanqie *zhāng* + *gé* [zhé], which also means to tear open).

6.106

Bodhimanda-vyūha-dhāraṇī, in one fascicle

6.107

Vārāṇasī (筏羅痆斯: *niè* has the fanqie *nǐng* + *guǐ* [nǐng]. A Sanskrit name of a country; also written as 婆羅痆斯; in ancient sūtras it is the country of Varanasi [波羅奈國]).

6.108

Yojana (踰繕那: the upper character has the fanqie *yáng* + *zhū* [yú]; the second character is pronounced *shàn*. This is Sanskrit; also rendered as *yúshénà*; anciently called *yóuxún*, which are all corruptions and abbreviations. Correctly it is *yúzhànnà*, which is a single day's march of an ancient sage-king's army. Various sūtras and treatises differ in their accounts of its mileage: some say forty *li*, some say thirty *li*, and some say only sixteen *li*. This is perhaps because sage-kings marched fast or slow, or because the cubit used differed, or according to ancient standard feet; although there are divergent opinions, in the end it represents a single day's journey for a royal army. According to the *Xiyu ji*, thirty *li* is settled as definitive; since Dharma Master Xuanzang personally verified distances and composed this travelogue to answer the inquiries of Emperor Taizong, his words are surely not mistaken).

6.109

Birch bark (樺皮: the upper character has the fanqie *hú* + *mà* [huà]; the *Wen zi jilüe* says, "The name of a mountain tree suitable for making torches; it comes in red and white, coarse and fine varieties." In the Five Regions of India there was originally neither paper nor silk; they cut either patra leaves, tāla leaves, or fine white birch bark to write Sanskrit volumes (*pustaka*), just as ancient people in China used bamboo slips and the like. The character is categorized under "wood" with *huá* phonetic).

6.110

Spire-pole of the rings (輪樘: the lower character has the fanqie *zé* + *gēng* [zhēng]; character glossaries say, "A *chēng* is a pillar." It is also written as 樘. The *Shuowen* also says, "A pillar"; it is categorized under "wood" with *táng* phonetic. Note: The *lúnchēng* is the central pillar and rod on a stūpa that supports the dew-basins. The *Dvādaśāṅgapratītyasamutpāda-sūtra* says that eight kinds of persons may have stūpas erected for them; from the Tathāgata down to wheel-turning kings, those with eight dew-basins and above are all Buddha stūpas; for those below a wheel-turning king, a single dew-basin is installed, and seeing it, one must not prostrate, because it is not the stūpa of a sage).

6.111

Even and symmetrical (均亭: the upper character has the fanqie *jū* + *yún* [jūn]; character glossaries say, "*Jūn* means level and equal." The lower character has the fanqie *tè* + *dīng* [tíng]; the *Kaosheng* says, "*Tíng* also means level." Today's pavilions take their four sides as being evenly symmetrical (*tíngjūn*). *Jūn* is categorized under "earth" with *yún* phonetic; *tíng* is categorized under "high" with an abbreviated *dīng* phonetic. The sūtra writes it under "metal" as 鈞, which means thirty catties; and writes *tíng* under "person" as 停, meaning to stop; neither is the character for the four corners of a painted altar being evenly symmetrical).

6.112

The Chapter of Mañjuśrī's Questions on the Alphabet, in one fascicle (This text concerns Sanskrit Siddhaṃ script, so there is nothing to gloss or explain).

6.113

Samantabhadra-dhāraṇī-sūtra Spoken by Avalokiteśvara Bodhisattva, in one fascicle

6.114

Hardly heard (纔聞: the upper character is properly written as 纔, categorized under *chán*, pronounced with the fanqie *zài* + *cái* [cái]; the *Guangya* says, "*Cái* means briefly." The *Dongguan Hanji* says, "Barely; not for long." *Chán* has the fanqie *shì* + *xián* [chán]).

6.115

Stroking and caressing (摩捫: the upper character has the fanqie *mò* + *pó* [mó]; the *Yupian* says, "To stroke with the hand." *Suō* has the fanqie *suǒ* + *kē* [suō]. The lower character has the fanqie *mò* + *mǎng* [mén]; the *Shuowen* says, "*Mén* means to stroke and hold." The *Shenglei* says, "*Mén* also means to touch." Both characters are categorized under "hand", with *má* and *mén* as phonetics).

