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Gita Govinda 2.5

Gītagovinda 2.5

Language
Sanskrit

2.5.1

aham iha nivasāmi yāhi rādhām anunaya mat-vacanena ca ānayethāḥ /
iti madhuripuṇā sakhī niyuktā svayam idam etya punaḥ jagāda rādhām //

"I am staying here; go, conciliate Rādhā, and bring her here with my word"—
thus dispatched by the enemy of Madhu, the confidante herself went again and spoke to Rādhā:

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2.5.2

vahati malaya-samīre madanam upanidhāya /
sphuṭati kusuma-nikare virahi-hṛdaya-dalanāya //
tava virahe vanamālī sakhi sīdati //

While the breeze from the Malaya mountains blows, carrying Madana with it,
and clusters of flowers burst open to crush the hearts of separated lovers,
in separation from you, O friend, the garlanded one suffers!

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2.5.3

dahati śiśira-mayūkhe maraṇam anukaroti /
patati madana-viśikhe vilapati vikalataraḥ ati //
tava virahe vanamālī sakhi sīdati //

When the cool-rayed moon burns, he imitates death;
when the arrow of Madana falls, exceedingly agitated, he laments;
in separation from you, O friend, the garlanded one suffers!

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2.5.4

dhvanati madhupa-samūhe śravaṇam apidadhāti /
manasi valita-virahe niśi niśi rujam upayāti //
tava virahe vanamālī sakhi sīdati //

When swarms of bees hum, he covers his ears;
with separation stirring in his heart, night after night he undergoes agony;
in separation from you, O friend, the garlanded one suffers!

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2.5.5

vasati vipina-vitāne tyajati lalita-dhāma /
luṭhati dharaṇi-śayane bahu vilapati tava nāma //
tava virahe vanamālī sakhi sīdati //

He dwells in the canopy of the forest, abandoning his charming abode;
he rolls upon the bed of earth, loudly crying out your name;
in separation from you, O friend, the garlanded one suffers!

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2.5.6

bhaṇati kavi-jayadeve virahi-vilasitena /
manasi rabhasa-vibhave hariḥ udayatu sukṛtena //
tava virahe vanamālī sakhi sīdati //

As poet Jayadeva sings of the lover's anguish,
may Hari arise through merit in the heart rich with passion!
in separation from you, O friend, the garlanded one suffers!

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2.5.7

pūrvam yatra samam tvayā ratipateḥ āsāditāḥ siddhayaḥ
tasmin eva nikuñja-manmatha-mahā-tīrthe punaḥ mādhavaḥ /
dhyāyan tvām aniśam japan api tava eva ālāpa-mantra-āvalīm
bhūyaḥ tvat-kuca-kumbha-nirbhara-parīrambha-amṛtam vāñchati //

There where the perfections of the lord of Rati were attained together with you before,
in that very same arbor, the great sacred ford of Manmatha, Mādhava once again,
meditating on you unceasingly and chanting the rosary of the mantras of your words,
yearns again for the nectar of embracing the fullness of your pitcher-like breasts.

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2.5.8

rati-sukha-sāre gatam abhisāre madana-manohara-veśam /
na kuru nitambini gamana-vilambanam anusara tam hṛdaya-īśam //
dhīra-samīre yamunā-tīre vasati vane vanamālī //

Gone to the rendezvous, his dress enchanting as Madana, he is the essence of amorous pleasure;
do not delay your going, O wide-hipped woman, follow him, the lord of your heart!
In the gentle breeze on the bank of the Yamunā, the garlanded one dwells in the forest!

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2.5.9

nāma-sametam kṛta-saṅketam vādayate mṛdu-veṇum /
bahu manute nanu te tanu-saṃgata-pavana-calitam api reṇum //
dhīra-samīre yamunā-tīre vasati vane vanamālī //

Calling your name, signaling a meeting, he plays his sweet flute;
he highly prizes even the dust stirred by the breeze that has touched your body!
In the gentle breeze on the bank of the Yamunā, the garlanded one dwells in the forest!

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2.5.10

patati patatre vicalati patre śaṅkita-bhavat-upayānam /
racayati śayanam sacakita-nayanam paśyati tava panthānam //
dhīra-samīre yamunā-tīre vasati vane vanamālī //

When a bird swoops or a leaf quivers, suspecting your approach,
he prepares a bed and watches your path with anxious eyes!
In the gentle breeze on the bank of the Yamunā, the garlanded one dwells in the forest!

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2.5.11

mukharam adhīram tyaja mañjīram ripum iva keli-sulolam /
cala sakhi kuñjam satimira-puñjam śīlaya nīla-nicolam //
dhīra-samīre yamunā-tīre vasati vane vanamālī //

Discard your noisy, restless anklet like an enemy in the eagerness of love-play;
go, friend, to the bower dense with darkness, and wrap yourself in a dark-blue cloak!
In the gentle breeze on the bank of the Yamunā, the garlanded one dwells in the forest!

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2.5.12

urasi murāreḥ upahita-hāre ghane iva tarala-balāke /
taḍit iva pīte rati-viparīte rājasi sukṛta-vipāke //
dhīra-samīre yamunā-tīre vasati vane vanamālī //

On Murāri's chest adorned with a necklace, like a dark cloud with restless cranes,
you will shine like lightning on yellow silk in inverted love-play, the fruit of good deeds!
In the gentle breeze on the bank of the Yamunā, the garlanded one dwells in the forest!

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2.5.13

vigalita-vasanam parihṛta-rasanam ghaṭaya jaghanam apidhānam /
kisalaya-śayane paṅkaja-nayane nidhim iva harṣa-nidānam //
dhīra-samīre yamunā-tīre vasati vane vanamālī //

Bring your hips, their garments fallen, their girdle removed, uncovered
upon the bed of sprouts, O lotus-eyed woman, like a treasure that is the source of joy!
In the gentle breeze on the bank of the Yamunā, the garlanded one dwells in the forest!

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2.5.14

hariḥ abhimānī rajaniḥ idānīm iyam api yāti virāmam /
kuru mama vacanam satvara-racanam pūraya madhuripu-kāmam //
dhīra-samīre yamunā-tīre vasati vane vanamālī //

Hari is full of pride, and now this night is also drawing to an end;
heed my words, prepare swiftly, fulfill the desire of the enemy of Madhu!
In the gentle breeze on the bank of the Yamunā, the garlanded one dwells in the forest!

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2.5.15

śrījayadeve kṛta-hari-seve bhaṇati parama-ramaṇīyam /
pramudita-hṛdayam harim atisadayam namata sukṛta-kamanīyam //
dhīra-samīre yamunā-tīre vasati vane vanamālī //

As Śrī Jayadeva, devoted to Hari's service, sings this most delightful song,
bow to Hari, joyful of heart, exceedingly compassionate, desirable through good deeds!
In the gentle breeze on the bank of the Yamunā, the garlanded one dwells in the forest!

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2.5.16

vikirati muhuḥ śvāsān āśāḥ puraḥ muhuḥ īkṣate
praviśati muhuḥ kuñjam guñjan muhuḥ bahu tāmyati /
racayati muhuḥ śayyām paryākulam muhuḥ īkṣate
madana-kadana-klāntaḥ kānte priyaḥ tava vartate //

Repeatedly he sighs; he looks repeatedly ahead toward all directions;
he enters the bower again and again, groaning frequently, sorely distressed;
he arranges the bed over and over, glancing around anxiously in confusion—
exhausted by the torment of Madana, O lovely one, your beloved waits!

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2.5.17

tvat-vāmyena samam samagram adhunā tigmāṃśuḥ astam gataḥ
govindasya manorathena ca samam prāptam tamaḥ sāndratām /
kokānām karuṇa-svanena sadṛśī dīrghā mat-abhyarthanā
tat mugdhe viphalam vialambanam asau ramyaḥ abhisāra-kṣaṇaḥ //

Along with your reluctance, the hot-rayed sun has now completely set;
and together with Govinda's longing, the darkness has grown dense;
my plea is as protracted as the plaintive cry of the cakravāka birds;
therefore, foolish girl, delay is in vain—this is the charming moment for the rendezvous!

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2.5.18

āśleṣāt anu cumbanāt anu nakha-ullekhāt anu svāntaja-
prodbodhāt anu saṃbhramāt anu rata-ārambhāt anu prītayoḥ /
anya-artham gatayoḥ bhramāt militayoḥ saṃbhāṣaṇaiḥ jānatoḥ
dampatyoḥ iha kaḥ na kaḥ na tamasi vrīḍā-vimiśraḥ rasaḥ //

After an embrace, after a kiss, after a scratch of fingernails, after passion is aroused,
after breathless agitation, after amorous play begins, what aesthetic flavor mixed with bashfulness
is not experienced in the darkness by the loving couple who, having gone seeking another,
met by mistake and recognized each other through their conversation?

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2.5.19

sabhaya-cakitam vinyasyantīm dṛśam timire pathi
pratitaru muhuḥ sthitvā mandam padāni vitanvatīm /
katham api rahaḥ prāptām aṅgaiḥ anaṅga-taraṅgibhiḥ
sumukhi subhagaḥ paśyan saḥ tvām upaitu kṛta-arthatām //

Casting fearful and startled glances along the dark path,
pausing again and again at every tree, taking slow steps,
having somehow reached the secret place, her limbs rippling with the Bodiless One—
may that fortunate youth find fulfillment as he gazes upon you, O lovely-faced woman!

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