6.116

Dhāraṇī-sūtra on Expelling All Diseases Spoken by the Buddha, in one fascicle

6.117

Phlegm and fluid retention (痰癊: the upper character has the fanqie *dàn* + *gān* [tán]; the *Kaosheng* says, "A water disease in the diaphragm." The *Shuowen* says it is categorized under "sickness" with *yán* phonetic. The lower character has the fanqie *yì* + *jìn* [yìn]; the *Zilin* writes it as 𤷜, meaning "a disease of phlegmatic fluid in the chest." The *Yunquan* says, "*Yìn* also means phlegm." The two characters gloss each other; it is categorized under "sickness" with *yīn* phonetic. In the sūtra text it is written under "grass" as 蔭, which is incorrect).

6.118

Hemorrhoids (痔病: the first [character] is *zhi*, fanqie 直里. The Shuowen jiezi says: 'A disease of the posterior.' It was already explained above in the first fascicle of the Ratnakūṭâgāra-sūtra).

6.119

Cough and malaria (瘶瘧: the first [character] is *sou*, fanqie 乘奏. The Kaosheng says: 'A disease where breath rushes against the throat.' The Cangjie pian says: 'A disease of cold and heat.' The Wenzidian shuo says it is derived from the disease radical 疒 with 欶 as phonetic; 欶 has the same sound as above. In the sūtra text it is written with the mouth radical 口 as 嗽, which is incorrect. The second [character] is *nue*, fanqie 魚約. The Qieyun says: 'Intermittent fever disease.' Character dictionaries state that it is derived from the disease radical 疒 with 虐 as phonetic. In the sūtra text it is written singly as 虐, meaning harsh or cruel, which is not the meaning of an intermittent fever disease. Harsh (苛) is pronounced *he*; cruel (酷) is pronounced *ku*; intermittent fever (痁) is fanqie 失廉).

6.120

Text of the Confession and Veneration of the Thirty-Five Buddhas, one fascicle (No characters requiring pronunciation or gloss).

6.121

Dhāraṇī-sūtra for Eradicating All Eye Diseases, one fascicle

6.122

Cataract and corneal opacity (瞖瞙: the first [character] is *yi*, fanqie 於計. The Shuowen jiezi says: 'An opacity in the eye.' Derived from the eye radical 目 with 殹; it is a phono-semantic compound. In the sūtra text it is written with the feather radical 羽 as 翳, which is not the character for an eye opacity. The second [character] is pronounced *mo*. Character dictionaries say: 'Dimness of the eye.' The Shiming says: 'Opacity (瞙) means a curtain (幕), like a screening curtain.' The Wenzi jilüe writes it with the eye radical 目 as 瞙. In the sūtra text it is written with the flesh radical 月 as 膜, which refers to the fascia between skin and flesh).

6.123

Eye veins (眼脈: the first [character] is *yan*, fanqie 五限. The Shiming says: 'The eye (眼) means a boundary (限), meaning there is a boundary to seeing things.' Derived from the eye radical 目 with 限 as phonetic. The second [character] is *mai*, fanqie 莫獲. The Qieyun says: 'Blood vessels.' The Shiming says: 'Vessel (脈) means curtain (幕), meaning enveloping the whole body.' The Shuowen jiezi says it is derived from the flesh radical 肉 with the phonetic 派 abbreviated. In the sūtra text it is written as 脉, which is a vulgar variant).

6.124

Maṇḍala Sūtra of the Eight Great Bodhisattvas, one fascicle (including praise)

6.125

Maṇḍala (曼茶羅: the first [character] is fanqie 母官. It is Sanskrit; also rendered *mannaluo* (曼拏攞) or *mannaluo* (滿拏羅) or *manzhala* (曼吒羅), which are identical. Here it is translated by meaning as 'assembly of the noble beings'; that is the modern altar platform [壇]).

6.126

Holding the alms-bowl (拓鉢: the first [character] is *tuo*, fanqie 他各. The Qieyun says: 'To support an object with the hand.' The second [character] is *bo*, fanqie 北末. Character dictionaries also write it as 𥁊, which is identical; that is, an alms-bowl vessel. The Biography of Fotudeng says: 'Fotudeng burned incense and incanted over the bowl, and in an instant blue lotuses grew.' The Western Regions Gazette says: 'The Buddha's alms-bowl is in the country of Gandhāra').

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